Scotland Forever! | |
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![]() Scotland Forever! | |
Artist | Elizabeth Thompson |
Year | 1881 |
Medium | Oil on canvas |
Movement | Military art |
Subject | Royal Scots Greys at the Battle of Waterloo |
Dimensions | 101.6 cm× 194.3 cm(40.0 in× 76.5 in) |
Location | Leeds Art Gallery, Leeds |
Website | web |
Scotland Forever! is an 1881 oil painting by Lady Butler depicting the start of the charge of the Royal Scots Greys, a British heavy cavalry regiment that charged with other British heavy cavalry at the Battle of Waterloo in 1815. The painting has been reproduced many times and is considered an iconic representation of the battle itself, and of heroism more generally. [1] [2]
Butler was inspired to paint the charge as a response to the aesthetic paintings that she saw — and intensely disliked — on a visit to the Grosvenor Gallery. She had developed a reputation for her military pictures after the favourable reception of her earlier painting The Roll Call of 1874, on a subject from the Crimean War, and her 1879 painting Remnants of an Army , on the 1842 retreat from Kabul. [1]
Although Butler had never observed a battle, she was permitted to watch her husband's regiment during training maneuvers, positioning herself in front of charging horses in order to observe their movement. [1] In reality however, it appears that the Scots Greys did not start the charge at a gallop, due to the broken ground, and instead advanced at a quick walk. The horses which dominate the picture are heavy grey mounts, allegedly used by the regiment throughout its history until mechanisation, although at Waterloo (and earlier), it seems they had brown horses like the other heavy cavalry regiments, and the name "greys" is actually derived from the grey uniforms the regiment wore in the early 18th century. [3] The bearskin caps were covered during the actual battle by black oilskin covers.
The title comes from the battle cry of the soldiers—the Greys called "Now, my boys, Scotland forever!" as they charged. [4]
The painting was exhibited at the Egyptian Hall in Piccadilly in 1881. Tzar Nicholas II of Russia and Kaiser Wilhelm II of Germany both received copies and later during the First World War both the British and the Germans used the image in their propaganda material, with the Scots Greys transformed into Prussian cavalry by the Germans. [1] In 1888 Colonel Thomas Walter Harding donated the painting to Leeds Art Gallery. [4]
The lead rider is arguably either Lt Col James Hamilton who led the first charge but was killed in the second smaller charge, or Captain Edward Cheney who had his horse shot from under him five times in the battle, once on each charge, who was promoted to Brevet Colonel in the field due to the death of both Hamilton and Sir William Ponsonby, and led the 3rd, 4th and 5th charge. The painting is not intended to be a portrait of either.
The scene was used as an inspiration for the depiction of the same charge in the 1970 film Waterloo . [5]
The Battle of Waterloo was fought on Sunday 18 June 1815, near Waterloo, marking the end of the Napoleonic Wars. A French army under the command of Napoleon was defeated by two armies of the Seventh Coalition. One of these was a British-led force with units from the United Kingdom, the Netherlands, Hanover, Brunswick, and Nassau, under the command of the Duke of Wellington. The other comprised three corps of the Prussian army under Field Marshal von Blücher. The battle was known contemporarily as the Battle of Mont Saint-Jean in France or La Belle Alliance in Prussia.
Waterloo is a 1970 English-language epic historical war film about the Battle of Waterloo. A co-production between Italy and the Soviet Union, it was directed by Sergei Bondarchuk and produced by Dino De Laurentiis. It stars Rod Steiger as Napoleon Bonaparte and Christopher Plummer as the Duke of Wellington with a cameo by Orson Welles as Louis XVIII of France. Other stars include Jack Hawkins as General Sir Thomas Picton, Virginia McKenna as the Duchess of Richmond and Dan O'Herlihy as Marshal Ney.
The Royal Scots Greys was a cavalry regiment of the British Army from 1707 until 1971, when they amalgamated with the 3rd Carabiniers to form the Royal Scots Dragoon Guards.
Major-General Sir William Ponsonby was an Anglo-Irish politician and British Army officer who served in the Peninsular War and was killed at the Battle of Waterloo.
Henry William Paget, 1st Marquess of Anglesey, styled Lord Paget between 1784 and 1812 and known as the Earl of Uxbridge between 1812 and 1815, was a British Army officer and politician. After serving as a member of parliament for Carnarvon and then for Milborne Port, he took part in the Flanders Campaign and then commanded the cavalry for Sir John Moore's army in Spain during the Peninsular War; his cavalry showed distinct superiority over their French counterparts at the Battle of Sahagún and at the Battle of Benavente, where he defeated the elite chasseurs of the French Imperial Guard. During the Hundred Days he led the charge of the heavy cavalry against Comte d'Erlon's column at the Battle of Waterloo. At the end of the battle, he lost part of one leg to a cannonball. In later life he served twice as Master-General of the Ordnance and twice as Lord Lieutenant of Ireland.
