Piazza del Duomo is the main piazza of Milan, Italy. It is named after, and dominated by, the Milan Cathedral. The piazza marks the center of the city, both in a geographic sense and because of its importance from an artistic, cultural, and social point of view. Rectangular in shape, with an overall area of 17,000 m2, the piazza includes some of the most important buildings of Milan, as well some of the most prestigious commercial activities, and it is by far the foremost tourist attraction of the city.
One of the first streams of Romanesque architecture in Europe from the 10th century and the beginning of 11th century is called First Romanesque or Lombard Romanesque. It took place in the region of Lombardy and spread into Catalonia and into the south of France. Its principal decoration for the exterior, bands of ornamental blind arches are called Lombard bands. It was characterized by thick walls and lack of sculpture in facades, and with interiors profusely painted with frescoes.
The Basilica of San Simpliciano is a church in the centre of Milan, Italy northern, the second oldest in the form of a Latin cross, first erected by Saint Ambrose. It is dedicated to Saint Simplician, bishop of Milan.
Simplician was Bishop of Milan from 397 to 400 or 401 AD. He is honoured as a Saint in the Roman Catholic and Eastern Orthodox Churches and his feast day is August 14.
Marolus was Archbishop of Milan from 408 to 423. He is honoured as a Saint in the Catholic Church and his feast day is April 23.
Maternus was Archbishop of Milan from c. 316 to c. 328. He is honoured as a Saint in the Catholic Church and his feast day is on July 18.
Monas was Bishop of Milan from the end 3rd-century to early 4th-century. He is honoured as a Saint in the Catholic Church and his feast day is on October 12.
The Portinari Chapel is a Renaissance chapel at the Basilica of Sant'Eustorgio, Milan, northern Italy. Commenced in 1460 and completed in 1468, it was commissioned by Pigello Portinari as a private sepulchre and to house a silver shrine given by Archbishop Giovanni Visconti in 1340 containing the relic head of St. Peter of Verona, to whom the chapel is consecrated. The architect is unknown, the traditional attribution to Michelozzo having been succeeded with equal uncertainty by attributions to either Filarete or Guiniforte Solari, architect of the apses of the Certosa di Pavia and the church of San Pietro in Gessate in Milan.
Santa Maria della Passione is a late Renaissance-style church located in Milan, Italy.
The Oratorio di San Protaso is a church in via Lorenteggio, Milan, Lombardy.
Early Christian churches in Milan are the first churches built immediately after the Edict of Milan in February 313, issued by Constantine the Great and Licinius, which expressly grants tolerance and religious liberty to all religions within the Roman Empire.
Senator of Milan or Senator of Settala was Bishop of Milan from 472 to 475. He is honoured as a saint in the Eastern Orthodox Church and Catholic Church and his feast day is 28 May.
Martinianus was Archbishop of Milan from 423 to 435. He is honoured as a Saint in the Catholic Church and his feast day is 2 January.
Anathalon was the first recorded Bishop of Milan and lived at the end 2nd-century or early 3rd-century. He is honoured as a Saint in the Catholic Church and his feast day is on September 25 in Milan. A late tradition made him the first bishop of Brescia where his feast day is celebrated on September 24.
Theodorus I was Archbishop of Milan from 475 to 490. He is honoured as a saint in the Eastern Orthodox Church and Catholic Church, and his feast day is July 27.
Lawrence I was Archbishop of Milan from 490 to c. 511. He is honoured as a saint in the Catholic Church and his feast day is July 25.
Magnus was Archbishop of Milan from 518 to c. 530. He is honoured as a saint in the Catholic Church.
The church and monastery of San Vittore al Corpo were an ancient monastery of the Olivetan order built in the early 16th century. The site was once a fourth century Roman imperial mausoleum of Maximian, that may also have held the burials of the emperors Gratian and Valentinian II, though they were more likely buried in another mausoleum, now the Chapel of Saint Aquilinus in the Basilica of Saint Lawrence. The basilica was enlarged in the 8th century to house the relics of the saints Vittore and Satiro. A Benedictine monastery soon was attached to the church. In 1507, the monastery was transferred to the Olivetans, who began a major reconstruction. Reconstruction of the church was begun in 1533 by Vincenzo Seregni, and completed in 1568 by Pellegrino Tibaldi. The façade remains incomplete. The dome was frescoed in 1617 by Guglielmo Caccia. In the chapel of St Anthony is a 1619 canvas by Daniele Crespi. In the transept on the left, is an early 17th-century cycle of canvases of the Stories of San Benedetto, by Ambrogio Figino while the right transept has an altarpiece by Camillo Procaccini. Other chapels have paintings by Pompeo Batoni and Giovanni Battista Discepoli.
The Diocesan Museum of Milan is an art museum in Milan housing a permanent collection of sacred artworks, especially from Milan and Lombardy. Originally conceived by Ildefonso Schuster in 1931 as a vehicle to protect and promote the art collection of the Archdiocese of Milan, the museum was eventually established in the former headquarters of the Dominican Order in the back of the Basilica of Sant'Eustorgio with the support of Pope Paul VI. In 2001 Carlo Maria Martini inaugurated the current venue located in Porta Ticinese.
The Pusterla di Sant’Ambrogio was originally built in 1171 after the city was destroyed by Frederik I Barbarossa in 1162. This postern was one of the ten secondary gates of Milan medieval walls. When in the 16th century the new set of city walls went up, the Pusterla of Saint Ambrose was turned into a prison. In 1939 this postern was completely restored with the original features.
