Scream! | |
---|---|
Publication information | |
Publisher | IPC Magazines |
Schedule | Weekly |
Format | Ongoing series |
Genre | |
Publication date | 24 March – 30 June 1984 |
No. of issues | 15 |
Creative team | |
Written by | Gerry Finley-Day Simon Furman Alan Grant Chris Lowder Tom Tully John Wagner |
Artist(s) | Eric Bradbury José Ortiz Jesús Redondo John Richardson Jim Watson |
Editor(s) | Ian Rimmer Simon Furman (assistant editor) Barrie Tomlinson (group editor) |
Scream! was a weekly British comics periodical published by IPC Magazines from 24 March to 30 June 1984. A horror comic anthology comic, the title lasted for 15 editions before being merged with another title, Eagle .
Horror comics had a chequered history in Britain; the term was strongly tied into the salacious penny dreadfuls of the Victorian era. When the post-World War II American comic industry saw a drop in superheroes the horror genre output of EC Comics and their imitators led to a moral panic when imported to the UK, led by Eagle founder John Marcus Harston Morris. A year after Fredric Wertham's controversial study Seduction of the Innocent , British parliament passed the Children and Young Persons (Harmful Publications) Act 1955, under which the first prosecution occurred in 1970. [1] The law effectively banned the sale of horror comics, an effectively stopping importing of American comics full-stop. Instead, homegrown British titles gravitated towards war, adventure and humour, a combination that remained steadfast even when the Silver Age saw superhero sales rebound in America.
IPC were one of the biggest British comic publishers and in the 1970s considered a horror anthology named Scream at the potential gap in the market. Dummy copies were made of the title, which advanced enough that a full-length episode of planned dark fantasy story "Black Beth" was produced, drawn by Spanish artist Blas Gallego. [2] However the company found themselves in the midst of controversy in 1976 when the influential Mary Whitehouse of the National Viewers and Listeners Association and the tabloid press were among the groups to criticise IPC's hard-edged Action . This culminated in managing editor John Sanders being criticised for his poor moral character by presenter Frank Bough on BBC1's flagship magazine show Nationwide , and any thoughts on a horror title were shelved. [3]
Long after the controversy had died down, the company explored the idea again in 1984. The success of 2000 AD suggested there was an audience for more mature comics, and boys ' adventure group editor Barrie Tomlinson was commissioned to put together such a title on the back of his successful relaunch of Eagle in 1982. As Tomlinson had a wide range of titles he was responsible for (including Eagle, Tiger , Roy of the Rovers and 2000 AD - though in practice he left the latter largely to the devices of Steve MacManus [4] ), he hired Ian Rimmer as editor. Rimmer in turn brought in Simon Furman, an aspiring copywriter in the competitions department, as his assistant. [5]
The editorial approach to Scream! was to de-emphasise the horror label and deliberately not repeat the style of its more controversial precursors, making it more tongue-in-cheek for younger readers, as evidenced by its cover strap-line "not for the nervous". [6] Like 2000 AD and Tornado the decision was taken to create a fictional editor-cum-host for the comic in the form of Ghastly McNasty. Rimmer devised the name after being inspired by a Liverpool bad called Filthy McNasty. [7] Ghastly's face was concealed by a hood, and a regular feature of the comic involved readers sending in drawings of what they believed he looked like, with any 'correct' entrants being rewarded with £50. [8]
Despite these attempts the tone was more horrific than Sanders had anticipated; he and the IPC board were wary of a repeat of the Action controversy, especially as the horror genre was closely linked to the video nasties outcry. Sanders was so shocked at the first episode of "Terror of the Cats" that he had writer Chris Lowder removed from the serial, which was instead hurriedly completed by Furman. Lowder subsequently left the comics industry. [9] Furman also remembered that management were unhappy with the story and requested it be concluded swiftly [5] while Tomlinson recalled he and Gil Page presented an issue to an executive only to see it "pulled to pieces". [4]
