Sandra S. Phillips

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Sandra S. "Sandy" Phillips (born 1945) is an American writer, and curator working in the field of photography. [1] She is the Curator Emeritus of Photography at the San Francisco Museum of Modern Art. She joined the museum as curator of photography in 1987 and was promoted to senior curator of photography in 1999 in acknowledgement of her considerable contributions to SFMOMA. [2] [3] A photographic historian and former curator at the Vassar College Art Gallery in Poughkeepsie, N.Y., Phillips succeeded Van Deren Coke as head of one of the country’s most active departments of photography. Phillips stepped down from her full time position in 2016. [4]

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Peter Galassi, chief curator of photography at the Museum of Modern Art in New York City, said "I think she is one of the best photography curators that anybody has ever known." [5]

Life and work

Phillips' father was Joseph Sammataro, "an immigrant from Sicily who became a New York architect" and her mother was Nelva Weber, "a farmer's daughter from Illinois who became a well-known landscape architect and author." [6] She grew up in New York's Upper East Side. [6] She received a B.A. in art and art history from Bard College in Upstate New York in 1967, [6] [7] an M.A. from Bryn Mawr College in Pennsylvania in 1969, and a Ph.D. in art history in 1985 from City University of New York, where she specialised in the history of photography and American and European art from 1849 to 1940. [7] [6] Her Ph.D dissertation was on André Kertész.

She briefly taught history of photography at Mills College in Oakland, CA, and was a curator at the Vassar Art Gallery in Poughkeepsie, NY. [6]

Phillips' earliest major project was the 1985 exhibition André Kertész: Of Paris and New York, organised by the Art Institute of Chicago and shown at the Metropolitan Museum of Art in New York City, in collaboration with the curators of those museums. [2] She is interested in vernacular photography. [2] Her SFMOMA exhibition Police Pictures: The Photograph as Evidence, "examined mug shots and crime scenes and was the first museum show of its kind." [6] Exposed: Voyeurism, Surveillance, and the Camera Since 1870, co-curated with Simon Baker at Tate Modern, examined the voyeuristic aspect of photography; [6] [1] it premiered at Tate Modern in London and toured to SFMOMA and to the Walker Art Center in Minneapolis. [6]

Phillips' first husband was Matt Phillips and her second is Stephen Vincent. [6] She has a son, Joshua E.S. Phillips. [6]

Exhibitions curated by Phillips

Publications

In conjunction with exhibitions curated by Phillips

Writing contributions by Phillips

Awards

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References

  1. 1 2 Louise Turner, Cherie (18 November 2010). "Photography that Looks at Us: An Interview with Curator Sandra S. Phillips about Exposed at SFMOMA". The Huffington Post . New York. Retrieved 29 May 2017.
  2. 1 2 3 Desmarais, Charles (13 April 2016). "SFMOMA photography curator Sandra Phillips stepping down". SFGate . San Francisco Chronicle . Retrieved 29 May 2017.
  3. ↑ Gefter, Philip (25 November 2004). "Newly Released". The New York Times . New York. Retrieved 29 May 2017.
  4. ↑ Desmarais, Charles (April 13, 2016). "SFMOMA photography curator Sandra Phillips stepping down". SFGATE.
  5. ↑ Whiting, Sam (November 14, 2010). "SFMOMA curator brings focus and vision". SFGATE.
  6. 1 2 3 4 5 6 7 8 9 10 Whiting, Sam (14 November 2010). "SFMOMA curator brings focus and vision". SFGate . San Francisco Chronicle . Retrieved 29 May 2017.
  7. 1 2 "Sandra S. Phillips (2014)". CDS/Honickman First Book Prize in Photography. Retrieved 29 May 2017.
  8. ↑ Whiting, Sam (June 15, 1997). "Wrecked Lives Leave a Trail of Art / Photographer Jim Goldberg's 10-year chronicle of runaways to arrive at SFMOMA". SFGATE.
  9. ↑ Baker, Kenneth (October 19, 2003). "Diane Arbus in a new light / SFMOMA exhibition shatters preconceptions about photographer and her subjects". SFGATE.
  10. ↑ "Daido Moriyama: Stray Dog". SFMOMA.
  11. ↑ http://archv.sfmoma.org/explore/multimedia/interactive_features/34 [ dead link ]
  12. ↑ "The Stanford Daily Archives". archives.stanforddaily.com.
  13. ↑ Baker, Kenneth (October 26, 2005). "REVIEW / Robert Adams' visions of ravaged forests cut deeply". SFGATE.
  14. ↑ Gefter, Philip (January 30, 2005). "The Photographer's Curator Curates His Own (Published 2005)" – via NYTimes.com.
  15. ↑ Baker, Kenneth (September 2, 2006). "REVIEW / Southern exposure -- SFMOMA show captures Mexico in differing lights". SFGATE.
  16. ↑ Turner, Cherie Louise; writer, ContributorBay Area-based freelance art (November 18, 2010). "Photography that Looks at Us: An Interview with Curator Sandra S. Phillips about Exposed at SFMOMA". HuffPost.{{cite web}}: |first2= has generic name (help)
  17. ↑ "Diverse modern-world views on exhibit at SFMOMA's 'Face of Our Time'". The San Francisco Examiner. September 8, 2011.
  18. ↑ Camhi, Leslie. "Forever Young: Rineke Dijkstra Retrospective at SFMOMA". Vogue.
  19. ↑ "A Look at Apartheid and After at SFMOMA". 7x7 Bay Area. December 5, 2012.
  20. ↑ "On Museum Design | American Academy in Rome". www.aarome.org. Archived from the original on 2016-07-24.
  21. ↑ "CPW Awards Honorees". Center for Photography at Woodstock . Retrieved 29 May 2017.
  22. ↑ Smart, Paul (17 October 2013). "Center for Photography at Woodstock auction & gala". Hudson Vallery One. Retrieved 29 May 2017.
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