Saturn was an American magazine published from 1957 to 1965. It was launched as a science fiction magazine, but sales were weak, and after five issues the publisher, Robert C. Sproul, switched the magazine to hardboiled detective fiction that emphasized sex and sadism. Sproul retitled the magazine Saturn Web Detective Story Magazine to support the change, and shortened the title to Web Detective Stories the following year. In 1962, the title was changed yet again, this time to Web Terror Stories, and the contents became mostly weird menace tales—a genre in which apparently supernatural powers are revealed to have a logical explanation at the end of the story.
Donald A. Wollheim was the editor for the first five issues; he published stories by several well-known authors, including Robert A. Heinlein, H. P. Lovecraft, and Harlan Ellison, but was given a small budget and could not always find stories of high quality. It is not known who edited the magazine after the science fiction issues, but the themes of violence and sex continued to the end of the magazine's run, many stories featuring the torture of women. Sproul finally canceled the title in 1965 after a total of 27 issues.
Year | Jan | Feb | Mar | Apr | May | Jun | Jul | Aug | Sep | Oct | Nov | Dec |
---|---|---|---|---|---|---|---|---|---|---|---|---|
1957 | 1/1 | 1/2 | 1/3 | 1/4 | ||||||||
1958 | 1/5 | 1/6 | 2/1 | |||||||||
1959 | 2/2 | 2/3 | 2/3 | 2/4 | 2/5 | |||||||
1960 | 2/6 | 3/1 | 3/2 | 3/3 | ||||||||
1961 | 3/4 | 3/5 | 3/6 | |||||||||
1962 | 4/1 | |||||||||||
1963 | 4/2 | 4/3 | ||||||||||
1964 | 4/4 | 4/5 | 4/6 | |||||||||
1965 | 5/1 | 5/2 | ||||||||||
Colors indicate the magazine's changes of title: in order, Saturn, The Magazine of Science Fiction;Saturn Web Detective Story Magazine; Web Detective Stories; and finally Web Terror Stories. [1] |
Science fiction (sf) magazines proliferated during the 1950s, with dozens of new titles launched during the decade. [2] [3] A. A. Wyn's Ace Magazines group included the Ace News Company, whose general manager was Joe Sproul. Wyn and Robert C. Sproul, Joe's son, were already publishing low-budget magazines such as Sure Fire Detective (later renamed Off Beat Detective Stories [4] ) and Cracked , and Robert Sproul decided to add a science fiction title to take advantage of the trend. Sproul recruited Donald A. Wollheim, who worked for Wyn at Ace Books, to help, and the result was Saturn. [5] [6]
The first issue was dated March 1957, with Sproul listed as the editor; Wollheim was "editorial consultant" according to the masthead but actually did all the editing work. [5] [6] The first issue was subtitled "The Magazine of Science Fiction"; for the second issue this was changed to "Magazine of Fantasy & Science Fiction", and the next three were subtitled "Science Fiction and Fantasy". [6]
Sales were disappointing, and Sproul responded by cutting the page count for the third issue from 128 to 112 pages, making it the shortest sf magazine on the market. [5] The schedule was initially bimonthly, but the fourth issue was delayed a month, after which it never returned to a regular schedule. With the sixth issue, dated August 1958, Sproul gave up on science fiction and converted the magazine to detective stories, changing the title to Saturn Web Detective Story Magazine—this was essentially a completely different magazine but, to retain his second-class mailing permit [note 1] for it, Sproul kept Saturn as part of the magazine title. [5] [6]
A few months later the title was shortened to Web Detective Stories. Sales continued to be weak and, in 1962, after a hiatus of almost a year, the title changed again to Web Terror Stories. It published eight issues under that title, finally expiring in 1965, [8] [1] perhaps because the publisher was by then more interested in film-monster magazines. [6] [note 2]
Sproul gave Wollheim a small budget, and the result was uneven quality. [5] On the cover of the first issue, Wollheim advertised "Eternal Adam", a story set in the far future by Jules Verne that had never previously been translated into English. This was a high-profile find for Saturn, but the rest of the issue was undistinguished: two stories were reprints from the British magazine New Worlds , and one was probably by Wollheim himself, under a pseudonym. Despite the budget constraints, Wollheim was intermittently able to find some good stories. [6] The fourth issue carried a story by Robert Heinlein, "Elephant Circuit", written ten years earlier (later reprinted as "The Man Who Traveled in Elephants"), [10] and Wollheim obtained stories from a wide range of well-known writers, including Harlan Ellison, Cordwainer Smith, Clark Ashton Smith, Marion Zimmer Bradley, Damon Knight, Gordon R. Dickson, Jack Vance, and H. P. Lovecraft. [5] In many cases, according to sf historians Joe Sanders and Mike Ashley, "the stories... gave the suggestion of being dragged out of the back corner of some desk