Sameer Gupta | |
---|---|
Born | July 1, 1976 |
Origin | San Francisco, California |
Genres | Jazz, world music |
Occupation(s) | musician, composer |
Labels | Motéma Music |
Website | sameergupta |
Sameer Gupta (born July 1, 1976) [1] is a Brooklyn-based jazz percussionist, tabla player, and composer. He is a co-founder of Brooklyn Raga Massive, the jazz ensemble The Supplicants and drummer for the Marc Cary Focus Trio. He has also worked with vidyA, Kosmic Renaissance, Grachan Moncur III, Victor Goines, Vincent Gardner, Sekou Sundiata, Sonny Simmons, Marcus Shelby, Calvin Keys, Richard Howell, Dayna Stephens, and Julian Lage.
The Jazz Observer called his playing kinetic, bass-heavy, and tender. [2]
As sideman
Grachan Moncur III was an American jazz trombonist. He was the son of jazz bassist Grachan Moncur II and the nephew of jazz saxophonist Al Cooper.
Grachan Moncur II was an American jazz bassist with the Savoy Sultans.
Herman Davis "Dave" Burrell is an American jazz pianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray.
John Clark is an American jazz horn player and composer. In Allmusic, Clark is described as "possibly the most fluent jazz French horn soloist since the great Julius Watkins in the 1950s."
Point of View is the debut studio album by American jazz singer Cassandra Wilson, recorded in Brooklyn, New York, in December 1985, as the fourth release of the German JMT label in 1986. It was also one of the first albums of a group of musicians around Steve Coleman, that became known as M-Base.
Billy Harper is an American jazz saxophonist, "one of a generation of Coltrane-influenced tenor saxophonists" with a distinctively stern, hard-as-nails sound on his instrument.
Lee Morgan is the final studio album by jazz trumpeter Lee Morgan, released only after his death in 1972. It was originally released on the Blue Note label in 1972 as a double LP, and features performances by Morgan, Grachan Moncur III, Bobbi Humphrey, Billy Harper, Harold Mabern, Reggie Workman, Jymie Merritt and Freddie Waits.
The Kicker is the first album by jazz tenor saxophonist Joe Henderson, released on the Milestone label. It was recorded on August 10, 1967, with one track originating from a later session on September 27, and contains performances by Henderson with trumpeter Mike Lawrence, trombonist Grachan Moncur III, pianist Kenny Barron, bassist Ron Carter and drummer Louis Hayes. The AllMusic review by Scott Yanow states: "Joe Henderson's first recording for Milestone was very much a continuation of the adventurous acoustic music he had recorded previously for Blue Note".
The Way Ahead is an album by Archie Shepp, released on Impulse! Records in 1968. The album contains tracks recorded by Shepp, trumpeter Jimmy Owens, trombonist Grachan Moncur III, pianist Walter Davis Jr., bassist Ron Carter and drummers Roy Haynes and Beaver Harris in January of 1968 with two additional tracks featuring baritone saxophonist Charles Davis, pianist Dave Burrell and bassist Walter Booker recorded in February 1969, and first released on Kwanza (1974), added to the CD release.
One Step Beyond is an album by American saxophonist Jackie McLean recorded in 1963 and released on the Blue Note label. This is the first of two albums where McLean replaced the usual pianist with vibraphone player Bobby Hutcherson. As a result, One Step Beyond features a new sound that, while still rooted in hard bop, was more spacious and adventurous than his earlier work and leaned towards post bop and free jazz. The group is rounded out by trombonist Grachan Moncur III, bassist Eddie Khan and drummer Tony Williams.
Destination... Out! is an album by American saxophonist Jackie McLean recorded in 1963 and released on the Blue Note label. It is the second McLean album to feature Bobby Hutcherson on vibraphone and Grachan Moncur III on trombone. The rhythm section is completed by bassist Larry Ridley and drummer Roy Haynes.
