Pedro Quartucci was an Argentine boxer and actor.
The Husband That Is Necessary to Follow is a 1948 Argentine film of the classical era of Argentine cinema, directed by Augusto Cesar Vatteone and written by Tito Insausti. The film starred Francisco Álvarez, Ana Arneodo, Mapy Cortés and Pedro Quartucci.
Albéniz is a 1947 black-and-white Argentine biographical drama film of the classical era of Argentine cinema, directed by Luis César Amadori and written by Pedro Miguel Obligado. The film is based on the life of Spanish composer and pianist, Isaac Albéniz, one of the foremost composers of the Post-romantic era.
Almafuerte is a 1949 Argentine melodrama film of the classical era of Argentine cinema, directed by Luis César Amadori and written by Belisario García Villar. The film is a biography of the Argentine poet Pedro Bonifacio Palacios. The film starred Narciso Ibáñez Menta as Almafuerte and Pola Alonso.
The Favorite is a 1935 Argentine musical comedy film of the Golden Age of Argentine cinema directed and written by Manuel Romero with Luis Bayón Herrera. It is a tango film and premiered on August 15, 1935.
Jettatore is a 1938 Argentine musical drama film directed by Luis Bayon Herrera during the Golden Age of Argentine cinema. The film premiered in Buenos Aires on August 10, 1938 and starred Tito Lusiardo and Pedro Quartucci. It is a tango musical and is based on a play by Gregorio de Laferrere. The cinematography and editing of the film were performed by Francisco Múgica, who also served as a technical advisor to the films.
Margarita, Armando y su padre is a 1939 Argentine romantic comedy film directed by Francisco Múgica during the Golden Age of Argentine cinema. The film is based a play by Enrique Jardiel Poncela who himself adapted the film for the silver screen. The film premiered in Buenos Aires and starred Mecha Ortiz and Pedro Quartucci. Production design of the film was performed by Ricardo J. Conord.
God Reward You is a 1948 Argentine melodrama film of the classical era directed by Luis César Amadori and starring Arturo de Córdova and Zully Moreno, produced during the classical era of Argentina cinema. It won the Silver Condor Award for Best Film, given by the Argentine Film Critics Association in 1949 for the best picture of the previous year.
Edición extra is a 1949 Argentine film of the classical era of Argentine cinema, directed by Luis Moglia Barth and starring Jorge Salcedo and Silvana Roth.
The Honourable Tenant is a 1951 Argentine comedy film of the classical era of Argentine cinema, directed by Carlos Schlieper and starring Alberto Closas, Olga Zubarry and Amalia Sánchez Ariño. The film's sets were designed by Carlos T. Dowling.
Pedro Jorge Rigato Delissetche, better known by his stage names George Rigaud, Georges Rigaud or Jorge Rigaud, was an Argentine film actor who appeared in 194 films between 1932 and 1981.
Francisco "Paco" Madrid was a Spanish (Catalan) critic, editor, essayist, historian, journalist, novelist, playwright, and screenwriter. He was also a politician.
His Best Student is a 1944 Argentine biographical film of the classical period directed by Lucas Demare and starring Enrique Muiño and Ángel Magaña. It was released in Buenos Aires on 22 May 1944. The film won many awards, including the award for best film of the year.
Los martes, orquídeas is a 1941 Argentine black and white comedy film of the Golden Age directed by Francisco Múgica and starring Mirtha Legrand, Enrique Serrano, Juan Carlos Thorry and Nuri Montsé. It won the Argentine Best Picture award for 1941. It was remade as the Hollywood classic You Were Never Lovelier (1942), starring Fred Astaire and Rita Hayworth.
Hasta el fin del mundo, is a Mexican telenovela premiered on Canal de las Estrellas on July 28, 2014, and concluded on April 19, 2015. The series is produced for Televisa by Nicandro Díaz González and adapted by Kary Fajer, based on the Argentine telenovela produced by Telefe, entitled Dulce amor.
Melodies of America is a 1941 Argentine musical comedy film of the Golden Age of Argentine cinema, directed by Eduardo Morera and starring José Mojica, Silvana Roth and June Marlowe. It was intended as an Argentine response to the Latin-American themed films produced by Hollywood as part of the Good Neighbor policy.
Lilián del Río was an Argentine vedette star most known for her revue performances. In 1956, del Río starred in the play Ni Militar, ni Marino… El Presidente Argentino with, among others, Margarita Padín, Pedro Quartucci and Enrique Serrano. Her only film appearance was when she starred in Reencuentro con la gloria (1957) playing opposite Martín Karadagián, which was directed by Ivan Grondona, but it was not released until 1962.
Seven Women is a 1944 Argentine drama film of the classical era of Argentine cinema, directed by Benito Perojo and starring Olga Casares Pearson, Carlos Lagrotta and Silvia Legrand. It was based on a play which was later turned into a 1953 Mexican film of the same title.
A Model from Paris is a 1946 Argentine comedy film of the classical era of Argentine cinema, directed by Luis Bayón Herrera and starring Pedro Quartucci, Tilda Thamar and Francisco Álvarez.
Rita Lucía Montero was an Argentine theatre, cinema and television actress and singer of the classical era of Argentine cinema.
