Berthe Marie Pauline Morisot was a French painter and a member of the circle of painters in Paris who became known as the Impressionists.
Édouard Manet was a French modernist painter. He was one of the first 19th-century artists to paint modern life, as well as a pivotal figure in the transition from Realism to Impressionism.
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities, ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s.
Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny, Pennsylvania, and lived much of her adult life in France, where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.
Edgar Degas was a French Impressionist artist famous for his pastel drawings and oil paintings.
Place de la Concorde or Viscount Lepic and his Daughters Crossing the Place de la Concorde is an 1875 oil painting by Edgar Degas. It depicts the cigar-smoking Ludovic-Napoléon Lepic, his daughters Eylau and Jeanine, his dog, and a solitary man on the left at Place de la Concorde in Paris. The man on the left may be the playwright Ludovic Halévy. The Tuileries Gardens can be seen in the background, behind a stone wall.
Horses have appeared in works of art throughout history, frequently as depictions of the horse in battle. The horse appears less frequently in modern art, partly because the horse is no longer significant either as a mode of transportation or as an implement of war. Most modern representations are of famous contemporary horses, artwork associated with horse racing, or artwork associated with the historic cowboy or Native American tradition of the American West. In the United Kingdom, depictions of fox hunting and nostalgic rural scenes involving horses continue to be made.
Les Choristes is an 1877 pastel on monotype by French artist Edgar Degas. Part of a series of similar works depicting daily public entertainment at the time, it shows a group of singers performing a scene from the opera Don Giovanni, the only work by Degas depicting an operatic performance without dancers.
Ludovic Lepic and His Daughters is an oil painting on canvas completed ca. 1871 by the French artist Edgar Degas. The painting depicts Ludovic-Napoléon Lepic with his young daughters, Eylau and Jeanine. Degas also depicted Ludovic Lepic in the painting Place de la Concorde.
The Electra Havemeyer Webb Memorial Building is an exhibit building located at the Shelburne Museum in Shelburne, in the U.S. state of Vermont. It was built as a memorial to the museum's founder, Electra Havemeyer Webb, and her husband, James Watson Webb II. It is home to the museum's European Paintings Collection. The collection is shown in six period rooms relocated from Electra and J. Watson Webb's 1930s New York City apartment at 740 Park Avenue.
The Races at Longchamp is an 1866 painting by the French artist Édouard Manet. The Impressionist painting depicts the ending of the Second Grand Prix de Paris at Longchamp. It is currently in the collection of the Art Institute of Chicago. This painting is one of four depictions of the same subject that Manet created over four years. The painting reflects the rise of horse racing in France, following the influence of the British. The work is thought to be the first painting to present horses coming directly toward the viewer, and it uses various techniques to reduce the sense of depth.
Interior, also known as The Rape, is an oil painting on canvas by Edgar Degas (1834–1917), painted in 1868–1869. Described as "the most puzzling of Degas's major works", it depicts a tense confrontation by lamplight between a man and a partially undressed woman. The theatrical character of the scene has led art historians to seek a literary source for the composition, but none of the sources proposed has met with universal acceptance. Even the painting's title is uncertain; acquaintances of the artist referred to it either as Le Viol or Intérieur, and it was under the latter title that Degas exhibited it for the first time in 1905. The painting is housed in the Philadelphia Museum of Art.
Ludovic-Napoléon Lepic was a French artist, archaeologist and patron of the arts. He was styled as Vicomte Lepic until his father's death in 1875, when he succeeded to the title of Comte Lepic. He is best remembered today as a friend of Edgar Degas, who included him in some eleven paintings and pastels. He was among the original Impressionist group and later became a recognised marine painter.
Luncheon in the Studio is an 1868 oil painting by Édouard Manet. Partially a portrait of 16-year-old Léon Leenhoff — the son of Suzanne Leenhoff before her 1863 marriage to Manet, and possibly the son of Manet or Manet's father Auguste — it is also an enigmatic work that has received limited attention within Manet's oeuvre. Critic Nan Stalnaker notes that "despite continued questions about its meaning, the work is acknowledged to be brilliantly painted and a major Manet work".
Little Girl in a Blue Armchair is an 1878 oil painting by the American painter, printmaker, pastelist, and connoisseur Mary Cassatt. It is in the collection of the National Gallery of Art, Washington D.C. Edgar Degas made some changes in the painting.
Félix-Joseph Barrias was a French painter. He was well known in his day for his paintings of religious, historical or mythical subjects, but has now been largely forgotten. Artists who trained in his studio and went on to achieve fame include Edgar Degas, Gustave Achille Guillaumet and Henri Pille.
Henri Michel-Lévy, was a French impressionist painter.
The Collector of Prints is an oil-on-canvas painting by the French impressionist artist Edgar Degas. The painting, which was produced in 1866, depicts an unknown male subject who’s sitting down and seemingly browsing through a portfolio of prints while holding the viewers’ gaze. This work, influenced by prominent artists and critics of the time such as Daumier, Manet, and Duranty, embodied Degas’ interest in exploring the avenues of a complex background. As a result, the background behind the subject displays a varied compilation of photographs, cards, prints, fabrics, and other objects.
Girl Arranging Her Hair is an 1886 painting by American artist Mary Cassatt. The painting currently is in the collection of the National Gallery of Art, in Washington, D.C. It was originally exhibited at the Eighth and last Impressionist exhibition, which opened on May 15, 1886.
Lorenzo Pagans and Auguste de Gas is the title of a painting by Edgar Degas. Painted in oil on canvas, it is 54.5 cm high and 39.5 cm wide. The double portrait, painted around 1871–1872, shows the Catalan tenor Lorenzo Pagans performing a song and guitar recital. The painter's father, Auguste de Gas, sits in the audience behind him. The painting is one of a series of portraits of musicians that Degas painted beginning in the late 1860s. It is in the collection of the Musée d'Orsay in Paris.
