Ateneo Veneto

Last updated
Facade of the Scuola di San Fantin, today the Ateneo Veneto, pictured from the steps of La Fenice Scola di San Fantin (Venice).jpg
Façade of the Scuola di San Fantin, today the Ateneo Veneto, pictured from the steps of La Fenice

The Ateneo Veneto di Scienze, Lettere ed Arti is an institution for the promulgation of science, literature, art and culture in all forms, in the exclusive interest of promoting social solidarity, located in Venice, northern Italy. The Ateneo Veneto is made up of 300 members resident in the city and in the province of Venice, elected by the Assembly, which is also responsible for appointing the chairman and the academic council. Honorary, Non-Resident and Foreign Members, elected by the Assembly also participate in the life of the Ateneo.

Contents

The Ateneo Veneto was formed on 12 January 1812 through the merger of the Società Veneta di Medicina, the Accademia dei Filareti, and the Accademia Veneta Letteraria pursuant to a decree of Napoleon I dated 25 December 1810. [1] The first chairman was Leopoldo Cicognara.

It was the Ateneo Veneto that saw the first stirrings of Venetian liberalism, with speeches by Daniele Manin, who was president of the short-lived Republic of San Marco from 1848 to 1849, and by Niccolò Tommaseo. Throughout the 19th and 20th centuries the Ateneo Veneto acted as a forum for debates on crucial matters for the city in the fields of culture, science, art, literature, medicine, politics, economics and law. Such free discussions on major issues have continued to characterize the Ateneo Veneto, testifying to its civic, social and cultural commitment.

Pediment and Madonna and Angels 1584 crowning the facade by Alessandro Vittoria Scola di San Fantin (Venice) - The pediment.jpg
Pediment and Madonna and Angels 1584 crowning the facade by Alessandro Vittoria

History

Originally the building hosted a confraternity, the Scuola Grande[ dubious discuss ] di San Fantin, also known as the Scuola di San Girolamo or Scuola di Santa Maria e di San Girolamo (devoted to justice), as stated in the official documents of the Venetian Republic, more commonly referred to as "di San Fantin" or "dei picai" ("of the hanged men"). During the sixteenth century a number of great architects, painters and sculptors of the Baroque and Mannerist schools embarked upon a major reconstruction of the Scuola; by the beginning of the seventeenth century the building was more or less as one sees it now. The church on the ground-floor is now the conference-hall. The albergo, on the first floor, is a reading-room: around 1664 the albergo piccolo was added (now the "Sala Tommaseo"), as was the new sacristy on the ground floor (now a meeting-room). On the top floor is the library which contains around 40,000 volumes, some of them of inestimable historic and artistic value. The art-collection, with works by Tintoretto, Veronese, Palma il Giovane, Antonio Zanchi, Francesco Fontebasso, Pietro Longhi and Alessandro Vittoria, is also extremely valuable.

The Ateneo Veneto, a non-profit organization, institution of science, literature and arts, is committed to making full use of its historical and artistic heritage (the building, art-collection and library) and to the pursuit of cultural activities (scholarly studies, courses in history, science, literature and art, lectures, conferences, theatrical, musical and cinematic events, exhibitions and the Torta Prize for restoration) and social initiatives (hosting local associations and committees without their own premises, collaborating with the institutions of the city, co-organizing University courses for senior citizens held at the Ateneo Veneto, contributing to the cultural education of young students and scholars through subsidized training-courses in the library and the Ateneo Veneto, and co-operating with the city's cultural organizations). It will continue to expand its services, including recreational activities connected with the above-mentioned initiatives, using the Internet and multi-media facilities.

Presidents

Related Research Articles

<span class="mw-page-title-main">Felice Romani</span> Italian poet, librettist, and scholar (1788–1865)

Giuseppe Felice Romani was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.

<span class="mw-page-title-main">Ca' Rezzonico</span> Palazzo and art museum in Venice, Italy

Ca' Rezzonico is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy. It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista Tiepolo. It is a public museum dedicated to 18th-century Venice and one of the 11 venues managed by the Fondazione Musei Civici di Venezia.

<span class="mw-page-title-main">Gallerie dell'Accademia</span> Art museum in Venice, Italy

The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the vaporetto water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili.

<span class="mw-page-title-main">Ludovico Lipparini</span> Italian painter

Lodovico Lipparini was an Italian painter.

<span class="mw-page-title-main">Antonio Randa</span> Italian painter (1595–c. 1657)

Antonio Randa was an Italian painter of the classicist period, active in Ferrara, Modena, Rovigo, Florence, Comacchio and his native Bologna.

La passione di Gesù Cristo is a libretto by Pietro Metastasio which was repeatedly set as an azione sacra or oratorio by many composers of the late baroque, Rococo and early classical period.

<span class="mw-page-title-main">Art collection of Fondazione Cariplo</span> Artworks collection in Italy

The art collections of Fondazione Cariplo are a gallery of artworks with a significant historical and artistic value owned by Fondazione Cariplo in Italy. It consists of 767 paintings, 116 sculptures, 51 objects and furnishings dating from the first century AD to the second half of the twentieth.

<span class="mw-page-title-main">San Fantin, Venice</span>

San Fantin is a church in the sestiere of San Marco in Venice, Italy. It stands in front of the Fenice Theater and adjacent to the Ateneo Veneto.

Pietro Paoletti was an Italian painter and engraver.

<span class="mw-page-title-main">Giovanni De Min (painter)</span> Italian painter

Giovanni De Min was an Italian painter and engraver, active in a Neoclassic style.

<span class="mw-page-title-main">Provveditore Generale da Mar</span>

The Provveditore Generale da Mar was the most senior peacetime office in the Venetian navy and in charge of governing the Venetian overseas empire.

Giuseppe Fiocco was an Italian art historian, art critic, and academic. He is known for his research and writings on Venetian and Florentine artists.

This is an alphabetical index of people, places, things, and concepts related to or originating from the Republic of Venice. Feel free to add more, and create missing pages.

<span class="mw-page-title-main">House of Loredan-Santo Stefano</span> Venetian Noble Lineage

The House of Loredan-Santo Stefano was a cadet branch of the House of Loredan that existed from the 14th century until 1767. The branch was mainly settled in the Palazzo Loredan in Campo Santo Stefano, which they acquired in 1536 from the Mocenigo family. The progenitor of the branch is considered to be Gerolamo Loredan "dal Barbaro" di S. Vitale (d.~1474), father of Doge Leonardo Loredan and Dogaressa Caterina Loredan. Besides Leonardo, the branch also gave Doge Francesco Loredan.

<span class="mw-page-title-main">Palazzo Loredan in Campo Santo Stefano</span> Palace in the San Marco district of Venice

The Palazzo Loredan at Campo Santo Stefano is a palace in the San Marco district of Venice, overlooking Campo Santo Stefano. Before the acquisition by the Loredan family in 1536 and the restoration by the architect Antonio Abbondi, it was a group of adjacent buildings, in the Gothic style, belonging to the Mocenigo family. The purchased buildings were substantially restored and made into a single building for the residence of the wealthy noble family of Loredan. The palace has throughout history been home to at least seven Doges of Venice.

References

  1. "Chronology of Scholarly Societies: 1810–1819". Lib.uwaterloo.ca. Archived from the original on 23 September 2010. Retrieved 2010-09-07.

45°26′03″N12°20′02″E / 45.434039°N 12.333993°E / 45.434039; 12.333993