Schumann House | |
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General information | |
Architectural style | Neoclassical |
Address | Inselstraße 18 04103 Leipzig |
Country | Germany |
Coordinates | 51°20′25.8″N12°23′28″E / 51.340500°N 12.39111°E Coordinates: 51°20′25.8″N12°23′28″E / 51.340500°N 12.39111°E |
Website | |
https://www.schumannhaus.de/en/ |
The Schumann House is a cultural site in Leipzig in Germany. The musicians Robert Schumann and his wife Clara lived here for their first four years of marriage; there are now exhibition rooms in their former apartment, about their life and work.
The building was constructed, in Neoclassical style, by Friedrich August Schiedel in 1838. Robert and Clara Schumann, after their marriage in September 1840, lived here until 1844 in an apartment on the first floor. [1] [2]
Guests the Schumanns received here include Felix Mendelssohn, Franz Liszt and Hector Berlioz. Works composed by Robert Schumann during this period include the Spring Symphony , the three String Quartets and the Piano Quintet. [1] [2]
The building, apart from the exhibition rooms on the first floor, is now the independent primary school "Clara Schumann". [1] [2] Among the exhibition rooms are the Schumann Salon, where the Schumanns received guests; the Travel Room, which is concerned with concert tours to Denmark in 1842 and Russia in 1844; [3] and the Sound Room (Klangraum), designed in the style of the Biedermeier period, which contains an interactive sound installation by the artist Erwin Stache . [4]
Robert Schumann was a German composer, pianist, and influential music critic. He is widely regarded as one of the greatest composers of the Romantic era. Schumann left the study of law, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, a German pianist, had assured him that he could become the finest pianist in Europe, but a hand injury ended this dream. Schumann then focused his musical energies on composing.
Clara Josephine Schumann was a German pianist, composer and piano teacher. Regarded as one of the most distinguished pianists of the Romantic era, she exerted her influence over a 61-year concert career, changing the format and repertoire of the piano recital from displays of virtuosity to programs of serious works. She also composed solo piano pieces, a piano concerto, chamber music, choral pieces, and songs.
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