Elizabeth Southerden Thompson, later known as Lady Butler, was a British painter who specialised in painting scenes from British military campaigns and battles, including the Crimean War and the Napoleonic Wars. Her notable works include The Roll Call, The Defence of Rorke's Drift, and Scotland Forever!. She wrote about her military paintings in an autobiography published in 1922: "I never painted for the glory of war, but to portray its pathos and heroism." She was married to British Army officer William Butler, becoming Lady Butler after he was knighted.
The Royal Scots Dragoon Guards (Carabiniers and Greys) is a cavalry regiment of the British Army, and the senior Scottish regiment. The regiment, through the Royal Scots Greys, is the oldest surviving Cavalry Regiment of the Line in the British Army. The regiment is based at Waterloo Lines, Leuchars Station, as part of 51st Infantry Brigade and Headquarters Scotland, a light adaptable force brigade.
The Royal Regiment of Horse Guards (The Blues) (RHG) was a cavalry regiment of the British Army, part of the Household Cavalry.
The French Imperial Eagle refers to the figure of an eagle on a staff carried into battle as a standard by the Grande Armée of Napoleon during the Napoleonic Wars.
Ernest Crofts was a British painter of historical and military scenes.
Cornet Charles Ewart was a Scottish soldier of the Royal North British Dragoons, famous for capturing the regimental eagle of the 45e Régiment de Ligne at the Battle of Waterloo.
The 13th Hussars was a cavalry regiment of the British Army established in 1715. It saw service for three centuries including the Napoleonic Wars, the Crimean War and the First World War but then amalgamated with the 18th Royal Hussars, to form the 13th/18th Royal Hussars in 1922.
The 92nd Regiment of Foot was a British Army infantry regiment, raised in 1794. Under the Childers Reforms it amalgamated with the 75th (Stirlingshire) Regiment of Foot to form the Gordon Highlanders in 1881.
The 28th Regiment at Quatre Bras is an oil painting on canvas from 1875, painted by Elizabeth Thompson. She became better known as Lady Butler after her marriage to William Butler in 1877. The painting is 97.2 centimeters (38.3 in) high and 216.2 centimeters (85.1 in) wide. It is in the National Gallery of Victoria, Melbourne, Australia.
The 6th (Inniskilling) Dragoons was a cavalry regiment in the British Army, first raised in 1689 as Sir Albert Cunningham's Regiment of Dragoons. One of the regiment's most notable battles was the Battle of the Boyne in July 1690. It became the 6th (Inniskilling) Regiment of Dragoons in 1751. The regiment also fought with distinction in the Charge of the Union Brigade at the Battle of Waterloo and again as part of the successful Charge of the Heavy Brigade against superior numbers at the Battle of Balaclava during the Crimean War. The First World War sounded the death knell for mounted cavalry as it became apparent that technology had moved forward with greater destructive power and made horsed cavalry redundant on the modern battlefield. The British Army reorganised and reduced its cavalry corps by disbanding or amalgamating many of its famous cavalry regiments. The Inniskillings was one of those affected. It saw service for two centuries, including the First World War, before being amalgamated with 5th Dragoon Guards to form 5th/6th Dragoons in 1922.
Lieutenant-General Sir John ElleyKMT OS was a British soldier who joined the cavalry as a private and rose to general officer rank. He fought with distinction during the French Revolutionary and Napoleonic Wars, and later served as the last Governor of Galway and as Member of Parliament for Windsor.
Richard Caton Woodville Jr. was an English artist and illustrator, who is best known for being one of the most prolific and effective painters of battle scenes in the late 19th and early 20th centuries.
Horses were widely used during the Napoleonic Wars for combat, patrol and reconnaissance, and for logistical support. Vast numbers were used throughout the wars. During the War of the Sixth Coalition, depletion of the French cavalry arm through attrition and loss of horse-producing allies to provide remounts contributed significantly to the gradual French defeat and downfall of the French Empire. During the Waterloo Campaign, the Armée du Nord had 47,000 horses: 25,000 cavalry, 12,000 for artillery, 10,000 for infantry and supply columns.
The Royal Scots Dragoon Guards Museum is a regimental museum displaying the collections of the Royal Scots Dragoon Guards and its predecessor regiments. It is based in the New Barracks at Edinburgh Castle in Scotland.
Edward Hawkins Cheney CB (1778–1848) was a 19th-century British soldier and hero of the Battle of Waterloo. His unique claim to fame was that he had five separate horses killed or wounded under him during the battle. His grave is said to be the only equestrian statue within a British church and is probably the only statue showing a dying horse in Britain.