Sanders would later recall the title attracted complaints from Liberal Democrat leader Paddy Ashdown, who sent him several letters of complaint - a year after the title had ceased regular publication. Ironically, Sanders felt the title perhaps didn't go far enough - he reminisced that focus groups felt the stories were tame compared to what they regularly saw on TV and video. [10] He ultimately felt Scream! was a disappointment. [11] Scream!, along with five other IPC titles, ceased publication was in response to an industrial dispute. [12] [6] Tomlinson felt the 1984 National Union of Journalists strike gave upper management an excuse to cancel Scream! after just 15 issues. He remained proud of the title, reflecting "people still talk about it now". [4] As a result of the industrial action many of the strips were stopped at short notice instead of being brought to a natural end; [3] Furman had produced a conclusion for "The Nightcomers" that was ultimately not used. Rimmer and Furman both left IPC to go freelance shortly afterwards; Rimmer would land a job at Marvel UK and later hire Furman to write for the company's licensed Transformers title in 1985, beginning a long association with the franchise for the writer. [5] [13] [14]
Scream! subsequently merged with Eagle (#128, 1 September 1984) to form Eagle and Scream!, in which the series "Monster" and "The Thirteenth Floor" were continued. [12] [15] Max would eventually take over as 'editor' of the Eagle. [16] There were also five seasonal Halloween specials released from 1985 to 1989, mostly consisting of reprints of horror-themed stories from IPC's back catalogue. This included the release of the "Black Beth" strip prepared for the mooted 1978 incarnation of Scream. [17] [15]
The lead strip, about Dracula returning to hunt in 1980s England.
A family of monsters live next door to an ordinary couple.
Standalone horror stories introduced by host Ghastly McNasty.
One-off morality tales.
A deformed man ('Uncle Terry') who grew up locked in an attic inevitably escapes, tending to murder people he didn't like due to his inhuman strength and lack of social restraint.
A husband-and-wife investigator team are killed mysteriously at the haunted house Raven's Meet; their children Rick and Beth are drawn to the house to solve the mystery, and have unusual abilities themselves.
Short stories illustrating the depravity of Victorian era London.
An ill-fated experiment to harness the psychic energy of cats results in local felines becoming enraged and attacking people in a small town.
Crazed computer Max in charge of an elevator in a 17-storey apartment building - when someone bad or evil steps inside, Max would take them to The Thirteenth Floor, a virtual reality where they would be tormented or killed.
Rebellion Developments purchased the rights to the post-1970 IPC library in 2016, and editor Keith Richardson soon began looking at ways of reactivating the classic properties available. The first fruit of this was a joint Scream! & Misty Halloween Special in October 2017, featuring creators from 2000 AD and independent comics working on the properties. Many agreed due to their strong memories of the title and its characters; Guy Adams wrote a new story for "The Thirteenth Floor" and recalled Scream!'s "grimy, finger-staining sense of the illicit", while co-artist Frazer Irving noted the darker tone fitted in with his tastes at the time and interest in horror via video nasties. Irving would draw the nightmare sequences projected by Max, with veteran John Stokes drawing the 'normal' pages on either side. The other Scream! feature revived for the special was "The Dracula File", written by Grainne McEntee and drawn by Tristan Jones. [16]
The special caused a minor controversy; due to the Scream! logo being larger on the cover of the special, Misty creator Pat Mills complaining it made the title seem like a "poor relation" and that Rebellion perhaps didn't understand the female market. [18] In response, the 2017 special eventually had a Misty & Scream! variant made available, but only through specialist stores. [19]
A second special followed in 2018; to avoid a repeat variant covers as both Scream! & Misty and Misty & Scream! were produced. Adams, Irving and Stokes provided another new Max story, while Alec Worley and DaNi provided a strip reviving "Black Beth", a character with whom the writer had become fascinated with after reading the 1988 Scream! Special. [17] In 2019 the Halloween Special entirely focused on "The Thirteenth Floor". Richardson noted that one of the few complaints about previous specials had been the year wait between instalments, and the special - titled Scream Presents the Thirteenth Floor - was designed to rectify this. Adams, Irving and Stokes all contributed again, with Tom Paterson, Vince Locke, Kelley Jones and Kyle Hotz among the other artists featured. Scream! and Misty did return in 2020 and this time there would only be one version of the cover with the title given as Misty and Scream! with a separate Misty Winter Special 2020 also available. 2021 then saw what was marketed as a Scream! One-Shot Special in US comic book size under the title of Black Beth and the Devils of Al-Kadesh; this saw Worley and DaNi again return to the swordswoman. [17]
A Scream! 40th Anniversary Special has been announced for 6 November 2024.
Monster, The Dracula File, and The Thirteenth Floor have been collected in omnibuses by Rebellion Developments. They also issued both "The Nightcomers" and "Terror of the Cats" as a supplement packed free with Judge Dredd Megazine #417 in 2020. [20]
Title | ISBN | Publisher | Release date | Contents |
---|---|---|---|---|
The Dracula File | Hibernia Books | March 2015 | Material from Scream! 24 March to 30 June 1984 and Scream! Holiday Special 1985 to 1988. | |
Monster | 9781781084533 | Rebellion Developments | 13 July 2016 | Material from Scream! 24 March to 30 June 1984, Eagle 1 September 1984 to 30 May 1985, Scream Holiday Special 1986 to 1988 |
The Thirteenth Floor Vol. 01 | 9781781086537 | Rebellion Developments | 18 October 2018 | Material from Scream! 24 March to 30 June 1984 and Eagle 1 September 1984 to 13 April 1985. |
The Dracula File | 9780785110798 | Rebellion Developments | 19 October 2019 | Material from Scream! 24 March to 30 June 1984 and Scream! Holiday Special 1985 to 1988. |
Patrick Eamon Mills is an English comics writer and editor who, along with John Wagner, revitalised British boys' comics in the 1970s, and has remained a leading light in British comics ever since. He has been called "the godfather of British comics".
2000 AD is a weekly British science fiction-oriented comic magazine. As a comics anthology it serialises stories in each issue and was first published by IPC Magazines in 1977, the first issue dated 26 February. Since 2000 it has been published by Rebellion Developments.
A British comic is a periodical published in the United Kingdom that contains comic strips. It is generally referred to as a comic or a comic magazine, and historically as a comic paper. As of 2014, the three longest-running comics of all time were all British.
John Wagner is an American-born British comics writer. Alongside Pat Mills, he helped revitalise British comics in the 1970s, and continues to be active in the British comics industry, occasionally also working in American comics. He is the co-creator, with artist Carlos Ezquerra, of the character Judge Dredd.
Battle Picture Weekly was a British weekly boys' war comic published by IPC Magazines from 8 March 1975 to 23 January 1988, when it merged with the new incarnation of Eagle after 644 issues. Most stories were set in World War II, with some based on other conflicts, while factual features also focused on warfare.
Judge Dredd: The Megazine is a monthly British comic magazine, launched in September 1990. It is a sister publication to 2000 AD. Its name is a play on words, formed from "magazine" and Judge Dredd's locale Mega-City One.
Starlord was a British weekly boys' science fiction comic published by IPC Magazines from 13 May to 7 October 1978, when it merged with 2000 AD after 22 issues. The comic was created by Kelvin Gosnell, and was originally intended as a fortnightly sister title for 2000 AD with higher production values and an older audience, but late changes in production saw it converted into a weekly.
"The Thirteenth Floor" is a British science fiction strip character, appearing in titles published by IPC Magazines. The strip debuted in the weekly anthology Scream! on 24 March 1984, before continuing in Eagle until 28 February 1987. The stories were written by John Wagner and Alan Grant; art was provided by José Ortiz. Since 2016 the property has been owned by Rebellion Developments, who have revived the strip in several specials. The plot was set in a tower block called Maxwell Tower, controlled by an experimental sentient computer called Max located on the 13th floor of the flats. Max himself narrated the strip, and as befitting a computerised custodian of hundreds of people, was quite chatty and light-hearted. However, he was also portrayed as having a programming flaw; programmed to love and protect his tenants, he could remorselessly kill anyone who threatened or even just annoyed them.
