Scandinavian design is a design movement characterized by simplicity, minimalism and functionality that emerged in the early 20th century, and subsequently flourished in the 1950s throughout the five Nordic countries: Denmark, Finland, Norway, Sweden, and Iceland.
Scandinavian designers are known especially for household goods including furniture, textiles, ceramics, lamps, and glass, but Scandinavian design has been extended to industrial design such as of consumer electronics, mobile phones, and cars.
In 1914, the Danish Selskabet for Dekorativ Kunst (Company for Decorative Arts) launched its Skønvirke (literally "Graceful Work") magazine. Its title became the name of a new Danish style of arts and crafts, both in objects and in architecture, to rival Art Nouveau and Jugendstil. [1]
From the 1930s, designers such as Alvar Aalto (architecture, furniture, textiles), [2] Arne Jacobsen (chairs), [2] Borge Mogensen (furniture), [2] Hans J. Wegner (chairs), [2] Verner Panton (plastic chairs), [2] Poul Henningsen (lamps), [2] and Maija Isola (printed textiles) [2] helped to create a "golden age of Scandinavian design". [2]
Scandinavian textile artists became known for their pile rugs early in the 20th century, while brightly-coloured Scandinavian textiles became popular across the western world after the Second World War. [3] [4] [5]
The Lunning Prize, awarded to outstanding Scandinavian designers between 1951 and 1970, was instrumental in making Scandinavian design a recognized commodity, and in defining its profile. [6]
In 1954, the Brooklyn Museum held its "Design in Scandinavia" exhibition, and a fashion for "Scandinavian Modern" furniture began in America. [1] [7] [8] Scandinavian design is by no means limited to furniture and household goods. It has been applied to industrial design, such as of consumer electronics, [9] mobile phones, [10] and cars. [11]
The concept of Scandinavian design has been the subject of scholarly debate, exhibitions and marketing agendas since the 1950s. Many emphasize the democratic design ideals that were a central theme of the movement and are reflected in the rhetoric surrounding contemporary Scandinavian and international design. Others, however, have analyzed the reception of Scandinavian design abroad, seeing in it a form of myth-making and racial politics. [12]
Danish Design is a style of functionalistic design and architecture that was developed in mid-20th century. Influenced by the German Bauhaus school, many Danish designers used the new industrial technologies, combined with ideas of simplicity and functionalism to design buildings, furniture and household objects, many of which have become iconic and are still in use and production, such as Arne Jacobsen's 1958 Egg chair [13] and Poul Henningsen's 1926 PH-lamps. [14] After the Second World War, conditions in Denmark were ideally suited to success in design. The emphasis was on furniture but architecture, silver, ceramics, glass and textiles also benefitted from the trend. Denmark's late industrialisation combined with a tradition of high-quality craftsmanship formed the basis of gradual progress towards industrial production. [15]
Finnish design spans clothing, engineering design, furniture, glass, lighting, textiles, and household products. [16] The "Design from Finland" mark was created in 2011. [17] Finland's Design Museum (formerly called the Museum of Art and Design) has a collection founded in 1873, while Helsinki's University of Art and Design, established in 1871, now forms part of Aalto University. [18]
Prominent Finnish designers include Alvar Aalto (vases, furniture), [19] Aino Aalto (glassware), [19] Kaj Franck (glass, tableware), [19] Klaus Haapaniemi (fabric prints), [19] Simo Heikkilä (furniture), [20] Kristina Isola (textiles), [19] Maija Isola (Marimekko prints), [19] Harri Koskinen (glass, homeware), [19] Mika Piirainen (clothing, accessories), [19] Timo Sarpaneva (glass, homeware), [19] Oiva Toikka (glass art), [19] Tapio Wirkkala (glass art, glassware), [19] Eero Aarnio (plastic furniture), [19] Sanna Annukka (screenprints), [19] Anu Penttinen (glass), [19] Aino-Maija Metsola (textiles, homeware), [19] and Maija Louekari (tableware, homeware). [19]
Design in Iceland is a relatively young tradition, starting in the 1950s but now growing rapidly. The country's limited options for manufacturing and its constrained choice of materials have both forced designers to be innovative, though wool remains a staple material, whether felted or knitted. Iceland's Museum of Design and Applied Art, aiming to record Icelandic design from 1900 onwards, opened in 1998. [21] The Iceland Academy of the Arts was also founded in 1998, soon followed by its Faculty of Architecture and Design, which has promoted a distinctively Icelandic character in the nation's design. [22]
