"Fat Old Sun" | |
---|---|
Song by Pink Floyd | |
from the album Atom Heart Mother | |
Published | Lupus Music |
Released | 2 October 1970 (UK) 10 October 1970 (US) |
Recorded | 11 – 13 June 1970 (mixed on 5 July 1970) [1] |
Studio | Abbey Road Studios, London |
Genre | |
Length | 5:24 |
Label | Harvest |
Songwriter(s) | David Gilmour |
Producer(s) | Pink Floyd, Norman Smith (executive producer) |
"Fat Old Sun" is a song by English rock band Pink Floyd, written and sung by David Gilmour. [2] [3] It appears on their 1970 album Atom Heart Mother , and was performed live by the group from 1970-71 in a different arrangement. Gilmour has since played the track on several of his solo tours.
Gilmour said the song was one of the first he wrote. He played most of the instruments on the studio recording, including acoustic and electric guitars, bass guitar and drums. Richard Wright was the only other group member to perform on the track, contributing organ. [4]
Recording took place at Abbey Road Studios. [4] The basic series of backing tracks were recorded on 11 June, with further overdubs happening over the next two days. A stock sound effect of bells was added to the start and end of the track; the same recording had been used for the Kinks' 1966 song "Big Black Smoke". [1]
"Fat Old Sun" was performed live by Pink Floyd from 1970–71 on the Atom Heart Mother World Tour. On stage, the song was expanded and given a full electric arrangement in contrast to the acoustic-based studio recording, sometimes lasting as long as fifteen minutes. [4] [5] It was dropped from the live set when The Dark Side of the Moon began to be performed in 1972. [4]
Pink Floyd performed the track for two BBC In Concert recordings at the Paris Theatre. [6] These were later released on the box set The Early Years 1965–1972 . [5]
The song was adopted by David Gilmour and performed acoustically in the 2001/02 David Gilmour in Concert shows, minus the electric guitar solo. When the Floyd's manager, Steve O'Rourke, died in 2003, Gilmour, Wright and Nick Mason played "Fat Old Sun" and "The Great Gig in the Sky" at O'Rourke's funeral. [7] Early during the tour in support of Gilmour's On an Island album in 2006, the song returned to the set list. This incarnation was composed of the lyrics followed by the concert's backing singers repeating the "sing to me" chorus, then a bluesy version of the guitar solo closer to the length of the album version (the 2006 incarnation clocked in at around seven minutes). A performance from the Royal Albert Hall is featured on Gilmour's DVD, Remember That Night . It is also featured on Gilmour's live album Live in Gdańsk . [8] "Fat Old Sun" was performed during Gilmour's 2015–16 Rattle That Lock Tour [5] and features on his 2017 live release, Live at Pompeii . Gilmour also performed the song at Richard Thompson's 70th birthday concert in September 2019.
In a review for the Atom Heart Mother album, Alec Dubro of Rolling Stone gave "Fat Old Sun" a negative review, calling the song "English folk at its deadly worst. It's soft and silly." Dubro said the same for "If". [9] In another review for Atom Heart Mother, Irving Tan of Sputnik Music described "Fat Old Sun" as unmemorable. [10] While Tan enjoyed "If", he described "Fat Old Sun" as too similar to "If", further describing that "on an album with only five songs, that becomes quickly noticeable." [10]
This song was considered for the album Echoes: The Best of Pink Floyd (2001), as mooted by James Guthrie, the compilation's producer. [11] "I wasn't allowed to put it on Echoes," Gilmour explained. "I was outvoted." [12] The guitarist repeated this on Johnnie Walker's Radio 2 drivetime show in 2002. Atom Heart Mother is, consequently, unrepresented on Echoes. [13]
"Fat Old Sun" is perhaps best described as a pastoral, [14] a hymn of praise to the countryside (as were several early Pink Floyd songs, such as "Grantchester Meadows" [15] from Ummagumma and "Green Is the Colour" from More ). The bell sounds heard at the beginning and the end of the song were later used again in "High Hopes" from their album The Division Bell and in "Surfacing" from their album The Endless River .
Atom Heart Mother is the fifth studio album by English rock band Pink Floyd. It was released by Harvest on 2 October 1970 in the UK, and by Capitol on 10 October 1970 in the US. It was recorded at EMI Studios in London, and was the band's first album to reach number 1 in the UK, while it reached number 55 in the US, eventually going gold there.
Meddle is the sixth studio album by English rock band Pink Floyd, released by Capitol on 30 October 1971 in the US and by Harvest Records on 5 November in the UK. The album was produced between the band's touring commitments, from January to August 1971 at a series of locations around London, including EMI Studios and Morgan Studios.
