Jim Goldberg | |
---|---|
Born | James Goldberg 1953 (age 70–71) New Haven, Connecticut, United States |
Education | San Francisco Art Institute |
Known for | Fine art photography, educator |
Partner | Alessandra Sanguinetti |
Website | www |
Jim Goldberg (born 1953) [1] is an American artist and photographer, whose work reflects long-term, in-depth collaborations with neglected, ignored, or otherwise outside-the-mainstream populations.
Among the many awards Goldberg has received are three National Endowment of the Arts Fellowships in Photography, a Guggenheim Fellowship, the Henri Cartier-Bresson Award, and the Deutsche Börse Photography Prize. His works have been exhibited, published, and collected internationally.
Goldberg is Professor Emeritus at the California College of the Arts, [1] and has been a member of the Magnum Photos agency since 2002. He lives and works in the greater San Francisco Bay Area.
Goldberg studied at San Francisco Art Institute [2] with Larry Sultan, a conceptually oriented photographer. [3]
Goldberg is best known for his photography books, multi-media exhibitions, and video installations, among them: Rich and Poor (1985), Nursing Home, Raised by Wolves (1995), Hospice, and Open See (2009). His work often examines the lives of neglected, ignored, or otherwise outside-the-mainstream populations through long-term, in depth collaborations which investigate the nature of American myths about class, power, and happiness.
Goldberg is part of an experimental documentary movement in photography, using a straightforward, cinéma vérité approach, based on a fundamentally narrative understanding of photography. The individuality of the subjects emerges in his works, "forming a context within which the viewer may integrate the unthinkable into the concept of self. Thus portrayed, this terrifying other is restored as a universal." [4]
Goldberg's work was featured with that of Robert Adams and Joel Sternfeld in a 1984 exhibition at the Museum of Modern Art entitled "Three Americans"; the exhibition was described as "a show of politically charged and socially conscious images." [5]
His 1985 book Rich and Poor, re-released by Steidl in an expanded edition in 2014, includes photographs of people in their homes along with handwritten comments by them about their lives. [6] For example, the handwriting under the photograph reproduced on the front cover reads "I keep thinking where we went wrong. We have no one to talk to now, however, I will not allow this loneliness to destroy me,— I STILL HAVE MY DREAMS. I would like an elegant home, a loving husband and the wealth I am used to. Countess Vivianna de Bronville." Although the book received one mixed review shortly after publication, [7] other reviews were positive, [8] [9] and it was later selected as one of the greatest photobooks of the 20th century. [6]
The photographs in a 1986 exhibition of Goldberg's The Nursing Home Series were accompanied by handwritten text by the nursing home residents who were the subjects of the photographs. [10] A review of a 1990 exhibition Shooting Back: Photography by and About the Homeless at the Washington Project for the Arts characterized the exhibition as "Issue Art" and characterized Goldberg as "a superior Issue Artist because he's a superior artist." [11]
A major mixed-media exhibition by Goldberg concerning at risk and homeless youth in California entitled Raised by Wolves began traveling in 1995 and was accompanied by a book of the same title. [12] A review of the exhibition at the Corcoran Gallery of Art noted that Goldberg made reference to other artists and photographers; used photographs, videos, objects, and texts to convey meaning; and "let his viewers feel, in some corner of their psyches, the lure of abject lowliness, the siren call of pain." [12] Although the accompanying book received one mixed review shortly after publication, [13] it was described as "a heartbreaking novel with pictures", [12] and in The Photobook: A History, Martin Parr and Gerry Badger praised it as "complex and thoughtful." [14]
A 1999 mixed media installation at the San Francisco Arts Commission gallery entitled "57/78/97" explored race relations in the United States, including the Little Rock Crisis of 1957, the 1978 Regents of the University of California v. Bakke decision, and the year following the passage of California Proposition 209 (1996) concerning affirmative action. [15]
Selected photographs from a series by Goldberg called "Open See," concerning refugees, immigrants, and trafficked people, were first exhibited in San Francisco in 2007. [16] [17] One review stated that the photographs may leave the viewer "paralyzed by uncertainty about what might alleviate the injustices" depicted. [17] Part of the series came to be known as "Open See", [18] and Goldberg's book of that title was published in 2009 by Steidl.
In 2013 Goldberg was an artist in residence at Yale University Art Gallery with Donovan Wylie. They each created a body of work based in New Haven. In Candy, Jim Goldberg, a New Haven native, creates a multilayered photo-novel of aspiration and disillusionment, interspersing Super 8 film stills, images of New Haven's urban landscape, annotated Polaroid portraits, and collaged archival materials to explicate the rise and fall of American cities in the 20th century. Goldberg considers New Haven's quest to become a "model city" of America, contrasting its civic aspirations with its citizens' lived realities.