'Bout Soul is an album by American saxophonist Jackie McLean recorded in 1967 and released on the Blue Note label. It features McLean in a quintet with trumpeter Woody Shaw, pianist LaMont Johnson, bassist Scotty Holt and drummer Rashied Ali. Trombonist Grachan Moncur III guests on three tracks, and Barbara Simmons recites the words on “Soul”.
Soul Connection is an album by American organist John Patton recorded in 1983 and released on the Nilva label.
Evolution is the debut album led by the American trombonist Grachan Moncur III, recorded in 1963 and released on the Blue Note label. Moncur’s band consists of alto saxophonist Jackie McLean, trumpeter Lee Morgan, vibraphonist Bobby Hutcherson, bassist Bob Cranshaw and drummer Tony Williams. Two McLean albums also recorded for Blue Note in 1963 featured Moncur and his compositions, and explored the same “inside/outside” musical approach.
Some Other Stuff is the second album by American trombonist Grachan Moncur III recorded in 1964 and released on the Blue Note label in 1965. It features tenor saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Cecil McBee and drummer Tony Williams. It was remastered by Rudy Van Gelder for CD in 2008.
Motéma Music is a jazz and world music record label in U.S. It was founded in 2003 in San Francisco Bay Area. The label's catalog spans genres, cultures, and generations and has received Grammy recognition for over twenty-five albums in jazz, Latin-jazz, reggae, and R&B. Founded by label president and recording artist Jana Herzen, it was Motéma that first brought soul/jazz musician Gregory Porter to international attention with his Grammy-nominated first albums, Water and Be Good and his hit song "1960 What?" The label launched international careers for jazz piano star Joey Alexander, modern soul singer Deva Mahal, and Cuban musician Pedrito Martinez, among others. Also in the label’s catalog are recordings by established performers such as Randy Weston, Geri Allen, David Murray, Monty Alexander, and Charnett Moffett, alongside releases by younger players including Donny McCaslin, Mark Guiliana, Jihye Lee, and NEA Jazzmaster Terri Lyne Carrington + Social Science, whose much-talked-about Grammy-nominated activist album Waiting Game garnered 2020 Album of the Year, Artist of the Year and Artist of the Year accolades from Downbeat among other awards and recognition.
Jana Herzen, born April 24, 1959 in San Francisco, is a singer-songwriter with folk, world, rock and jazz influences who founded Motéma Music, a Harlem-based record label focused on virtuosic jazz and world music. Prior to founding the label in 2003, she worked as a musician and as an art agent for Winston Smith, who designed the logo for Motéma. Herzen was instrumental in the publishing of Artcrime, Smith's 2nd volume of collected works on the Last Gasp publishing imprint.
The New Wave in Jazz is a live album recorded on March 28, 1965 at the Village Gate in New York City. It features groups led by major avant-garde jazz artists performing at a concert for the benefit of The Black Arts Repertory Theater/School founded by Amiri Baraka, then known as LeRoi Jones. The album was released on LP in 1965 on the Impulse! label, and was reissued on CD in 1994 with a different track listing.
Exploration is an album by trombonist and composer Grachan Moncur III. It was recorded in June 2004, and was released by Capri Records later that year. On the album, Moncur is accompanied by saxophonists Gary Bartz, Gary Smulyan, and Billy Harper, trumpeter Tim Hagans, trombonist Dave Woodley, horn player John Clark, bassist Ray Drummond, and drummer Andrew Cyrille. The music was arranged by Mark Masters. It was Moncur's first album after a lengthy hiatus, during which he wrote, taught, and dealt with dental issues.
Inner Cry Blues is an album by trombonist and composer Grachan Moncur III. It was recorded in February 2007, and was released by Lunar Module Records later that year. On the album, Moncur is accompanied by saxophonist Mitch Marcus, trumpeter Erik Jekabson, vibraphonist Ben Adams, bassist Lukas Vesely, and drummer Sameer Gupta. Issued three years after Exploration, it was Moncur's second album following a lengthy hiatus, during which he wrote, taught, and dealt with dental issues.