drawer", [6] but they also comment that some material was "surprisingly fresh", [6] and it was popular enough to be ranked the second-favorite magazine in a poll in the fanzine Science-Fiction Times after its first year. [6] The March 1958 issue included Ray Cummings' "Requiem for a Small Planet"; Cummings was one of the most popular sf writers of the 1920s, and this was the last original story of his to appear in a science fiction magazine—and one of the many he set in an infinitesimally small world. [5] Non-fiction articles included "Red Flag Over the Moon", in the final science fiction issue, which in the context of the ongoing Space Race warned readers about the risk of Soviets taking possession of the moon. Sanders and Ashley cite this as an example of Saturn's "hype getting shriller...as the magazine's financial situation worsened". [6]
The detective stories began as hard-boiled fiction, with an emphasis on violence, sex, and titles such as "Jealous Husband" and "Rumble Bait". [8] [10] Edward D. Hoch's "Murder is Eternal", described by mystery critic Jon Breen as "very grim", appeared in the August 1960 issue. [11] With the title change to Web Terror Stories in 1962, the magazine moved further towards sex and sadism as Sproul began publishing weird menace fiction: [6] this was a genre originally popular in the 1930s in which apparently supernatural powers are revealed to have a logical explanation at the end of the story. [12] The occasional science fiction or fantasy story still appeared: the August 1962 issue included "My Love, the Monster" by John Jakes, and Marion Zimmer Bradley's "Treason of the Blood", a vampire story; a third sf story, "Orbit of the Pain-Masters", by Arthur P. Gordon, is described by Sanders and Ashley as "dreadful even by old pulp standards". [6] Subsequent issues, in Sanders' and Ashley's words, "relied on various ways of torturing women" for their material. [6]
The cover of the first issue was by Leo Summers; Sanders and Ashley describe it as "bland" [6] and "uninspiring". [5] Interior art for the first four issues was by John Giunta. [6]
Wollheim was no longer the editor once the magazine ceased to carry science fiction, though it is not known who took his place. [8] The magazine was digest-sized throughout its run; the first two issues had 128 pages, and thereafter each issue was 112 pages until the last, which had 160 pages. [6] Each volume included six issues; the numbering was regular except that two consecutive issues were labeled volume 2 number 3. [1] The magazine was priced at 35 cents for all but the last two issues, which were 50 cents. [8] The schedule was initially bimonthly but was rarely regular after the first three issues, with gaps of several months between most issues. [1] The publisher was Candar Publishing Company, Inc., owned by A. A. Wyn and Robert C. Sproul, [5] and based in Holyoke, Massachusetts, with editorial offices in Manhattan. [6]
Donald Allen Wollheim was an American science fiction editor, publisher, writer, and fan. As an author, he published under his own name as well as under pseudonyms, including David Grinnell.
The Magazine of Fantasy & Science Fiction is a U.S. fantasy and science fiction magazine first published in 1949 by Mystery House, a subsidiary of Lawrence Spivak's Mercury Press. Editors Anthony Boucher and J. Francis McComas had approached Spivak in the mid-1940s about creating a fantasy companion to Spivak's existing mystery title, Ellery Queen's Mystery Magazine. The first issue was titled The Magazine of Fantasy, but the decision was quickly made to include science fiction as well as fantasy, and the title was changed correspondingly with the second issue. F&SF was quite different in presentation from the existing science fiction magazines of the day, most of which were in pulp format: it had no interior illustrations, no letter column, and text in a single column format, which in the opinion of science fiction historian Mike Ashley "set F&SF apart, giving it the air and authority of a superior magazine".
Science Fantasy, which also appeared under the titles Impulse and SF Impulse, was a British fantasy and science fiction magazine, launched in 1950 by Nova Publications as a companion to Nova's New Worlds. Walter Gillings was editor for the first two issues, and was then replaced by John Carnell, the editor of New Worlds, as a cost-saving measure. Carnell edited both magazines until Nova went out of business in early 1964. The titles were acquired by Roberts & Vinter, who hired Kyril Bonfiglioli to edit Science Fantasy; Bonfiglioli changed the title to Impulse in early 1966, but the new title led to confusion with the distributors and sales fell, though the magazine remained profitable. The title was changed again to SF Impulse for the last few issues. Science Fantasy ceased publication the following year, when Roberts & Vinter came under financial pressure after their printer went bankrupt.
