General editor | F. R. Leavis |
---|---|
Categories | Literature |
Frequency | Quarterly |
Circulation | 1,500 |
Publisher | Deighton, Bell, & Company |
First issue | May 1932 |
Final issue Number | 1953 Vol 19 |
Country | United Kingdom |
Based in | Cambridge |
Language | English |
Scrutiny: A Quarterly Review was a literature periodical founded in 1932 by L. C. Knights and F. R. Leavis, who remained its principal editor until the final issue in 1953. [1] Other editors included D. W. Harding and Harold Andrew Mason. [1]
An additional volume, number 20, is often included in this series, including "A Retrospect" by Leavis, indexes, and errata.
Literary critic and historian Boris Ford has stated that it was L. C. Knights "who had the idea of creating such a literary quarterly, and took steps to bring it into being on 15 May 1932 - Knights's 26th birthday. Knights was the only one of Scrutiny's editors who served in that role for every one of its 76 issues." [2] The first issue appeared early in May 1932, with 100 copies sold in the first week, with subscribers including T.S. Eliot, George Santayana, R. H. Tawney and Aldous Huxley. [3] The circulation rose slowly, with 750 copies being printed later in the 1930s, and 1000 copies in the 1940s. [4] At its height in the 1950s, Scrutiny only printed 1,500 copies, but most of these were held by colleges and academic libraries for circulation. [5] As such, Scrutiny was widely read, and Leavis became very influential in 20th century literary criticism in part because he was editor of the journal. [6]
After writing many articles for the journal, music critic Wilfrid Mellers appeared on the editorial board of the January 1942 issue, and continued in that position until the December 1948 issue. [7] Besides its editorial staff, Scrutiny was able to have a contributing body of many important literary critics, including: Q.D. Leavis, Marius Bewley, William Empson, L.C. Knights, Michael Oakeshott, Herbert Read, I. A. Richards, George Santayana, Derek A. Traversi, and Martin Turnell. Some of the contributors to Scrutiny were also contributors to Left Review . [8] Many contributors focused on the topics of education and politics, but, according to Richard Poirier, "its most important achievement was a nearly complete revaluation of English literature". [5] That is not to say that they always supported these critics; according to John Grant, Scrutiny denounced "the later work of Empson and Richards" and disregarded "critics in the colonies such as Blackmur, Burke, and Frye". [9]
Poirier claims that "Scrutiny had earned more respect and more denunciation than any other quarterly in English". [5] Grant, in responding to Poirier's review of Scrutiny, found that "Scrutiny specialized in being right—half the time. In order to praise, it felt compelled also to damn, and then found it easy to do so because it possessed "standards" against which all works could be judged." [9]
Poet Geoffrey Grigson took issue with Scrutiny in an editorial in Grigson’s magazine New Verse in July 1933. In the editorial, Grigson acknowledged that Leavis and the other writers for Scrutiny were “sincere”, but added “sincerity by itself is not a very useful thing.” Grigson criticised Scrutiny for its repeated disparagements of the work of W. H. Auden and Stephen Spender, and claimed that the journal was uninterested in modern British poetry. Grigson added: "Scrutiny, if Dr. Leavis wants some plain criticism, is too adolescent, too self-righteous...If Scrutiny is not to be the perfect body-builder for prigs it must change its formula." [10] [11]
There were other detractors, including T. S. Eliot; "'I so strongly disagreed with Dr. Leavis during the last days of [Scrutiny],' Eliot wrote, 'and objected to his attacks and innuendoes about people I knew and respected. I think it is a pity he became so intemperate in his views and was extravagant in his admirations, as I had, in the earlier stages of the magazine, felt great sympathy for its editor.'" [6]
Articles from Scrutiny have been separately republished in collections.
In 1963, the entire publication was reprinted in 20 bound volumes from photographic copies by the Cambridge University Press.
Sir William Empson was an English literary critic and poet, widely influential for his practice of closely reading literary works, a practice fundamental to New Criticism. His best-known work is his first, Seven Types of Ambiguity, published in 1930.
New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading, particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object. The movement derived its name from John Crowe Ransom's 1941 book The New Criticism.
Ivor Armstrong Richards CH, known as I. A. Richards, was an English educator, literary critic, poet, and rhetorician. His work contributed to the foundations of New Criticism, a formalist movement in literary theory which emphasized the close reading of a literary text, especially poetry, in an effort to discover how a work of literature functions as a self-contained and self-referential æsthetic object.
