San Fantin (short for San Fantino) is a church in the sestiere of San Marco in Venice, Italy. It stands in front of the Fenice Theater and adjacent to the Ateneo Veneto (the former Scuola grande di San Fantin).
This parish church was first erected in the 10th century under the patronage of the patrician families from Barozzi, Aldicina, and Equilia. Reconstruction was undertaken by the Pisani family, who installed in the church a miraculous icon of the Virgin they had obtained from the East. The church of San Fantin by the 15th century came to be called the church of Santa Maria delle Grazie di San Fantino. Ten thousand ducats were willed for the church's reconstruction by Cardinal Giovanni Battista Zeno who died in 1501. A number of relics were transferred to this church including the body of Saint Marcellina and an armbone of the martyred Saint Trifone, Protector of Cattaro. [1]
Work on the church has been assigned or attributed to many architects, from Pietro Lombardo, Sebastiano Mariani, and later Jacopo Sansovino. Over the door of the sacristy is conserved the funeral urn of Vinciguerra Dandolo, a work by Tullio Lombardo. In 1908, the church was documented to hold two Piazzetta paintings: Liberation of Venice from the Plague and a Pieta. It had a Holy Family attributed to Giovanni Bellini, a Crucifixion by Lionardo Corona, and a Visitation of Mary to Elizabeth by Tintoretto. [2] These works have been relocated elsewhere.
The Basilica di Santa Maria Gloriosa dei Frari, usually just called the Frari, is a church located in the Campo dei Frari at the heart of the San Polo district of Venice, Italy. One of the most prominent churches in the city, it has the status of a minor basilica. The church is dedicated to the Assumption of Mary.
The Basilica di Santi Giovanni e Paolo, known in Venetian as San Zanipolo, is a church in the Castello sestiere of Venice, Italy.
Antoniazzo Romano, born Antonio di Benedetto Aquilo degli Aquili was an Italian Early Renaissance painter, the leading figure of the Roman school during the 15th century.
Santa Maria la Nova is a Renaissance style, now-deconsecrated, Roman Catholic church and monastery in central Naples. The church is located at the beginning of a side street directly across from the east side of the main post office, a few blocks south of the Church and Monastery of Santa Chiara. Today the adjacent monastery is a meeting site and hosts the Museo ARCA of modern religious art.
Lorenzo di Niccolò or Lorenzo di Niccolò di Martino was an Italian painter who was active in Florence from 1391 to 1412. This early Renaissance artist worked in the Trecento style, and his work maintains influences of the Gothic style, marking a transitional period between the Gothic sensibilities of the Middle Ages while simultaneously beginning to draw on the Classical. Lorenzo's works were usually religious scenes in tempera with gold backgrounds.
San Nicola da Tolentino agli Orti Sallustiani is a church in Rome. It is referred to in both Melchiori's and Venuti's guides as San Niccolò di Tolentino, and in the latter it adds the suffix a Capo le Case. It is one of the two Roman national churches of Armenia. The church was built for the Discalced Augustinians in 1599, and originally dedicated to the 13th century Augustinian monk, St. Nicholas of Tolentino.
The Basilica of Saint Nicolas of Tolentino is a Roman Catholic church and minor basilica that is part of the Augustinian monastery in the hill-town of Tolentino, province of Macerata, Marche, central Italy. The church is a former cathedral of the Roman Catholic Diocese of Tolentino, suppressed in 1586.
San Francesco della Vigna is a Roman Catholic church in the Sestiere of Castello in Venice, northern Italy.
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Our Lady of Graces or Saint Mary of Graces is a devotion to the Virgin Mary in the Roman Catholic Church. Churches with this dedication often owe their foundation to thankfulness for graces received from the Virgin Mary, and are particularly numerous or a lot in Italy, India, Australia, United States, France and the Italian-speaking region of Switzerland.
The Scuola Grande di San Giovanni Evangelista is a confraternity building located in the San Polo sestiere of the Italian city of Venice. Founded in the 13th century by a group of flagellants it was later to become one of the five Scuole Grandi of Venice. These organisations provided a variety of charitable functions in the city as well as becoming patrons of the arts. The Scuola Grande di San Giovanni Evangelista is notable for housing a relic of the true cross and for the series of paintings it commissioned from a number of famous Venetian artists depicting Miracles of the Holy Cross. No longer in the school, these came into public ownership during the Napoleonic era and are now housed in the Gallerie dell'Accademia. The scuola is open to visitors on a limited number of days, detailed on the official website.
The Chiesa dei Santi Apostoli di Cristo, commonly called San Apostoli, is a 7th-century Roman Catholic church located in the Cannaregio sestiere of the Italian city of Venice. It is one of the oldest churches in the city and has undergone numerous changes since its foundation. The present building is the result of a major reconstruction project which was undertaken in 1575. The church is notable particularly for the Cornaro Chapel, an important example of Early Renaissance architecture, added by Mauro Codussi during the 1490s. The chapel is the burial place of several members of the powerful Cornaro family, including Catherine Cornaro, Queen of Cyprus and Armenia. The church houses several works of art including pieces by Giambattista Tiepolo and Paolo Veronese.
The church of Santa Maria Assunta, known as I Gesuiti, is a religious building in Venice, northern Italy. It is located in the sestiere of Cannaregio, in Campo dei Gesuiti, not far from the Fondamenta Nuove.
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Santa Maria della Fava, also originally known as Santa Maria della Consolazione, is an ancient Roman Catholic church in the sestiere of Castello in Venice, Italy.
San Vidal is a former church, and now an event and concert hall located at one end of the Campo Santo Stefano in the Sestiere of San Marco, where it leads into the campiello San Vidal, and from there to the Ponte dell'Accademia that spans the Grand Canal and connects to the Sestiere of Dorsoduro, Venice, Italy.
Santa Sofia is a church located in the sestiere (neighborhood) of Cannaregio in Venice, Italy. It should be distinguished from the palazzo Ca' d'Oro on the Grand Canal is also called the Palazzo Santa Sofia.
San Lio is a church located on the campo of the same name in the sestiere of Castello.
San Procolo is a Paleo-Christian, Roman Catholic small temple standing adjacent to the Basilica di San Zeno in central Verona, region of Veneto, Italy.
San Francesco is a late-Renaissance, Roman Catholic minor basilica church located on via Terranuova in Ferrara, region of Emilia-Romagna, Italy.
Miraculous icon of the Virgin
The organ above the porch
Bell gable