Norwegian design has a strong minimalist aesthetic. [23] Designed items include lamps and furniture. Qualities emphasised include durability, beauty, functionality, simplicity, and natural forms. [24]
The Norwegian Centre for Design and Architecture, "DogA", is housed in a former transformer station in Oslo. [25] Norway holds an annual design exhibition called "100% Norway" at the London Design Fair. [26] [27]
Prominent Norwegian furniture designers include Hans Brattrud, [28] Sven Ivar Dysthe, [29] Olav Eldøy, [30] Olav Haug, [31] Fredrik A. Kayser, [32] and Ingmar Relling. [33]
Swedish design is considered minimalist, with an emphasis on functionality and simple clean lines. This has applied especially to furniture. Sweden is known for traditional crafts including glass and Sami handicrafts. Swedish design was pioneered by Anders Beckman (graphics), [34] Bruno Mathsson (furniture), [35] Märta Måås-Fjetterström [35] and Astrid Sampe (textiles), [35] and Sixten Sason (industrial). [35]
Organisations that promote design in Sweden are Svensk Form , the Swedish Society of Crafts and Design, founded in 1845; the Swedish Industrial Design Foundation , known as SVID; the Swedish Arts Council; and the Swedish Centre for Architecture and Design (known as ArkDes) on the island of Skeppsholmen in Stockholm, beside the modern art museum. [35]
Hugo Alvar Henrik Aalto was a Finnish architect and designer. His work includes architecture, furniture, textiles and glassware, as well as sculptures and paintings. He never regarded himself as an artist, seeing painting and sculpture as "branches of the tree whose trunk is architecture." Aalto's early career ran in parallel with the rapid economic growth and industrialization of Finland during the first half of the 20th century. Many of his clients were industrialists, among them the Ahlström-Gullichsen family, who became his patrons. The span of his career, from the 1920s to the 1970s, is reflected in the styles of his work, ranging from Nordic Classicism of the early work, to a rational International Style Modernism during the 1930s to a more organic modernist style from the 1940s onwards.
Verner Panton is considered one of Denmark's most influential 20th-century furniture and interior designers. During his career, he created innovative and futuristic designs in a variety of materials, especially plastics, and in vibrant and exotic colors. His style was very "1960s" but regained popularity at the end of the 20th century. As of 2004, Panton's best-known furniture models are still in production.
In architecture, functionalism is the principle that buildings should be designed based solely on their purpose and function. An international functionalist architecture movement emerged in the wake of World War I, as part of the wave of Modernism. Its ideas were largely inspired by a desire to build a new and better world for the people, as broadly and strongly expressed by the social and political movements of Europe after the extremely devastating world war. In this respect, functionalist architecture is often linked with the ideas of socialism and modern humanism.
Marimekko Corporation is a Finnish textiles, clothing, and home furnishings company founded by Viljo and Armi Ratia in Helsinki in 1951. Marimekko made important contributions to fashion in the 1960s. It is particularly noted for its brightly colored printed fabrics and simple styles, used both in women's garments and in home furnishings.
Aalto University School of Arts, Design and Architecture; Finnish: Aalto-yliopiston taiteiden ja suunnittelun korkeakoulu; Swedish: Aalto-universitetets högskola för konst, design och arkitektur), was formed of two separate schools: the faculty of architecture and the University of Art and Design Helsinki. TaiK, founded in 1871, was the largest art university in the Nordic countries. The university awards the following academic degrees: Bachelor of Science in Technology, Architect, Bachelor of Arts, Master of Arts, and Doctor of Arts.
Yrjö Kalervo Sotamaa is a Finnish designer and design strategist. Sotamaa is Professor Emeritus of Design Innovation in the Aalto University School of Art, Design and Architecture and President Emeritus of the University of Art and Design Helsinki (TAIK). He served as the president of TAIK from 1986 until 2008. He earned his MA in Interior Architecture and Furniture Design from TAIK, where he studied with Kaj Franck and Antti Nurmesniemi.
