An editor has performed a search and found that sufficient sources exist to establish the subject's notability.(September 2024) |
Sara Landry | |
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Born | Austin, TX United States | September 22, 1993
Origin | Amsterdam, Netherlands |
Genres | Techno |
Occupation(s) | DJ, music producer |
Years active | 2018–present |
Labels | Mau5trap, Hekate Records |
Sara Landry (born September 22, 1993) is an American DJ and music producer. [1] [2] She is the owner of techno record label Hekate Records. [3] [4]
Title | Album details |
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Wait |
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Signal |
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Sacrifice |
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Act of God (Inspired by "The Outlaw Ocean") |
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Queen of the Banshees |
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Rebirth |
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Incoming |
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About Last Night |
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Delirium (with Don Woezik) |
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House is a genre of electronic dance music characterized by a repetitive four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's Black gay underground club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, House became mainstream and supplanted the typical 80s music beat.
Richard "Richie" Hawtin is a British-Canadian electronic musician and DJ. He became involved with Detroit techno's second wave in the early 1990s, and has been a leading exponent of minimal techno since the mid-1990s. He became known for his recordings under the Plastikman and F.U.S.E. aliases. Under the latter, he released his debut album Dimension Intrusion (1993) as part of Warp's Artificial Intelligence series.
Happy hardcore, also known as 4-beat or happycore, is a subgenre of hardcore dance music or "hard dance". It emerged both from the UK breakbeat hardcore rave scene, and Belgian, German and Dutch hardcore techno scenes in the early 1990s. The thing that makes happy hardcore stand apart from Gabber, is that happy hardcore tends to have breakbeats running alongside the 4/4 kick drum.
Hardcore is a genre of electronic dance music that originated in the Netherlands, Belgium, and Germany in the early 1990s. It is distinguished by faster tempos and a distorted sawtooth kick, the intensity of the kicks and the synthesized bass, the rhythm and the atmosphere of the themes, the usage of saturation and experimentation close to that of industrial dance music. It would spawn subgenres such as gabber.
Underground Resistance is an American musical collective from Detroit, Michigan. Producing primarily Detroit techno since 1990 with a grungy four-track musical aesthetic, they are also renowned for their militant political and anti-corporate ethos.
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Berghain is a nightclub in Berlin, Germany. It is named after its location near the border between Kreuzberg and Friedrichshain in Berlin, and is a short walk from Berlin Ostbahnhof main line railway station. Founded in 2004 by friends Norbert Thormann and Michael Teufele, it has since become one of the world's most famous clubs and has been called the "world capital of techno."
Thomas Brückner, known by his stage name Tomcraft, was a German DJ and producer. He specialized in progressive house and progressive trance music and is better known for having created the tracks "Loneliness", "Prosac", "The Circle", "The Mission", "25:17" "Silence" and "Overdose" working alongside Eniac.
"Twilight Zone" is a song by Belgian/Dutch Eurodance act 2 Unlimited, released in January 1992 by Byte Records as the second single from the act's debut studio album, Get Ready! (1992). The UK release of the single was the first 2 Unlimited single to include the vocals of Anita Doth, as they had not been featured on their breakthrough hit "Get Ready for This". However, Ray Slijngaard's rap verses were once again removed. The instrumental "Rave" version of the song sounds different from the original "Not Enough" version, with a more hi-NRG style with more bass and added cowbells. The music video was directed by David Betteridge.
Techno is a genre of electronic dance music which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (BPM). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.
Jeffrey Martin Landry is an American politician and attorney who has served since 2024 as the 57th governor of Louisiana. A member of the Republican Party, he served as the 45th attorney general of Louisiana from 2016 to 2024 and as the U.S. representative for Louisiana's 3rd congressional district from 2011 to 2013.
Isaiah Major best known as DJ Rush, is an American musician, DJ and record producer of electronic music, who was active in the early Chicago House scene.
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Joseph Capriati, born as Giuseppe Capriati is an Italian DJ and music producer.
Gqom, gqom tech, sgubhu, 3-Step or G.Q.O.M) is an African electronic dance music genre and subgenre of house music, that emerged in the early 2010s from Durban, South Africa, pioneered and innovated by music producers Naked Boyz, Rudeboyz, Sbucardo, Griffit Vigo, Nasty Boyz, DJ Lag, Menzi Shabane, Distruction Boyz and Citizen Boy.
Charlotte de Witte is a Belgian DJ and record producer, best known for her "dark and stripped-back" brand of acid techno and minimal techno. She has previously performed under the alias Raving George. She is the founder of the labels KNTXT and Époque.
Budots is an electronic dance music (EDM) genre that originated in Davao City, Philippines, and is considered as street style techno. It eventually spread in Bisaya-speaking regions. Based on techno and house music with Sama-Bajau tangonggo rhythms, it is regarded as the first "Filipino-fied" electronic music, characterized by its aggressive percussion, heavy use of sampling, off-beat basslines, high-pitched "tiw ti-ti-tiw" whistle hooks, and organic noises that surround the city. It is created to complement a form of freestyle street dance that bears the same name.
Belgian hardcore techno is an early style of hardcore techno that emerged from new beat as EBM and techno influences became more prevalent in this genre. This particular style has been described as an "apocalyptic, almost Wagnerian, bombastic techno", due to its use of dramatic orchestral stabs and menacing synth tones that set it apart from earlier forms of electronic dance music. It flourished in Belgium and influenced the sound of early hardcore from Netherlands, Germany, Italy, UK and North America during the early-1990s, as a part of the rave movement during that period.