Sarronca

Last updated
A sarronca. Zambomba-PenaAmigosCanizo-Jerez-P1010344.JPG
A sarronca.

The sarronca, zambomba, runcho or furruco [1] [2] is a traditional percussion musical instrument, more precisely a rubbed membranophone. It is typical of Portugal, Spain, where it usually accompanies villancicos, aguinaldos, and other popular songs. It is also used in traditional music in latin american countries such as Colombia or Venezuela.

Contents

Form and use

It is composed of a stretched skin over a hollow container that serves as a resonance box (which may be a can, a jug, a wooden cylinder or similar). [3] The center of the skin is pierced by a wood stick or a reed, and the sound is obtained by moving the rod downward and upward, so that the rod rubs the stretched skin. [4] This rod may sometimes be replaced with a rope. When the rod is rubbed with both hands, the vibration produced by the rod is transmitted to the skin, creating a deep and peculiar sound.

Other meanings of the term

Related Research Articles

<span class="mw-page-title-main">Drum</span> Type of musical instrument of the percussion family

The drum is a member of the percussion group of musical instruments. In the Hornbostel-Sachs classification system, it is a membranophone. Drums consist of at least one membrane, called a drumhead or drum skin, that is stretched over a shell and struck, either directly with the player's hands, or with a percussion mallet, to produce sound. There is usually a resonant head on the underside of the drum. Other techniques have been used to cause drums to make sound, such as the thumb roll. Drums are the world's oldest and most ubiquitous musical instruments, and the basic design has remained virtually unchanged for thousands of years.

The music of Latin America refers to music originating from Latin America, namely the Romance-speaking regions of the Americas south of the United States. Latin American music also incorporate the Indigenous peoples of the Americas. Due to its highly syncretic nature, Latin American music encompasses a wide variety of styles, including influential genres such as cumbia, bachata, bossa nova, merengue, rumba, salsa, samba, son, and tango. During the 20th century, many styles were influenced by the music of the United States giving rise to genres such as Latin pop, rock, jazz, hip hop, and reggaeton.

Electronica is both a broad group of electronic-based music styles intended for listening rather than strictly for dancing and a music scene that came to prominence in the early 1990s in the United Kingdom. In the United States, the term is mostly used to refer to electronic music generally.

<span class="mw-page-title-main">Membranophone</span> Class of musical instruments

A membranophone is any musical instrument which produces sound primarily by way of a vibrating stretched membrane. It is one of the four main divisions of instruments in the original Hornbostel-Sachs scheme of musical instrument classification.

Microhouse, buftech or sometimes just minimal, is a subgenre of house music strongly influenced by minimalism and 1990s techno.

<span class="mw-page-title-main">Music of Venezuela</span>

Several styles of the traditional music of Venezuela, such as salsa and merengue, are common to its Caribbean neighbors. Perhaps the most typical Venezuelan music is joropo, a rural form which originated in the llanos, or plains.

<i>Shamisen</i> Japanese plucked stringed instrument

The shamisen, also known as sangen or samisen (all meaning "three strings"), is a three-stringed traditional Japanese musical instrument derived from the Chinese instrument sanxian. It is played with a plectrum called a bachi.

<span class="mw-page-title-main">Dhol</span> Double-headed Indian drum

Dhol can refer to any one of a number of similar types of double-headed drum widely used, with regional variations, throughout the Indian subcontinent. Its range of distribution in Indian subcontinent primarily includes northern areas such as the Jammu, Himachal, Punjab, Haryana, Delhi, Kashmir, Sindh, Assam Valley, Uttarakhand, West Bengal, Odisha, Gujarat, Maharashtra, Konkan, Goa, Karnataka, Rajasthan, Bihar, Jharkhand and Uttar Pradesh. A related instrument is the dholak or dholki. Dhols are amongst other events used in Indian wedding ceremony processions such as Baraat or Varyatra.

<span class="mw-page-title-main">Vallenato</span> Colombian folk music genre

Vallenato is a popular folk music genre from Colombia. It primarily comes from its Caribbean region. Vallenato literally means "born in the valley". The valley influencing this name is located between the Sierra Nevada de Santa Marta and the Serranía de Perijá in north-east Colombia. The name also applies to the people from the city where this genre originated: Valledupar. In 2006, vallenato and cumbia were added as a category in the Latin Grammy Awards. Colombia's traditional vallenato music is Intangible Cultural Heritage in Need of Urgent Safeguarding, according to UNESCO.