Ummagumma is the fourth album by English rock band Pink Floyd. It is a double album and was released on 7 November 1969 by Harvest Records. The first disc consists of live recordings from concerts at Mothers Club in Birmingham and the College of Commerce in Manchester that contained part of their normal set list of the time, while the second contains solo compositions by each member of the band recorded at EMI Studios. The artwork was designed by regular Pink Floyd collaborators Hipgnosis and features a number of pictures of the band combined to give a Droste effect. It was the last album cover to feature the band.
"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album Meddle. It is 23+1⁄2 minutes long and takes up the entire second side of the original LP. The track evolved from a variety of different musical themes and ideas, including instrumental passages and studio effects, resulting in the side-long piece. The music was written by the group, while Roger Waters' lyrics addressed themes of human communication and empathy, which he returned to in later work.
More is the third studio album and first soundtrack album by English rock band Pink Floyd. It was released on 13 June 1969 in the United Kingdom by EMI Columbia and on 9 August 1969 in the United States by Tower Records. The soundtrack is for the film of the same name, which was primarily filmed on location on Ibiza and was the directorial debut of Barbet Schroeder. It was the band's first album without former leader Syd Barrett.
"Money" is a song by English rock band Pink Floyd from their 1973 album The Dark Side of the Moon. Written by Roger Waters, it opened side two of the original album. Released as a single, it became the band's first hit in the United States, reaching number 10 in Cash Box magazine and number 13 on the Billboard Hot 100.
"Atom Heart Mother" is a six-part suite by the progressive rock band Pink Floyd, composed by all members of the band and Ron Geesin. It appeared on the Atom Heart Mother album in 1970, taking up the first side of the original vinyl record. At 23:44, it is Pink Floyd's longest uncut studio piece. Pink Floyd performed it live between 1970 and 1972, occasionally with a brass section and choir in 1970–71.
"Grantchester Meadows" is the second track from the studio disc of the Pink Floyd album Ummagumma.
"Alan's Psychedelic Breakfast" is the fifth and final track from the 1970 Pink Floyd album Atom Heart Mother, credited to the whole group. It is a three-part instrumental.
"Careful with That Axe, Eugene" is an instrumental piece by the English rock band Pink Floyd. It was recorded in November 1968 and released as the B-side to the single "Point Me at the Sky", and featured on the 1971 compilation album Relics. It was re-recorded for the 1970 film Zabriskie Point, retitled as "Come In Number 51, Your Time Is Up".
"Set the Controls for the Heart of the Sun" is a song by the English rock band Pink Floyd, appearing on their second album, A Saucerful of Secrets (1968). It was written by Roger Waters, taking lyrics from a Chinese poetry book, and features a drum part by Nick Mason played with timpani mallets. It is the only song recorded by Pink Floyd to feature material from all five band members, as there are several different guitar parts recorded by both David Gilmour and Syd Barrett, although the guitar parts are buried in the mix.
"Fearless" is the third track on the 1971 album Meddle by Pink Floyd. It is a slow acoustic guitar-driven song written by Roger Waters and David Gilmour, and includes audio of football fans singing "You'll Never Walk Alone". It was also released as the B-side of the single along with "One of These Days", and was praised by critics as one of the better songs from Meddle.
"Astronomy Domine" is a song by the English rock band Pink Floyd. The song, written and composed by the original vocalist/guitarist Syd Barrett, is the opening track on their debut album, The Piper at the Gates of Dawn (1967). The lead vocal was sung by Barrett and the keyboard player Richard Wright. Its working title was "Astronomy Dominé ". "Domine" is a word frequently used in Gregorian chants.
"A Pillow of Winds" is the second track from Pink Floyd's 1971 album Meddle.
"If" is a song by English rock band Pink Floyd on their 1970 album Atom Heart Mother. This song was one of several to be considered for the band's "best of" album, Echoes: The Best of Pink Floyd.
"Summer '68" is a song by English rock band Pink Floyd on their 1970 album Atom Heart Mother.
"Embryo" is a song by Pink Floyd. It was regularly performed live in 1970–71, but never released on any regular Pink Floyd studio album.
"Seamus" is the fifth song on Pink Floyd's 1971 album Meddle. The group performs it in the style of country blues, with vocals, an acoustic slide guitar in an open D tuning, and piano. The song is named after the Border Collie who howls throughout the 2:15 piece. Group biographer Nicholas Schaffner calls the tune "dispensable"; David Gilmour added "I guess it wasn't really as funny to everyone else [as] it was to us".
The Man and The Journey tour was an informal concert tour of a few dates by Pink Floyd during which the conceptual music piece The Man and The Journey was played.
"One of These Days" is the opening track from Pink Floyd's 1971 album Meddle. The composition is instrumental except for the spoken line from drummer Nick Mason, "One of these days, I'm going to cut you into little pieces."
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