Santa Maria ad Ogni Bene dei Sette Dolori

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Santa Maria ad Ogni Bene dei Sette Dolori
Chiesa di Santa Maria ad Ogni Bene dei Sette Dolori
Ognibene2.jpg
The façade.
Santa Maria ad Ogni Bene dei Sette Dolori
Location Naples
CountryItaly
Denomination Roman Catholic
Architecture
Architectural type Church
Administration
Diocese Roman Catholic Archdiocese of Naples

Santa Maria ad Ogni Bene dei Sette Dolori, also known as Santa Maria de Sette Dolori, is a Roman Catholic church in Naples, Italy. It stands on a hill, providing an excellent view of Spaccanapoli, a Decumanus of Naples which ends across via Francesco Girardi. From the door of the church, one has a direct view across Naples through the straight Decumanus. The church also faces the former convent of Santissima Trinità delle Monache.


History

In 1411, the locals converted a shrine with a statue of the Virgin into a chapel called Santa Maria d'Ognibene (Holy Mary of all gifts). After the plague of 1516, the chapel and statue became a convent and church run by the Servite Order. In 1597, cardinal Alfonso Carafa was making it into a parish church which Carlo Carafa briefly started to attach it to the Congregation of Pii Operari. It was retransferred to the Servites and remained so till 1809, till they expelled the monks. When they left, they took with them the statue of the Addolorata. [1]

The church and the Servite order were attached to a form of Marian devotion centered around the sette dolori, which roughly translates to the seven sorrows, of the Maria Addolorata (Our Lady of Sorrows). Scriptual interpretations roughly identified these sorrows. [2]

When the cholera struck Naples in 1836, the parish retrieved the statue and, in 1837, placed it on the main altar. In 1849, the church was named a minor basilica by Pope Pius IX.

The church we see now was mainly built starting in 1640, by designs of Giovanni Cola Cocco. Other sources attribute the work to Nicola Tagliacozzi Canale. [3] Several artworks are associated with the church. The first chapel on right had a Christ heals the lame San Pellegrino Laziosi by Paolo de Matteis, with two lateral paintings by Carlo, the son of Nicola Malinconico. In the fourth chapel is a canvas depicting St Sebastian by Mattia Preti [4] and a St Jerome by followers of Ribera. In the first chapel to the left was a Baptism attributed to Silvestro Buono, and in the 5th chapel, the Francesco di Paola has been attributed to Marco Cardisco. Cosimo Fanzago, a famous sculptor and architect, is burried in this church. [5] The repertoire of paintings in the church now differs in many ways from the catalogue of Galante. [6]

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References

  1. Guida Sacra della citta di Napoli per Gennaro Aspreno Galante, 1873, page 365-366.
  2. Ball, Ann (2003). "Seven Sorrows of Mary". Encyclopedia of Catholic Devotions and Practices. Huntington IN: Our Sunday Visitor. p. 525. ISBN   0-87973-910-X.
  3. Storiacity entry on church.
  4. Now in the Capodimonte museum.
  5. Galante, page 366.
  6. Storiacity entry on church.

Coordinates: 40°50′42″N14°14′42″E / 40.844970°N 14.245050°E / 40.844970; 14.245050