Unknown was an American pulp fantasy fiction magazine, published from 1939 to 1943 by Street & Smith, and edited by John W. Campbell. Unknown was a companion to Street & Smith's science fiction pulp, Astounding Science Fiction, which was also edited by Campbell at the time; many authors and illustrators contributed to both magazines. The leading fantasy magazine in the 1930s was Weird Tales, which focused on shock and horror. Campbell wanted to publish a fantasy magazine with more finesse and humor than Weird Tales, and put his plans into action when Eric Frank Russell sent him the manuscript of his novel Sinister Barrier, about aliens who own the human race. Unknown's first issue appeared in March 1939; in addition to Sinister Barrier, it included H. L. Gold's "Trouble With Water", a humorous fantasy about a New Yorker who meets a water gnome. Gold's story was the first of many in Unknown to combine commonplace reality with the fantastic.
Edwin Charles Tubb was a British writer of science fiction, fantasy and western novels. The author of over 140 novels and 230 short stories and novellas, Tubb is best known for The Dumarest Saga, an epic science-fiction saga set in the far future. Michael Moorcock wrote, "His reputation for fast-moving and colourful SF writing is unmatched by anyone in Britain."
Infinity Science Fiction was an American science fiction magazine, edited by Larry T. Shaw, and published by Royal Publications. The first issue, which appeared in November 1955, included Arthur C. Clarke's "The Star", a story about a planet destroyed by a nova that turns out to have been the Star of Bethlehem; it won the Hugo Award for that year. Shaw obtained stories from some of the leading writers of the day, including Brian Aldiss, Isaac Asimov, and Robert Sheckley, but the material was of variable quality. In 1958 Irwin Stein, the owner of Royal Publications, decided to shut down Infinity; the last issue was dated November 1958.
Michael Raymond Donald Ashley is a British bibliographer, author and editor of science fiction, mystery, and fantasy.
Uncanny Tales was a Canadian science fiction pulp magazine edited by Melvin R. Colby that ran from November 1940 to September 1943. It was created in response to the wartime reduction of imports on British and American science-fiction pulp magazines. Initially it contained stories only from Canadian authors, with much of its contents supplied by Thomas P. Kelley, but within a few issues Colby began to obtain reprint rights to American stories from Donald A. Wollheim and Sam Moskowitz. Paper shortages eventually forced the magazine to shut down, and it is now extremely rare.
Imaginative Tales was an American fantasy and science fiction magazine launched in September 1954 by William Hamling's Greenleaf Publishing Company. It was created as a sister magazine to Imagination, which Hamling had acquired from Raymond A. Palmer's Clark Publishing. Imaginative Tales began as a vehicle for novel-length humorous fantasy, early issues featuring stories by Charles F. Myers and Robert Bloch. After a year, Hamling switched the focus to science fiction and it became similar in content to Imagination, publishing routine space operas. In 1958, with public interest in space high, Hamling changed the title to Space Travel, but there was little effect on sales. Magazine circulation was suffering because of the rise of the paperback, and the liquidation in 1957 of American News Company, a major magazine distributor, made it even harder for small magazines to survive. Hamling eventually ceased publication of both Imaginative Tales and Imagination in 1958, preferring to invest the money in Rogue, a men's magazine he had started in imitation of Playboy in 1955.
Avon published three related magazines in the late 1940s and early 1950s, titled Avon Fantasy Reader, Avon Science Fiction Reader, and Avon Science Fiction and Fantasy Reader. These were digest size magazines which reprinted science fiction and fantasy literature by now well-known authors. They were edited by Donald A. Wollheim and published by Avon.
Future Science Fiction and Science Fiction Stories were two American science fiction magazines that were published under various names between 1939 and 1943 and again from 1950 to 1960. Both publications were edited by Charles Hornig for the first few issues; Robert W. Lowndes took over in late 1941 and remained editor until the end. The initial launch of the magazines came as part of a boom in science fiction pulp magazine publishing at the end of the 1930s. In 1941 the two magazines were combined into one, titled Future Fiction combined with Science Fiction, but in 1943 wartime paper shortages ended the magazine's run, as Louis Silberkleit, the publisher, decided to focus his resources on his mystery and western magazine titles. In 1950, with the market improving again, Silberkleit relaunched Future Fiction, still in the pulp format. In the mid-1950s he also relaunched Science Fiction, this time under the title Science Fiction Stories. Silberkleit kept both magazines on very slim budgets throughout the 1950s. In 1960 both titles ceased publication when their distributor suddenly dropped all of Silberkleit's titles.
