"San Tropez" | |
---|---|
Song by Pink Floyd | |
from the album Meddle | |
Released | 5 November 1971 (UK) |
Recorded | 19–22 July 1971 [1] 23–27 August 1971 [1] |
Studio | |
Genre | Jazz rock |
Length | 3:44 |
Label | Harvest |
Songwriter(s) | Roger Waters |
Producer(s) | Pink Floyd |
"San Tropez" is the fourth track from the album Meddle by the band Pink Floyd. [2] [3] It was written by Roger Waters.
Unlike the other tracks on Meddle, "San Tropez" was not written collaboratively; instead, Roger Waters wrote the piece himself and brought it into the studio already finished. It is the only track on Meddle not co-written by David Gilmour. This song is about a place called Saint-Tropez, a commune of the Var département in southern France located on the French Riviera. The song reflects an idealised vision of what a day in Saint-Tropez might be like. [4]
Throughout the 1970s and beyond, the second-to-last line of lyrics to the song, "Making a date for later by phone", has been persistently misunderstood in Italy, mainly because of Waters' slurred pronunciation ("...fer-lita-pah-fon"), as being "Making a date for Rita Pavone", with a reference to the well-known 1960s Italian pop singer.[ citation needed ] Pavone herself has stated several times, in TV interviews and elsewhere, that she actually believes the line to be about her. [5]
While Roger Waters plays the acoustic guitar as well as his usual bass, "San Tropez" does include a short slide guitar solo from guitarist David Gilmour and an extended piano solo by keyboardist Richard Wright at the end.
In a review for the Meddle album, Jean-Charles Costa of Rolling Stone described "San Tropez", along with "A Pillow of Winds", as an "ozone ballad". He further described the two as "pleasant little acoustic numbers hovering over a bizarre back-drop of weird sounds." [6] Classic Rock Review described "San Tropez" as "a jazz-inflected pop song with a shuffle tempo." [7] They went on further saying "[San Tropez] adds another diverse dimension to the album with its easy-going crooner-like melody and atmosphere." [7] This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd , but it was ultimately not included. [8]
Meddle is the sixth studio album by the English rock band Pink Floyd, released by Harvest Records on 5 November 1971 in the United Kingdom. The album was produced between the band's touring commitments, from January to August 1971 at a series of locations around London, including EMI Studios and Morgan Studios.
A Saucerful of Secrets is the second studio album by the English rock band Pink Floyd, released on 28 June 1968 by EMI Columbia in the UK and in the US by Tower Records. The mental health of the singer and guitarist Syd Barrett deteriorated during recording, so David Gilmour was recruited; Barrett left the band before the album's completion.
Echoes: The Best of Pink Floyd is the fourth compilation album by the English rock band Pink Floyd, released on 5 November 2001 by EMI internationally and a day later by Capitol Records in the United States. It debuted at No. 2 on the Billboard 200 album chart on 24 November 2001, with sales of 214,650 copies. It remained on the chart for 26 weeks. The album was certified gold, platinum and double platinum on 6 December 2001 in the US by the RIAA. It was certified triple platinum in the US on 8 January 2002, and quadruple platinum on 10 September 2007.
"Shine On You Crazy Diamond" is a nine-part Pink Floyd composition written by David Gilmour, Roger Waters, and Richard Wright, which was first performed on Pink Floyd's 1974 French tour and appeared in Pink Floyd's 1975 concept album Wish You Were Here. The song is written about and dedicated to founder member Syd Barrett, who departed from the band in 1968 after dealing with mental problems and substance abuse.
"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album Meddle. It is 23+1⁄2 minutes long, the second longest of their discography, eight seconds shorter than Atom Heart Mother Suite, and takes up the entire second side of the original LP. The track evolved from a variety of different musical themes and ideas, including instrumental passages and studio effects, resulting in the side-long piece. The music, credited to all the band, was mainly written by Richard Wright and David Gilmour, while Roger Waters' lyrics addressed themes of human communication and empathy, to which he returned in later work.
"A Saucerful of Secrets" is a multi-part instrumental composition by English rock band Pink Floyd from their 1968 album of the same name. It is nearly 12 minutes long and was composed by Roger Waters, Richard Wright, Nick Mason and David Gilmour. The track features guitar feedback, a percussion solo section and wordless vocals.
"Atom Heart Mother" is a six-part suite by the progressive rock band Pink Floyd, composed by all members of the band and Ron Geesin. It appeared on the Atom Heart Mother album in 1970, taking up the first side of the original vinyl record. At 23:38, it is Pink Floyd's longest uncut studio piece. Pink Floyd performed it live between 1970 and 1972, occasionally with a brass section and choir in 1970–71.
"Grantchester Meadows" is the second track from the studio disc of the 1969 Pink Floyd album Ummagumma.
"Nobody Home" is a song from the Pink Floyd album The Wall. This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd.
"Dogs" is a song by English rock band Pink Floyd, released on the album Animals in 1977. This song was one of several to be considered for the band's 2001 compilation album Echoes: The Best of Pink Floyd.
"The Scarecrow" is a song by the English rock band Pink Floyd on their 1967 debut album The Piper at the Gates of Dawn, though it first appeared as the B-side of their second single "See Emily Play" two months before. It was written by Syd Barrett and recorded in March 1967. This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd.
"Fearless" is the third track on the 1971 album Meddle by Pink Floyd. It is a slow acoustic guitar-driven song written by David Gilmour and Roger Waters, and includes audio of football fans singing "You'll Never Walk Alone".
"Flaming" is a song by the English rock band Pink Floyd, featured on their 1967 debut album, The Piper at the Gates of Dawn. Written and sung by Syd Barrett, the song remained in their set until late 1968; David Gilmour sang the lead vocal after Barrett's departure.
"Arnold Layne" is a song by English rock band Pink Floyd. Released on 10 March 1967, it was the band's first single and was written by Syd Barrett.
"Astronomy Domine" is a song by the English rock band Pink Floyd. The song, written and composed by the original vocalist/guitarist Syd Barrett, is the opening track on their debut album, The Piper at the Gates of Dawn (1967). The lead vocal was sung by Barrett and the keyboard player Richard Wright. Its working title was "Astronomy Dominé ". Domine is a word frequently used in Gregorian chants.
"A Pillow of Winds" is the second track from Pink Floyd's 1971 album Meddle.
"If" is a song by English rock band Pink Floyd on their 1970 album Atom Heart Mother. This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd.
"Your Possible Pasts" is a song from Pink Floyd's 1983 album The Final Cut. This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd.
"Seamus" is the fifth song on Pink Floyd's 1971 album Meddle. The group performs it in the style of country blues, with vocals, an acoustic slide guitar in an open D tuning, and piano. The song is named after the Border Collie who howls throughout the 2:15 piece. Group biographer Nicholas Schaffner calls the tune "dispensable"; David Gilmour added "I guess it wasn't really as funny to everyone else [as] it was to us".
"One of These Days" is the opening track from Pink Floyd's 1971 album Meddle. The composition is instrumental except for the spoken line from drummer Nick Mason, "One of these days, I'm going to cut you into little pieces."