Aino Maria Marsio-Aalto was a Finnish architect and a pioneer of Scandinavian design. She is known as the design partner of architect Alvar Aalto, with whom she worked for 25 years, and as a co-founder with him, Maire Gullichsen, and Nils-Gustav Hahl of the design company Artek, collaborating on many its most well-known designs. As Artek's first artistic director, her creative output spanned textiles, lamps, glassware, and buildings. Her work is in the permanent collection of the Museum of Modern Art (MoMA) in New York, and MoMA has included her work in nine exhibitions, the first of which was Aalto: Architecture and Furniture in 1938. Other major exhibitions were at the Barbican Art Gallery in London and Chelsea Space in London. Aino Aalto has been exhibited with Pablo Picasso.
Vuokko Hillevi Lilian Eskolin-Nurmesniemi is a Finnish textile designer. She is best known for her work as one of the two leading designers of the Marimekko company. Her signature striped Jokapoika shirt helped to make the company's name.
Iittala, founded as a glassworks in 1881, is a Finnish design brand specialising in design objects, tableware and cookware.
Maija Sofia Isola was a Finnish designer of printed textiles, and the creator of over 500 patterns, including Unikko ("Poppy"). The bold, colourful prints she created as the head designer of Marimekko made the Finnish company famous in the 1960s. She also had a successful career as a visual artist.
Undisputedly the most famous textile designer... at Marimekko
Claesson Koivisto Rune is a Swedish architectural partnership, founded in 1995 by Mårten Claesson, Eero Koivisto and Ola Rune. It started as an architectural firm, but has since become a multi-disciplinary office with an equal emphasis on both architecture and design.
Danish modern also known as Scandinavian modern is a style of minimalist furniture and housewares from Denmark associated with the Danish design movement. In the 1920s, Kaare Klint embraced the principles of Bauhaus modernism in furniture design, creating clean, pure lines based on an understanding of classical furniture craftsmanship coupled with careful research into materials, proportions, and the requirements of the human body.
Kvadrat is a Danish textile company that produces and supplies textiles and textile-related products to architects, designers and private consumers in Europe and worldwide. Kvadrat was established in Denmark in 1968 with deep roots in Scandinavia's design tradition.
Jens Risom was a Danish American furniture designer. An exemplar of Mid-Century modern design, Risom was one of the first designers to introduce Scandinavian design in the United States.
Grete Prytz Kittelsen, was a Norwegian goldsmith, enamel artist, and designer. She is one of the most well-known Norwegians in the Scandinavian Design movement, and has been referred to as the "Queen of Scandinavian Design". Through her work she contributed to internationalisation, innovation and scientific research. She was one of the few Norwegian practitioners who shaped the Scandinavian design style in the post-war era and is the periods’ most renowned Norwegian practitioner. Kittelsen's aim was to make beautiful and user-friendly everyday objects available for everyone. She had a vast and varied production. With her enamelled objects and jewellery she has been a pioneer in design in the post-war era and a model for the next generation of designers. Today her pieces constitute design icons and are sought-after collectables.
Nordic art is the art made in the Nordic countries: Denmark, Faroe Islands, Finland, Iceland, Norway, Sweden, and associated territories. Scandinavian art refers to a subset of Nordic art and is art specific for the Scandinavian countries Denmark, Sweden and Norway.
Scandinavian Academy of Industrial Engineering and Management (ScAIEM), founded in 2012, is an academic association with members from Iceland, Norway, Denmark, Sweden, and Finland that facilitate collaboration, knowledge sharing and dissemination of best practices between universities within the industrial engineering and management (IEM) field.
Eva-Lisa "Pipsan" Saarinen Swanson (March 31, 1905 – October 23, 1979) was a Finnish-American industrial, interior, and textile designer based in Michigan. She was known for her contemporary furniture, textile, and product designs.
Saara Elisabet Hopea-Untracht was a Finnish designer whose work included glassware and jewellery.