Santa Maria ad Ogni Bene dei Sette Dolori | |
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Chiesa di Santa Maria ad Ogni Bene dei Sette Dolori | |
Location | Naples |
Country | Italy |
Denomination | Roman Catholic |
Architecture | |
Architectural type | Church |
Administration | |
Diocese | Roman Catholic Archdiocese of Naples |
Santa Maria ad Ogni Bene dei Sette Dolori, also known as Santa Maria de Sette Dolori, is a Roman Catholic church in Naples, Italy. It stands on a hill, providing an excellent view of Spaccanapoli, a Decumanus of Naples which ends across via Francesco Girardi. From the door of the church, one has a direct view across Naples through the straight Decumanus. The church also faces the former convent of Santissima Trinità delle Monache.
In 1411, the locals converted a shrine with a statue of the Virgin into a chapel called Santa Maria d'Ognibene (Holy Mary of all gifts). After the plague of 1516, the chapel and statue became a convent and church run by the Servite Order. In 1597, cardinal Alfonso Carafa was making it into a parish church which Carlo Carafa briefly started to attach it to the Congregation of Pii Operari. It was retransferred to the Servites and remained so till 1809, till they expelled the monks. When they left, they took with them the statue of the Addolorata. [1]
The church and the Servite order were attached to a form of Marian devotion centered around the sette dolori, which roughly translates to the seven sorrows, of the Maria Addolorata (Our Lady of Sorrows). Scriptual interpretations roughly identified these sorrows. [2]
When the cholera struck Naples in 1836, the parish retrieved the statue and, in 1837, placed it on the main altar. In 1849, the church was named a minor basilica by Pope Pius IX.
The church we see now was mainly built starting in 1640, by designs of Giovanni Cola Cocco. Other sources attribute the work to Nicola Tagliacozzi Canale. [3] Several artworks are associated with the church. The first chapel on right had a Christ heals the lame San Pellegrino Laziosi by Paolo de Matteis, with two lateral paintings by Carlo, the son of Nicola Malinconico. In the fourth chapel is a canvas depicting St Sebastian by Mattia Preti [4] and a St Jerome by followers of Ribera. In the first chapel to the left was a Baptism attributed to Silvestro Buono, and in the 5th chapel, the Francesco di Paola has been attributed to Marco Cardisco. Cosimo Fanzago, a famous sculptor and architect, is burried in this church. [5] The repertoire of paintings in the church now differs in many ways from the catalogue of Galante. [6]
Santa Maria sopra Minerva is one of the major churches of the Catholic Order of Preachers in Rome, Italy. The church's name derives from the fact that the first Christian church structure on the site was built directly over the ruins or foundations of a temple dedicated to the Egyptian goddess Isis, which had been erroneously ascribed to the Greco-Roman goddess Minerva.
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Oliviero Carafa, in Latin Oliverius Carafa, was an Italian cardinal and diplomat of the Renaissance. Like the majority of his era's prelates, he displayed the lavish and conspicuous standard of living that was expected of a prince of the Church. In his career he set an example of conscientiousness for his contemporaries and mentored his relative, Giovanni Pietro Carafa, who was also "Cardinal Carafa" from 1536 to 1555, when he became Pope Paul IV.
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Santa Maria dei Servi, or simply known as the Chiesa dei Servi, or more fully as the Church of the Nativity of the Servants of the Blessed Virgin Mary, is a 14th-century, Roman Catholic church that faces the Via Roma in Padua, region of the Veneto, Italy. This is the parish church in the vicariate of the Cathedral Basilica of Santa Maria Assunta governed by the Servite Order. The church contains outstanding works of art including a wooden crucifix by Donatello.
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Giovanni Vincenzo Casali, o Casale was an Italian sculptor, architect, and Servite monk.
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Coordinates: 40°50′42″N14°14′42″E / 40.844970°N 14.245050°E