Tornado was a British weekly boys' adventure comic published by IPC Magazines from 24 March to 18 August 1979. The comic was partly created as a way to use up stories already commissioned for the other titles, and was marred by a difficult production. Tornado sold poorly and was merged with 2000 AD after 22 issues.
Lion was a weekly British comics periodical published by Amalgamated Press from 23 February 1952 to 18 May 1974. A boys' adventure comic, Lion was originally designed to compete with Eagle, the popular weekly comic published by Hulton Press that had introduced Dan Dare. It debuted numerous memorable characters, including Captain Condor, Robot Archie, Paddy Payne and the Spider. Lion lasted for 1,156 issues before being merged with stablemate Valiant.
Wildcat was a fortnightly British comics periodical published by Fleetway Publications from 22 October 1988 to 25 March 1989. A science fiction adventure comic, the title only lasted for 12 editions before being merged with another Fleetway title, Eagle.
Barrie Tomlinson is a former editor and writer of British comics in the 1970s and '80s.
British girls' comics flourished in the United Kingdom from the 1950s through the 1970s, before beginning to decline in popularity in the 1980s and 1990s. Publishers known for their girls' comics included DC Thomson and Fleetway/IPC. Most titles appeared weekly, with the content primarily in picture-story format. The majority of the stories were serialized, with two or three pages per issue, over eight to twelve issues. They were marketed toward young teen girls.
The Vigilant are a British superhero team who appear in comics published by Rebellion Developments. The team is mainly made up of updated versions of extant IPC/Fleetway Publications characters that are now owned by Rebellion, mixed with some original characters.
Black Beth is a British comic character who has appeared in eponymous strips published by IPC Magazines and Rebellion Developments. While the character was created in the 1970s, she did not appear in print until 1988, debuting in the Scream! Holiday Special. After a further hiatus of thirty years, Black Beth was revived by Rebellion in 2018. The story concerns a roaming, avenging female warrior in a fantasy world.
"The Dracula File" is a British comic horror strip published by IPC Magazines and Rebellion Developments. It debuted in the first issue of the weekly anthology comic Scream on 24 March 1984. The story was written by Gerry Finley-Day and later Simon Furman, and was drawn by Eric Bradbury. The story featured Count Dracula escaping from the Eastern Bloc at the height of the Cold War before appearing in modern-day England, with KGB Colonel Stakis in pursuit. Scream was short-lived, being merged into Eagle in June 1984 after only 15 issues.
Eagle, sometimes referred to as The New Eagle and known at various points in its life as Eagle and Scream!, Eagle and Tiger, Eagle and Battle, Eagle and M.A.S.K. and Eagle and Wildcat, was a British boys' adventure comic published by IPC Magazines from 27 March 1982 to January 1994. A revival of the famous Eagle, the title was initially a weekly publication until turning into a monthly in May 1991. The title was finally cancelled in January 1994, after 505 issues.
"Terror of the Cats" is a British horror comic strip character, appearing in titles published by IPC Magazines. The strip was published in the weekly anthology Scream! from 24 March to 28 April 1984. The story was initially written by Chris Lowder before he quit, with Simon Furman taking over; it was Furman's first published comics work. José Gonzalez and John Richardson provided artwork. The story concerns housecats suddenly becoming hostile to humans.
"Monster" is a British horror comic strip character, appearing in titles published by IPC Magazines. The strip debuted in the weekly anthology Scream! on 24 March 1984, before continuing in Eagle until 30 May 1985. The opening episode was written by Alan Moore, with the remainder by John Wagner and Alan Grant; art was provided by Alberto Giolitti, and later Jesus Redondo. The story concerned a young boy called Kenny's attempts to get his deformed, abused uncle Terry help.
"The Nightcomers" is a British science fiction strip character, appearing in titles published by IPC Magazines. The strip debuted in the weekly anthology Scream! on 5 May 1984, running until the comic was cancelled after the 30 June 1984 edition. The story was written by Tom Tully and drawn by John Richardson.
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