Sandarac (or sandarach) is a resin obtained from the small cypress-like tree Tetraclinis articulata . The tree is native to the northwest of Africa with a notable presence in the Southern Morocco part of the Atlas Mountains. [1] The resin exudes naturally on the stems of the tree. It is also obtained by making cuts on the bark. It solidifies when exposed to the air. It comes to commerce in the form of small solid chips, translucent, and having a delicate yellow tinge. Morocco has been the main place of origin of sandarac. A similar resin is obtained in southern Australia from some species of the Australian cypress-like trees Callitris , but the resin has not been systematically collected in Australia. [2]
Historically, especially in the Late Medieval and Renaissance era, sandarac was used to make varnish. When "varnish" was spoken of in Renaissance Italy (Italian vernice) it usually meant sandarac. [3] Copal and other resins displaced it as equally good, less expensive varnishing materials. Nevertheless the sandarac varnish is still valued today for use as a protective coating on paintings and antiques. [4] It gives a coat which is hard, lustrous and durable. The varnish is made by melting the resin and mixing it with (e.g.) linseed oil. Sandarac resin melts at about 150 °C to a colourless or slightly yellow liquid. Its specific gravity is about 1.04. [5]
In mid-to-late 19th century photography, a varnish was applied as a preservative to photographic negatives and positives. Sandarac resin was preferred by some photographers for this purpose. [6]
Although it is not very strongly aromatic, sandarac resin was and is also used as an incense. The aroma has been compared to balsam.
Besides the resin and the varnish, the word sandarac may refer to the tree that produces the resin. Entirely separately from that, the ancient Greeks and Romans used the word sandarac to refer to arsenic sulfide particularly red arsenic sulfide. [7] In Medieval Latin, the term sandaraca meant red lead as well as red arsenic sulfide. [3] The word's resin/varnish meaning came to Europe from Arabic in the early 16th century. To distinguish this meaning from the Greek and medieval Latin meaning, it was occasionally called "Arabian sandarac" or "sandaracha Arabum" in Neo-Latin writings. [3] [8] The name in Pakistan and India is چندرس and, in Arabic, was and is سندروس sandarūs. [9]
In Mandaean texts, the Mandaic term sindirka, which is typically translated as 'date palm' by E. S. Drower and others, is instead identified by Carlos Gelbert (2023) as a cognate of sandarac and thus with Tetraclinis articulata . [10]
Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.
In polymer chemistry and materials science, a resin is a solid or highly viscous substance of plant or synthetic origin that is typically convertible into polymers. Resins are usually mixtures of organic compounds. This article focuses mainly on naturally occurring resins.
Pistacia lentiscus is a dioecious evergreen shrub or small tree of the genus Pistacia native to the Mediterranean Basin. It grows up to 4 m (13 ft) tall and is cultivated for its aromatic resin, mainly on the Greek island of Chios, around the Turkish town of Çeşme and northern parts of Iraq.
Varnish is a clear transparent hard protective coating or film. It is not to be confused with wood stain. It usually has a yellowish shade due to the manufacturing process and materials used, but it may also be pigmented as desired. It is sold commercially in various shades.
Essaouira, known until the 1960s as Mogador, is a port city in the western Moroccan region of Marrakesh-Safi, on the Atlantic coast. It has 77,966 inhabitants as of 2014.
Dragon's blood is a bright red resin which is obtained from different species of a number of distinct plant genera: Calamus spp. also including Calamus rotang, Croton, Dracaena and Pterocarpus. The red resin has been in continuous use since ancient times as varnish, medicine, incense, pigment, and dye.
Realgar, also known as ″arsenic blende″, ″ruby sulphur″ or ″ruby of arsenic″, is an arsenic sulfide mineral with the chemical formula α-As4S4. It is a soft, sectile mineral occurring in monoclinic crystals, or in granular, compact, or powdery form, often in association with the related mineral, orpiment. It is orange-red in color, melts at 320 °C, and burns with a bluish flame releasing fumes of arsenic and sulfur. Realgar is soft with a Mohs hardness of 1.5 to 2 and has a specific gravity of 3.5. Its streak is orange colored. It is trimorphous with pararealgar and bonazziite.
Canarium luzonicum, commonly known as elemi, is a tree native to the Philippines. The oleoresin harvested from it is also known as elemi.
Tetraclinis is a genus of evergreen coniferous trees in the cypress family Cupressaceae, containing only one species, Tetraclinis articulata, also known as Thuja articulata, sandarac, sandarac tree or Barbary thuja, endemic to the western Mediterranean region.
Storax, often commercially sold as styrax, is a natural resin isolated from the wounded bark of Liquidambar orientalis Mill. and Liquidambar styraciflua L. (Hamamelidaceae). It is distinct from benzoin, a similar resin obtained from the Styracaceae plant family.
Balm of Gilead was a rare perfume used medicinally that was mentioned in the Hebrew Bible and named for the region of Gilead, where it was produced. The expression stems from William Tyndale's language in the King James Bible of 1611 and has come to signify a universal cure in figurative speech. The tree or shrub producing the balm is commonly identified as Commiphora gileadensis. However, some botanical scholars have concluded that the actual source was a terebinth tree in the genus Pistacia.
Copaiba is an oleoresin obtained from the trunk of several pinnate-leaved South American leguminous trees. The thick, transparent exudate varies in color from light gold to dark brown, depending on the ratio of resin to essential oil. Copaiba is used in making varnishes and lacquers.
Stacte and nataph are names used for one component of the Solomon's Temple incense, the Ketoret, specified in the Book of Exodus. Variously translated to the Greek term or to an unspecified "gum resin" or similar, it was to be mixed in equal parts with onycha, galbanum and mixed with pure frankincense and they were to "beat some of it very small" for burning on the altar of the tabernacle.
Mastic is a resin obtained from the mastic tree. It is also known as tears of Chios, being traditionally produced on the island Chios, and, like other natural resins, is produced in "tears" or droplets.
Theophrastus's Enquiry into Plants or Historia Plantarum was, along with his mentor Aristotle's History of Animals, Pliny the Elder's Natural History and Dioscorides's De materia medica, one of the most important books of natural history written in ancient times, and like them it was influential in the Renaissance. Theophrastus looks at plant structure, reproduction and growth; the varieties of plant around the world; wood; wild and cultivated plants; and their uses. Book 9 in particular, on the medicinal uses of plants, is one of the first herbals, describing juices, gums and resins extracted from plants, and how to gather them.
De materia medica is a pharmacopoeia of medicinal plants and the medicines that can be obtained from them. The five-volume work was written between 50 and 70 CE by Pedanius Dioscorides, a Greek physician in the Roman army. It was widely read for more than 1,500 years until supplanted by revised herbals in the Renaissance, making it one of the longest-lasting of all natural history and pharmacology books.
Astragalus sarcocolla, also known as Persian gum, is a shrub or tree from Persia historically famed for its balsam, which was used to create ancient and medieval paint and in traditional medicines. Although its identity was uncertain to Europeans after it fell from use in the medieval period, it has since been identified with a species of Astragalus (Papilionaceae).
The incense offering, a blend of aromatic substances that exhale perfume during combustion, usually consisting of spices and gums burnt as an act of worship, occupied a prominent position in the sacrificial legislation of the ancient Hebrews.
sandarac collodion photo.