<span class="mw-page-title-main">Norteño (music)</span> Genre of Mexican music

Norteño or Norteña, also música norteña, is a subgenre of regional Mexican music. The music is most often based on duple and triple metre and its lyrics often deal with socially relevant topics, although there are also many norteño love songs. The accordion and the bajo sexto are traditional norteño's most characteristic instruments.

The folkloric traditional music of Paraguay is the Paraguayan polka and the Guarania. The Paraguayan polka comes from polka of Czech origin; that was danced for the first time in Asunción, on November 27, 1858. The guarania was created by the Paraguayan musician José Asunción Flores, in January 1925, after experiencing different arrangements with the old Paraguayan musical theme "Ma'erãpa reikuaase". Paraguay also has classical music and popular music consisting of rock and jazz music. The folk music uses a range of different instruments some of which include the Spanish guitar and the European harp.

Aguinaldo It is a genre of Puerto Rican and Venezuelan traditional and cultural music, popular in several Latin American countries., based on Spanish Christmas carols or villancicos which is traditionally sung on Christmas itself or during the holiday season. Aguinaldo music is often performed by parrandas - a casual group of people, often family or friends, who merrily go from house to house taking along their singing. The instruments used are the cuatro, maracas and drums. Some popular aguinaldos are Burrito Sabanero (Venezuela), El Asalto, Feliz Navidad, and De la Montaña Venimos.

<span class="mw-page-title-main">Friction drum</span>

A friction drum is a musical instrument found in various forms in Africa, Asia, Europe and South America. In Europe it emerged in the 16th century and was associated with specific religious and ceremonial occasions.

<span class="mw-page-title-main">Chelique Sarabia</span> Venezuelan musician (1940–2022)

José Enrique “Chelique” Sarabia was a Venezuelan poet, musician, publicist, and television producer. He wrote more than 1000 songs registered at the Society of Authors and Composers of Venezuela (SACVEN), also has been one of the most successful Venezuelan musicians of the 20th century, recognized universally for being the author of “Ansiedad” (1958), which was recorded by Nat King Cole and later covered by Viktor Lazlo for her compilation album Sweet, Soft N' Lazy. In addition, he is the author of songs that comprise the Venezuelan cultural heap such as "Cuando no sé de ti", "Chinita de Maracaibo", "No te muerdas los labios", "Piragüero", "Ayúdame", "Te Necesito", "Mi Propio Yo", and "En este País".

Ethnic electronica is a broad category of electronic music, where artists combine elements of electronic and world music. The music is primarily rooted in local music traditions and regional cultures, rarely relying on global trends of popular music.

Techno is a genre of electronic dance music which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (BPM). The central rhythm is typically in common time (4/4) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro instruments are popular.

<span class="mw-page-title-main">Boogie (genre)</span> Music genre

Boogie is a rhythm and blues genre of electronic dance music with close ties to the post-disco style, that first emerged in the United States during the late 1970s to mid-1980s. The sound of boogie is defined by bridging acoustic and electronic musical instruments with emphasis on vocals and miscellaneous effects. It later evolved into electro and house music.

<span class="mw-page-title-main">Musical instrument</span> Device for making musical sounds

A musical instrument is a device created or adapted to make musical sounds. In principle, any object that produces sound can be considered a musical instrument—it is through purpose that the object becomes a musical instrument. A person who plays a musical instrument is known as an instrumentalist. The history of musical instruments dates to the beginnings of human culture. Early musical instruments may have been used for rituals, such as a horn to signal success on the hunt, or a drum in a religious ceremony. Cultures eventually developed composition and performance of melodies for entertainment. Musical instruments evolved in step with changing applications and technologies.

Merenhouse, merenrap or electronic merengue,Mambo o Mambo de Calle is a style of Dominican merengue music formed by blending with dancehall reggae and hip hop. The mix of Latin music, house music and dancehall started in NYC in the late 1980s.

References

  1. Carabás, David (2007). Tus tradiciones (in Spanish). Playco Editores. ISBN   978-980-6437-72-2.
  2. Palacios, Mariantonia (2000). Noticias musicales en los cronistas de la Venezuela de los siglos XVI-XVIII (in Spanish). Fondo Editorial Humanidades. ISBN   978-980-6440-13-5.
  3. Rice, Timothy; Porter, James; Goertzen, Chris (September 25, 2017). The Garland Encyclopedia of World Music: Europe. Routledge. ISBN   9781351544269 via Google Books.
  4. "SARRONCA". www.jose-lucio.com. Retrieved 2023-10-04.