The Wexner Center for the Arts is the Ohio State University's "multidisciplinary, international laboratory for the exploration and advancement of contemporary art."
Charles Louis Mee Jr. is an American playwright, historian and author known for his collage-like style of playwriting, which makes use of radical reconstructions of found texts. He is also a Special Lecturer of theater at Columbia University.
Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre", the genre's characteristic aspect is a reliance on the performers' physical motion rather than, or combined with, text to convey storytelling. Performers can communicate through various body gestures.
Viewpoints is a movement-based pedagogical and artistic practice that provides a framework for creating and analyzing performance by exploring spatial relationships, shape, time, emotion, movement mechanics, and the materiality of the actor's body. Rooted in the domains of postmodern theatre and dance composition, the Viewpoints operate as a medium for thinking about and acting upon movement, gesture, and the creative use of space.
Anne Bogart is an American theatre and opera director. She is currently one of the artistic directors of SITI Company, which she founded with Japanese director Tadashi Suzuki in 1992. She is a professor at Columbia University where she runs the Graduate Directing Concentration and is the author of four books of essays on theatre making: A Director Prepares; And Then, You Act; What's the Story; and The Art of Resonance. She is a co-author, with Tina Landau of The Viewpoints Book, a "practical guide" to Viewpoints training and devising techniques. Conversations with Anne, a collection of interviews she has conducted with various notable artists was published in March 2012.
The Rhodopi International Theater Collective (RITC) was the original name of the Leon Katz Rhodopi International Theatre Laboratory (RITL), an annual summer, month-long event for international theatre collaboration and development, which allowed professional participants to work with and train students and each other in distinct approaches from around the world. The name was changed in preparation for the 2009 session. The program operated under the previous name during the summers of 2005 to 2008.
Tadashi Suzuki is a Japanese avant-garde theatre director, writer, and philosopher.
15 HEAD - a theatre lab was a non-profit, professional, experimental theatre company based in Minneapolis, Minnesota.
Devised theatre – frequently called collective creation – is a method of theatre-making in which the script or performance score originates from collaborative, often improvisatory work by a performing ensemble. The ensemble is typically made up of actors, but other categories of theatre practitioners may also be central to this process of generative collaboration, such as visual artists, composers, and choreographers; indeed, in many instances, the contributions of collaborating artists may transcend professional specialization. This process is similar to that of commedia dell'arte and street theatre. It also shares some common principles with improvisational theatre; however, in devising, improvisation is typically confined to the creation process: by the time a devised piece is presented to the public, it usually has a fixed, or partly fixed form. Historically, devised theatre is also strongly aligned with physical theatre, due at least in part to the fact that training in such physical performance forms as commedia, mime, and clown tends to produce an actor-creator with much to contribute to the creation of original work.
The New York State Summer School of the Arts (NYSSSA) is a series of summer residential programs for New York State high school students. It provides intensive pre-professional training. It is open to all New York State high school age students who qualify through audition. Three component schools offer training in the specific disciplines of media arts, theatre and visual arts.
Barry Edelstein is an American theatre director and author. He was appointed as Artistic Director of the Old Globe Theatre in San Diego, California, on October 17, 2012. He was also Director of the New York Shakespeare Festival / Public Theater's Shakespeare Lab conservatory, 2007–2012, and Director of the Public Theater's Shakespeare Initiative, 2008–2012.
Anne Hamburger is an American theatre manager, producer and playwright. She founded En Garde Arts, was artistic director of La Jolla Playhouse and was also an executive at Walt Disney Creative Entertainment, producing musicals.
Kim Weild is a Drama Desk Award-nominated American theatre director, educator, writer, actor and choreographer.
Loni Berry is a theatre educator/artist. He has taught at numerous universities and is Artistic Director of Culture Collective Studio, a theatre production company in Bangkok, Thailand.
Joseph Haj is an American artistic director and actor who is the eighth artistic director of the Guthrie Theater. Before joining the Guthrie, he worked at PlayMakers Repertory Company.
Martin Gruber is a German director, choreographer and movement teacher for performing artists.
Mary Overlie was an American choreographer, dancer, theater artist, professor, author, and the originator of the Six Viewpoints technique for theater and dance. The Six Viewpoints technique is both a philosophical articulation of postmodern performance and a teaching system addressing directing, choreographing, dancing, acting, improvisation, and performance analysis. The Six Viewpoints has been taught in the core curriculum of the Experimental Theater Wing within Tisch School of the Arts at New York University since its inception (1978).
KJ Sanchez is an American theatre actor, director, and playwright. She is currently an associate professor at The University of Texas at Austin, where she serves as head of the MFA Directing program.
The Trinity/La MaMa Performing Arts Program is a fall semester study away program of Trinity College based at the La MaMa Experimental Theatre Club in New York City. The program is part of the Trinity College Office of Study Away, with students from various other liberal arts colleges enrolled in the program every year. Undergraduate students take classes and workshops that vary across all topics of interdisciplinary art, including acting, dance, performance art, puppetry, site-specific theatre, playwriting, directing, and media-based performance. Each student works at an internship/field study in an arts organization twice a week. Students also attend 3-4 shows a week in all disciplines of performance. Throughout the semester, students create and showcase original pieces, with a final performance presented at La MaMa Experimental Theatre Club and at Trinity College in Hartford, CT.
Angura (アングラ), also known as the "Little Theater" movement, was a Japanese avant-garde theater movement in the 1960s and 1970s that reacted against the Brechtian modernism and formalist realism of postwar Shingeki theater in Japan to stage anarchic "underground" productions in tents, on street corners, and in small spaces that explored themes of primitivism, sexuality, and embodied physicality. The term "Angura" was an abbreviation of the Japanese phrase "underground theater".