Goldberg is a Professor Emeritus of Photography and Fine Arts at the California College of the Arts [19] from 1987-2014 and has been a full member of the Magnum Photos agency since 2006. [20] He lives and works in the Bay Area. His fashion, editorial and advertising work has appeared in numerous publications including W, Details, Flaunt, The New York Times Magazine, Esquire, Rebel, GQ, The New Yorker and Dazed and Confused.[ citation needed ]
As of 2023 [update] , Goldberg lives on a farm in Sonoma County, California with his partner Alessandra Sanguinetti, his daughter Ruby, and Sanguinetti's daughter Cat. [21]
Goldberg's work is held in the following public collections:
William Eggleston is an American photographer. He is widely credited with increasing recognition of color photography as a legitimate artistic medium. Eggleston's books include William Eggleston's Guide (1976) and The Democratic Forest (1989).
Robert Adams is an American photographer who has focused on the changing landscape of the American West. His work first came to prominence in the mid-1970s through his book The New West (1974) and his participation in the exhibition New Topographics: Photographs of a Man-Altered Landscape in 1975. He has received two Guggenheim Fellowships, a MacArthur Fellowship, the Deutsche Börse Photography Prize and the Hasselblad Award.
Lee Friedlander is an American photographer and artist. In the 1960s and 1970s, Friedlander evolved an influential and often imitated visual language of urban "social landscape," with many of his photographs including fragments of store-front reflections, structures framed by fences, posters and street signs. His work is characterized by its innovative use of framing and reflection, often using the natural environment or architectural elements to frame his subjects. Over the course of his career, Friedlander has been the recipient of numerous awards and his work has been exhibited in major museums and galleries worldwide.
Nicholas Nixon is an American photographer, known for his work in portraiture and documentary photography, and for using the 8×10 inch view camera.
Gilles Peress is a French photographer and a member of Magnum Photos.
Joel Sternfeld is an American fine-art photographer and educator known for his large-format color pictures of contemporary American life and identity. His work contributed to the establishment of color photography as a respected artistic medium. Sternfeld’s photography follows in the tradition of American photographers such as Walker Evans and Robert Frank, documenting people and places with sensitivity. His work often conveys a sense of beauty and melancholy, capturing moments of hope, despair, and tenderness. Since the publication of his landmark book American Prospects in 1987, Sternfeld’s photography has intertwined conceptual and political themes, reflecting his engagement with history, landscape theory, and the passage of time.
Paul Graham is a British fine-art and documentary photographer. He has published three survey monographs, along with 26 other dedicated books.
Judith Joy Ross is an American portrait photographer. Her books include Contemporaries (1995), Portraits (1996), Portraits of the Hazleton Public Schools (2006) and Protest the War (2007), "exploring such themes as the innocence of youth, the faces of political power, and the emotional toll of war".
Henry Wessel was an American photographer and educator. He made "obdurately spare and often wry black-and-white pictures of vernacular scenes in the American West".
Bruce Landon Davidson is an American photographer, who has been a member of the Magnum Photos agency since 1958. His photographs, notably those taken in Harlem, New York City, have been widely exhibited and published. He is known for photographing communities that are usually hostile to outsiders.
Alec Soth is an American photographer, based in Minneapolis. Soth makes "large-scale American projects" featuring the midwestern United States. New York Times art critic Hilarie M. Sheets wrote that he has made a "photographic career out of finding chemistry with strangers" and photographs "loners and dreamers". His work tends to focus on the "off-beat, hauntingly banal images of modern America" according to The Guardian art critic Hannah Booth. He is a member of Magnum Photos.
Allan Sekula was an American photographer, writer, filmmaker, theorist and critic. From 1985 until his death in 2013, he taught at California Institute of the Arts. His work frequently focused on large economic systems, or "the imaginary and material geographies of the advanced capitalist world."
Todd Hido is an American photographer. He has produced 17 books, had his work exhibited widely and included in various public collections. Hido is currently an adjunct professor at the California College of the Arts in San Francisco.
Larry Sultan was an American photographer from the San Fernando Valley in California. He taught at the San Francisco Art Institute from 1978 to 1988 and at the California College of the Arts in San Francisco 1989 to 2009.
Leo Rubinfien is an American photographer and essayist who lives and works in New York City. Rubinfien first came to prominence as part of the circle of artist-photographers who investigated new color techniques and materials in the 1970s.
Pier 24 Photography is a non-profit art museum located on the Port of San Francisco directly under the San Francisco–Oakland Bay Bridge. The organization houses the permanent collection of the Pilara Foundation, which collects, preserves and exhibits photography. It produces exhibitions, publications, and public programs. Pier 24 Photography is the largest exhibition space in the world dedicated solely to photography.
Richard Learoyd is a British contemporary artist and photographer.
Mike Mandel is an American conceptual artist and photographer. According to his artist profile, his work "questions the meaning of photographic imagery within popular culture and draws from snapshots, advertising, news photographs, and public and corporate archives."
Sandra S. "Sandy" Phillips is an American writer, and curator working in the field of photography. She is the Curator Emeritus of Photography at the San Francisco Museum of Modern Art. She joined the museum as curator of photography in 1987 and was promoted to senior curator of photography in 1999 in acknowledgement of her considerable contributions to SFMOMA. A photographic historian and former curator at the Vassar College Art Gallery in Poughkeepsie, N.Y., Phillips succeeded Van Deren Coke as head of one of the country’s most active departments of photography. Phillips stepped down from her full time position in 2016.
John Chiara is an American contemporary artist and photographer.
{{cite web}}
: Missing or empty |title=
(help)