Samuel Bernard, also known as Jacques-Samuel Bernard [1] was a French miniature painter and engraver.
Born to a Protestant family in Paris in 1615, [2] he was the son of Noel Bernard, a painter. He was a pupil of both Simon Vouet and of Louis du Guernier, and began his artistic career painting frescos. Bernard moved on to painting miniatures before finally devoting himself entirely to engraving. [3] Some still lifes, painted in the early 1660s, are also known. [2]
He joined the Académie Royale de Peinture et de Sculpture on its foundation in 1648 and became a professor there in 1655. He was expelled on religious grounds in 1681, but restored to his post following his recantation of Protestantism four years later. [2]
He died in Paris in 1687. [3] The financier Samuel Bernard was his son. [2]
He engraved plates, both in line and in mezzotint. They include: [3]
François de Troy was a French painter and engraver who became principal painter to King James II in exile at Saint-Germain-en-Laye and Director of the Académie Royale de peinture et de sculpture.
Alexis Simon Belle was a French portrait painter, known for his portraits of the French and Jacobite nobility. As a portrait artist, Belle's style followed that of his master François de Troy, Hyacinthe Rigaud, and Nicolas de Largillière. He was the master of the painter Jacques-André-Joseph-Camelot Aved (1702–1766).
Louis Candide Boulanger was a French Romantic painter, pastellist, lithographer and a poet, known for his religious and allegorical subjects, portraits, genre scenes.
Michel François André-Bardon was a French history painter and etcher.
Louis-Marie Autissier, was a French-born portrait miniature painter in the Netherlands. According to Marjorie E. Wieseman, curator of European painting, at the Cincinnati Art Museum, "Autissier's success as a miniaturist was in large measure due to his talent as a colourist and his meticulous detailing of costumes and accessory." He is considered the founder of the Belgian school of miniature painting in the nineteenth century. Among his most accomplished pupils and followers were Alexandre de Latour a (1780–1858), Louis Henri de Fontenay, and Dominique Ducaju (1802–1867) b. His works are in the collections of the Cincinnati Art Museum, the Nationalmuseum and the Royal Collection.
Bernard Baron was a French engraver and etcher who spent much of his life in England.
Jacques Firmin Beauvarlet, a celebrated engraver, was born at Abbeville in 1731. He went to Paris when young, and was instructed in the art by Charles Dupuis and Laurent Cars. His first manner was bold and free, and his plates in that style are preferred by some to the more finished and highly-wrought prints that he afterwards produced, although it must be confessed that the latter are executed with great neatness and delicacy. Beauvarlet married, in 1761, Catherine Jeanne Françoise Deschamps, a young lady who possessed some skill in engraving, but who died in 1769 at the age of thirty-one. He married again in 1770, but became for a second time a widower in 1779. Eight years later, in 1787, he married Marie Catherine Riollet, who, like his first wife, was an engraver. She was born in Paris in 1755, and is said to have died in 1788. Beauvarlet himself died in Paris in 1797.
Charles Benazech was an English portrait and historical painter, and aquatint engraver. Prints of his painting of Louis XVI and family, just before the monarch's execution during the French Revolution, achieved a wide circulation.
Claude François Théodore Caruelle d'Aligny (1798–1871) was a French landscape painter.
Louis de Chastillon (c.1639–1734) was a French painter in enamel and miniature, and an engraver.
Charles Nicolas Cochin the Elder was a French line-engraver.
Pierre Daret de Cazeneuve, a French portrait painter and engraver, was born in Paris in 1604. After receiving some instruction in engraving, he went to Rome to improve his skill, and spent a considerable time there. He was received into the Academy of Painting in 1663.
François Anne David (1741-1824), was a French line-engraver.
Pierre-Alfred Dedreux, who signed his works as Alfred de Dreux was a French portrait and animal painter, best known for his scenes with horses.
Claude Du Bosc was a French engraver, publisher, and printseller who spent much of his career in London. Associated with French contemporaries such as the painter Antoine Watteau and the draftsman Hubert-François Gravelot, Du Bosc belonged to the first wave of skilled engravers to arrive in London during the early 18th century, playing a major part in improving the standard of English printmaking of that era.
Jacques-Philippe Ferrand (1653–1732) was a French miniaturist and painter in enamel.
Étienne Fessard, a French engraver, was born in Paris in 1714. He was a pupil of Edme Jeaurat, and proved an artist of sufficient merit to be accepted for candidacy (agréé) at the Académie royale de peinture et de sculpture (1753). A protegé of le comte de Caylus, whom he may have assisted in the development of skill in etching, Fessard received the appointment Engraver of the King's Library in 1756, with responsibility for the engravings of the royal collection of paintings and drawings, as a result of Caylus' influence. On his death in 1777, the position was given to his student Augustin de Saint-Aubin. Fessard executed a considerable number of plates, but his efforts to resume the engraving of the King's paintings did not obtain the support of the Acadmie royale and resulted in only two plates: "Feste Flamande" after Rubens and "L'Empire de Flore" after Poussin.
Nicolas-Henri Tardieu, called the "Tardieu the elder", was a prominent French engraver, known for his sensitive reproductions of Antoine Watteau's paintings. He was appointed graveur du roi to King Louis XV of France. His second wife, Marie-Anne Horthemels, came from a family that included engravers and painters. She is known as an engraver in her own right. Nicolas-Henri and Marie-Anne Tardieu had many descendants who were noted artists, most of them engravers.
Bernard Gaillot, a French historical painter, born at Versailles in 1780, was a pupil of Jacques-Louis David.
Charles Swagers was a French painter, primarily of historical subjects, active in the early 19th century. He studied under his father, Franz Swagers, a landscape and marine painter from Utrecht who had settled in Paris. Swagers is best known for the grisaille he exhibited at the Paris Salon in 1833 titled The Tomb of Maria Christina of Austria, by Antonio Canova. A painting of St. Nicholas by Swagers is preserved in the church of Saint-Louis in Gien. In 1840 he was appointed professor of drawing and composition in Dieppe.
Attribution: