Sandarac

Last updated
Sandarac tears Sandarac tears.jpg
Sandarac tears

Sandarac (or sandarach) is a resin obtained from the small cypress-like tree Tetraclinis articulata . The tree is native to the northwest of Africa with a notable presence in the Southern Morocco part of the Atlas mountains. [1] The resin exudes naturally on the stems of the tree. It is also obtained by making cuts on the bark. It solidifies when exposed to the air. It comes to commerce in the form of small solid chips, translucent, and having a delicate yellow tinge. Morocco has been the main place of origin of sandarac. A similar resin is obtained in southern Australia from some species of the Australian cypress-like trees Callitris , but the resin has not been systematically collected in Australia. [2]

Historically, especially in the Late Medieval and Renaissance era, sandarac was used to make varnish. When "varnish" was spoken of in Renaissance Italy (Italian vernice) it usually meant sandarac. [3] Copal and other resins displaced it as equally good, less expensive varnishing materials. Nevertheless the sandarac varnish is still valued today for use as a protective coating on paintings and antiques. [4] It gives a coat which is hard, lustrous and durable. The varnish is made by melting the resin and mixing it with (e.g.) linseed oil. Sandarac resin melts at about 150 °C to a colourless or slightly yellow liquid. Its specific gravity is about 1.04. [5]

In mid-to-late 19th century photography, a varnish was applied as a preservative to photographic negatives and positives. Sandarac resin was preferred by some photographers for this purpose. [6]

Although it is not very strongly aromatic, sandarac resin was and is also used as an incense. The aroma has been compared to balsam.

Besides the resin and the varnish, the word sandarac may refer to the tree that produces the resin. Entirely separately from that, the ancient Greeks and Romans used the word sandarac to refer to arsenic sulfide particularly red arsenic sulfide. [7] In Medieval Latin, the term sandaraca meant red lead as well as red arsenic sulfide. [3] The word's resin/varnish meaning came to Europe from Arabic in the early 16th century. To distinguish this meaning from the Greek and medieval Latin meaning, it was occasionally called "Arabian sandarac" or "sandaracha Arabum" in Neo-Latin writings. [3] [8] The name in Pakistan and India is چندرس and, in Arabic, was and is سندروس sandarūs. [9]

In Mandaeism

In Mandaean texts, the Mandaic term sindirka, which is typically translated as 'date palm' by E. S. Drower and others, is instead identified by Carlos Gelbert (2023) as a cognate of sandarac and thus with Tetraclinis articulata . [10]

Related Research Articles

<span class="mw-page-title-main">Oil painting</span> Process of painting with pigments that are bound with a medium of drying oil

Oil painting is a painting method involving the procedure of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on canvas, wood panel or copper for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied.

<span class="mw-page-title-main">Tempera</span> Fast-drying painting medium

Tempera, also known as egg tempera, is a permanent, fast-drying painting medium consisting of pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint.

<span class="mw-page-title-main">Resin</span> Solid or highly viscous substance

In polymer chemistry and materials science, a resin is a solid or highly viscous substance of plant or synthetic origin that is typically convertible into polymers. Resins are usually mixtures of organic compounds. This article focuses mainly on naturally occurring resins.

<i>Pistacia lentiscus</i> Species of flowering plants in the sumac family Anacardiaceae

Pistacia lentiscus is a dioecious evergreen shrub or small tree of the genus Pistacia native to the Mediterranean Basin. It grows up to 4 m (13 ft) tall and is cultivated for its aromatic resin, mainly on the Greek island of Chios and around the Turkish town of Çeşme.

<span class="mw-page-title-main">Varnish</span> Transparent hard protective finish or film

Varnish is a clear transparent hard protective coating or film. It is not to be confused with wood stain. It usually has a yellowish shade due to the manufacturing process and materials used, but it may also be pigmented as desired. It is sold commercially in various shades.

<span class="mw-page-title-main">Essaouira</span> City in Marrakesh-Safi, Morocco

Essaouira, known until the 1960s as Mogador, is a port city in the western Moroccan region of Marakesh-Safi, on the Atlantic coast. It has 77,966 inhabitants as of 2014.

<span class="mw-page-title-main">Dragon's blood</span> Bright red plant-based resin

Dragon's blood is a bright red resin which is obtained from different species of a number of distinct plant genera: Calamus spp. also including Calamus rotang, Croton, Dracaena and Pterocarpus. The red resin has been in continuous use since ancient times as varnish, medicine, incense, pigment, and dye.

<span class="mw-page-title-main">Realgar</span> Arsenic sulfide mineral

Realgar, also known as "ruby sulphur" or "ruby of arsenic", is an arsenic sulfide mineral with the chemical formula α-As4S4. It is a soft, sectile mineral occurring in monoclinic crystals, or in granular, compact, or powdery form, often in association with the related mineral, orpiment. It is orange-red in color, melts at 320 °C, and burns with a bluish flame releasing fumes of arsenic and sulfur. Realgar is soft with a Mohs hardness of 1.5 to 2 and has a specific gravity of 3.5. Its streak is orange colored. It is trimorphous with pararealgar and bonazziite.

Canarium luzonicum, commonly known as elemi, is a tree native to the Philippines. The oleoresin harvested from it is also known as elemi.

<i>Tetraclinis</i> Genus of conifers

Tetraclinis is a genus of evergreen coniferous trees in the cypress family Cupressaceae, containing only one species, Tetraclinis articulata, also known as Thuja articulata, sandarac, sandarac tree or Barbary thuja, endemic to the western Mediterranean region.

<span class="mw-page-title-main">Storax balsam</span>

Storax, often commercially sold as styrax, is a natural resin isolated from the wounded bark of Liquidambar orientalis Mill. and Liquidambar styraciflua L. (Hamamelidaceae). It is distinct from benzoin, a similar resin obtained from the Styracaceae plant family.

<span class="mw-page-title-main">Balm of Gilead</span> Historic herbal perfume

Balm of Gilead was a rare perfume used medicinally that was mentioned in the Hebrew Bible and named for the region of Gilead, where it was produced. The expression stems from William Tyndale's language in the King James Bible of 1611 and has come to signify a universal cure in figurative speech. The tree or shrub producing the balm is commonly identified as Commiphora gileadensis. However, some botanical scholars have concluded that the actual source was a terebinth tree in the genus Pistacia.

<span class="mw-page-title-main">Copaiba</span> Resin and essential oil from South American Copaifera trees

Copaiba is an oleoresin obtained from the trunk of several pinnate-leaved South American leguminous trees. The thick, transparent exudate varies in color from light gold to dark brown, depending on the ratio of resin to essential oil. Copaiba is used in making varnishes and lacquers.

<span class="mw-page-title-main">Mummia</span> Ancient type of medicine

Mummia, mumia, or originally mummy referred to several different preparations in the history of medicine, from "mineral pitch" to "powdered human mummies". It originated from Arabic mūmiyā "a type of resinous bitumen found in Western Asia and used curatively" in traditional Islamic medicine, which was translated as pissasphaltus in ancient Greek medicine. In medieval European medicine, mūmiyā "bitumen" was transliterated into Latin as mumia meaning both "a bituminous medicine from Persia" and "mummy". Merchants in apothecaries dispensed expensive mummia bitumen, which was thought to be an effective cure-all for many ailments. It was also used as an aphrodisiac.

<span class="mw-page-title-main">Stacte</span> Unknown biblical substance used in incense

Stacte and nataph are names used for one component of the Solomon's Temple incense, the Ketoret, specified in the Book of Exodus. Variously translated to the Greek term or to an unspecified "gum resin" or similar, it was to be mixed in equal parts with onycha, galbanum and mixed with pure frankincense and they were to "beat some of it very small" for burning on the altar of the tabernacle.

<span class="mw-page-title-main">Mastic (plant resin)</span> Resin traditionally obtained from the mastic tree on the island of Chios

Mastic is a resin obtained from the mastic tree. It is also known as tears of Chios, being traditionally produced on the island Chios, and, like other natural resins, is produced in "tears" or droplets.

<i>De materia medica</i> 1st century pharmacopoeia of medicinal plants and medicines by Pedanius Dioscorides

De materia medica is a pharmacopoeia of medicinal plants and the medicines that can be obtained from them. The five-volume work was written between 50 and 70 CE by Pedanius Dioscorides, a Greek physician in the Roman army. It was widely read for more than 1,500 years until supplanted by revised herbals in the Renaissance, making it one of the longest-lasting of all natural history and pharmacology books.

The incense offering, a blend of aromatic substances that exhale perfume during combustion, usually consisting of spices and gums burnt as an act of worship, occupied a prominent position in the sacrificial legislation of the ancient Hebrews.

References

  1. Article in year 1799-1800: On the real origin of that resin known under the name of Sandarac, by M. Schousboe, in journal Philosophical Magazine Volume 5, on pages 239-242. Mr Schousboe had a lengthy stay at the seaport of Mogador and its hinterland in southern Morocco in the late 1790s. He saw the sandarac being collected on trees there, and he reports his observations.
  2. Analysis of Resins, Balsams and Gum-Resins, by Karl Dieterich (1920), Chapter II, Section 34. Dieterich states he heard a report "that Mogador (i.e. African) sandarach is better and purer than Australian. This may be the reason why the latter has not been more utilised." But Dieterich's own chemical analysis leads him to conclude that "great similarity exists between the two kinds".
  3. 1 2 3 Original Treatises, Dating from the XIIth to the XVIIIth Centuries, on the Arts of Painting, Volume I, by M.P. Merrifield (1849), including pages ccliii and cclxvi.
  4. "Notes on Historical Oil Painting Varnishes", by James C. Groves: "Sandarac oil varnish [mixed with walnut oil] was the so-called “vernis liquida” [liquid varnish] of the Italian Renaissance-era tempera and oil painting technique; and many, many centuries before." Historic Varnishes and Resins @ WilliamsburgArtConservation.com mentions it as a furniture varnish.
  5. Dictionary of chemicals and raw products used in the manufacture of paints, colours, varnishes and allied preparations, by George H. Hurst (1901)
  6. Lea, Mathew Carey (1868). A Manual of Photography. Philadelphia: Benerman & Wilson. pp.  286-288. sandarac collodion photo.
  7. For example Dioscorides writing in Greek in the 1st century A.D. said: "Arsenicum is found in the same mines as sandaracha.... Sandarac is most highly valued which is fully red... looking like cinnabar in colour, and also having a sulphurous smell. It has the same properties and method of roasting as arsenicum." -- Dioscorides' Materia Medica, Book 5. Downloadable in English.
  8. Sandarac in A New English Dictionary on Historical Principles (year 1914).
  9. Sandarūs was a resin is in medieval Arabic writers including Ibn Sina (died 1037) and Ibn al-Baitar (died 1248); see سندروس in medieval Arabic texts at AlWaraq.net (in Arabic).
  10. Gelbert, Carlos (2023). The Key to All the Mysteries of Ginza Rba. Sydney: Living Water Books. pp. 577–584. ISBN   9780648795414.