Science Fiction Adventures was an American digest-size science fiction magazine, published from 1956 to 1958 by Irwin Stein's Royal Publications as a companion to Infinity Science Fiction, which had been launched the previous year. It was edited by Larry Shaw throughout its short run. Science Fiction Adventures focused on longer fiction than appeared in Infinity; these were often labelled as novels, though they were rarely longer than 20,000 words. Shaw declared in his first editorial that he wanted to bring back a "sense of wonder", and he printed straightforward action-adventure stories. Robert Silverberg was a prolific contributor, under his own name and under the pseudonym "Calvin M. Knox", and he also collaborated with Randall Garrett on two stories in the first issue, under two different pseudonyms. Other well-known writers occasionally appeared, including Harlan Ellison, Cyril M. Kornbluth, Algis Budrys, and Harry Harrison. Ed Emshwiller contributed cover art for nine of the twelve issues, and one of the other three was one of John Schoenherr's earliest sales.
Cosmic Stories and Stirring Science Stories were two American pulp science fiction magazines that published a total of seven issues in 1941 and 1942. Both Cosmic and Stirring were edited by Donald A. Wollheim and launched by the same publisher, appearing in alternate months. Wollheim had no budget at all for fiction, so he solicited stories from his friends among the Futurians, a group of young science fiction fans including James Blish and C. M. Kornbluth. Isaac Asimov contributed a story, but later insisted on payment after hearing that F. Orlin Tremaine, the editor of the competing science fiction magazine Comet, was irate at the idea of a magazine that might "siphon readership from magazines that paid", and thought that authors who contributed should be blacklisted. Kornbluth was the most prolific contributor, under several pseudonyms; one of his stories, "Thirteen O'Clock", published under the pseudonym "Cecil Corwin", was very successful, and helped to make his reputation in the field. The magazines ceased publication in late 1941, but Wollheim was able to find a publisher for one further issue of Stirring Science Stories in March 1942 before war restrictions forced it to close again.
Comet was a pulp magazine which published five issues from December 1940 to July 1941. It was edited by F. Orlin Tremaine, who had edited Astounding Stories, one of the leaders of the science fiction magazine field, for several years in the mid-1930s. Tremaine paid one cent per word, which was higher than some of the competing magazines, but the publisher, H-K Publications based in Springfield, MA, was unable to sustain the magazine while it gained circulation, and it was cancelled after less than a year when Tremaine resigned. Comet published fiction by several well-known and popular writers, including E.E. Smith and Robert Moore Williams. The young Isaac Asimov, visiting Tremaine in Comet's offices, was alarmed when Tremaine asserted that anyone who gave stories to competing magazines for no pay should be blacklisted; Asimov promptly insisted that Donald Wollheim, to whom he had given a free story, should make him a token payment so he could say he had been paid.
Out of This World Adventures was an American pulp magazine which published two issues, in July and December 1950. It included several pages of comics as well as science fiction stories. It was edited by Donald A. Wollheim and published by Avon. Sales were weak, and after two issues Avon decided to cancel it.
Strange Tales was an American pulp magazine first published from 1931 to 1933 by Clayton Publications. It specialized in fantasy and weird fiction, and was a significant competitor to Weird Tales, the leading magazine in the field. Its published stories include "Wolves of Darkness" by Jack Williamson, as well as work by Robert E. Howard and Clark Ashton Smith. The magazine ceased publication when Clayton entered bankruptcy. It was temporarily revived by Wildside Press, which published three issues edited by Robert M. Price from 2003 to 2007.
10 Story Fantasy was a science fiction and fantasy pulp magazine which was launched in 1951. The market for pulp magazines was already declining by that time, and the magazine only lasted a single issue. The stories were of generally good quality, and included work by many well-known writers, such as John Wyndham, A.E. van Vogt and Fritz Leiber. The most famous story it published was Arthur C. Clarke's "Sentinel from Eternity", which later became part of the basis of the movie 2001: A Space Odyssey.
Uncanny Stories was a pulp magazine which published a single issue, dated April 1941. It was published by Abraham and Martin Goodman, who were better known for "weird-menace" pulp magazines that included much more sex in the fiction than was usual in science fiction of that era. The Goodmans published Marvel Science Stories from 1938 to 1941, and Uncanny Stories appeared just as Marvel Science Stories ceased publication, perhaps in order to use up the material in inventory acquired by Marvel Science Stories. The fiction was poor quality; the lead story, Ray Cummings' "Coming of the Giant Germs", has been described as "one of his most appalling stories".
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
Fanciful Tales of Time and Space was a semi-professional science fiction and fantasy magazine which published one issue in 1936. It was published by Donald A. Wollheim and Wilson Shepherd, two science fiction fans; Wollheim was based in New York City, but the magazine was printed in Oakman, Alabama, where Shepherd had a letter press.