Frank Raymond "F. R." Leavis was an English literary critic of the early-to-mid-twentieth century. He taught for much of his career at Downing College, Cambridge, and later at the University of York.
Wilfrid Howard Mellers was an English music critic, musicologist and composer.
John Middleton Murry was an English writer. He was a prolific author, producing more than 60 books and thousands of essays and reviews on literature, social issues, politics, and religion during his lifetime. A prominent critic, Murry is best remembered for his association with Katherine Mansfield, whom he married in 1918 as her second husband, for his friendship with D. H. Lawrence and T. S. Eliot, and for his friendship with Frieda Lawrence. Following Mansfield's death, Murry edited her work.
John Edgell Rickword, MC was an English poet, critic, journalist and literary editor. He became one of the leading communist intellectuals active in the 1930s.
Geoffrey Edward Harvey Grigson was a British poet, writer, editor, critic, exhibition curator, anthologist and naturalist. In the 1930s he was editor of the influential magazine New Verse, and went on to produce 13 collections of his own poetry, as well as compiling numerous anthologies, among many published works on subjects including art, travel and the countryside. Grigson exhibited in the London International Surrealist Exhibition at New Burlington Galleries in 1936, and in 1946 co-founded the Institute of Contemporary Arts. Grigson's autobiography The Crest on the Silver was published in 1950. At various times he was involved in teaching, journalism and broadcasting. Fiercely combative, he made many literary enemies.
Sir Christopher Bruce Ricks is a British literary critic and scholar. He is the William M. and Sara B. Warren Professor of the Humanities at Boston University (US), co-director of the Editorial Institute at Boston University, and was Professor of Poetry at the University of Oxford (UK) from 2004 to 2009. In 2008, he served as president of the Association of Literary Scholars and Critics. He is known as a champion of Victorian poetry; an enthusiast of Bob Dylan, whose lyrics he has analysed at book length; a trenchant reviewer of writers he considers pretentious ; and a warm reviewer of those he thinks humane or humorous. Hugh Kenner praised his "intent eloquence", and Geoffrey Hill his "unrivalled critical intelligence". W. H. Auden described Ricks as "exactly the kind of critic every poet dreams of finding". John Carey calls him the "greatest living critic".
Queenie Dorothy Leavis was an English literary critic and essayist.
Lionel Charles Knights was an English literary critic, an authority on Shakespeare and his period. His essay How many children had Lady Macbeth? (1933) is a classic of modern criticism. He became King Edward VII Professor of English Literature at the University of Cambridge in 1965.
The Literary Gazette was a British literary magazine, established in London in 1817 with its full title being The Literary Gazette, and Journal of Belles Lettres, Arts, Sciences. Sometimes it appeared with the caption title, "London Literary Gazette". It was founded by the publisher Henry Colburn, who appointed the journalist and contributor William Jerdan as editor in July 1817. Jerdan wrote most of the articles and set the character of the magazine, and then became a shareholder and eventually the owner. He retired in 1850, and the magazine ceased publication in 1863.
Richard Boris Ford, was a literary critic, writer, editor and educationist.
Richard Poirier was an American literary critic.
The Minority Press was a short-lived British publishing house founded in 1930 by Gordon Fraser (1911–1981) while he was an undergraduate student at St John's College, Cambridge. Fraser was an undergraduate student of F. R. Leavis. The Minority Press was essentially the book publishing arm of the Leavis camp of literary criticism. The Press published a series of six pamphlets, several reprint editions with new introductions, and a few longer essays on literary topics.
The Criterion was a British literary magazine published from October 1922 to January 1939. The Criterion was, for most of its run, a quarterly journal, although for a period in 1927–28 it was published monthly. It was created by the poet, dramatist, and literary critic T. S. Eliot who served as its editor for its entire run.
Critical Quarterly is a peer-reviewed academic journal in the humanities published by Wiley. The editor-in-chief is Colin MacCabe. The journal notably published the Black Papers on education starting in 1969.
The American Review was a magazine of politics and literature established by the fascist publisher Seward Collins in 1933. There were 71 issues published, containing articles, editorials, notes, and reviews, before the journal ceased operations in October 1937.
Seamus Perry is an English author, academic, a Fellow and Tutor of Balliol College, Oxford and, since 2014, a Professor of English Literature in the English Faculty at the University of Oxford.
Cambridge criticism is a school in literary theory that focuses on the close examination of the literary text and the link between literature and social issues. Members of this group exerted influence on English literary studies during the 1920s. It has been characterized as Puritan due to its reluctance to consider literature simply as a matter for enjoyment.
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