Seated Nude (French - Nu assis) or Pink Nude (Nu rose) is a 1909 oil on canvas painting by Henri Matisse. [1] . It is now in the Museum of Grenoble, to which it was left in the 1923 Agutte-Sembat legacy. [2]
Seated Nude (French - Nu assis) or Pink Nude (Nu rose) is a 1909 oil on canvas painting by Henri Matisse. [1] . It is now in the Museum of Grenoble, to which it was left in the 1923 Agutte-Sembat legacy. [2]
Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.
Louis Vauxcelles was a French art critic. He is credited with coining the terms Fauvism (1905) and Cubism (1908). He used several pseudonyms in various publications: Pinturrichio, Vasari, Coriolès, and Critias.
Albert Marquet was a French painter. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. Marquet subsequently painted in a more naturalistic style, primarily landscapes, but also several portraits and, between 1910 and 1914, several female nude paintings.
Blue Nude (Souvenir of Biskra) (French: "Nu bleu, Souvenir de Biskra"), an early 1907 oil painting on canvas by Henri Matisse, is located at the Baltimore Museum of Art as part of the Cone Collection.
Dina Vierny was a French artists' model who became a singer, art dealer, collector and museum director. She is known as the model and muse to French sculptor Aristide Maillol. In 1995, she established the Musée Maillol.
The Blue Nudes is a series of collages, and related color lithographs, by Henri Matisse, made from paper cut-outs depicting nude figures in various positions. Restricted by his physical condition after his surgery for stomach cancer, Matisse began creating art by cutting and painting sheets of paper by hand; these Matisse viewed as independent artworks in their own right. The Blue Nudes refers also to the editioned multiples based on the cut-outs. Matisse supervised the creation of these lithographs until his death in 1954.
Le bonheur de vivre is a painting by Henri Matisse. Along with Picasso's Les Demoiselles d'Avignon, Le bonheur de vivre is regarded as one of the pillars of early modernism. The monumental canvas was first exhibited at the Salon des Indépendants of 1906, where its cadmium colors and spatial distortions caused a public expression of protest and outrage.
Émilie Charmy was an artist in France's early avant-garde. She worked closely with Fauve artists like Henri Matisse, and was active in exhibiting her artworks in Paris, particularly with Berthe Weill.
The Matisse Museum is a museum in Le Cateau-Cambrésis, France that primarily displays paintings by Henri Matisse. The museum was established by Matisse himself on 8 November 1952; he also defined the way his works should be arranged. At that time the museum was located in the wedding room of the Le Cateau City Hall.
Musée d'Art Moderne de Paris or MAM Paris, is a major municipal museum dedicated to modern and contemporary art of the 20th and 21st centuries, including monumental murals by Raoul Dufy, Gaston Suisse, and Henri Matisse. It is located at 11, Avenue du Président Wilson in the 16th arrondissement of Paris.
Luxe, Calme et Volupté is a 1904 oil painting by the French artist Henri Matisse. Both foundational in the oeuvre of Matisse and a pivotal work in the history of art, Luxe, Calme et Volupté is considered the starting point of Fauvism. This painting is a dynamic and vibrant work created early on in his career as a painter. It displays an evolution of the Neo-Impressionist style mixed with a new conceptual meaning based in fantasy and leisure that had not been seen in works before.
The Museum of Grenoble is a municipal museum of Fine Arts and antiquities in the city of Grenoble in the Isère region of France.
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
The Back Series is a series of four bas-relief sculptures, by Henri Matisse. They are Matisse's largest and most monumental sculptures. The plaster originals are housed in the Musée Matisse in Le Cateau-Cambrésis, France.
The Musée Matisse in Nice is a municipal museum devoted to the work of French painter Henri Matisse. It gathers one of the world's largest collections of his works, tracing his artistic beginnings and his evolution through his last works. The museum, which opened in 1963, is located in the Villa des Arènes, a seventeenth-century villa in the neighborhood of Cimiez.
Aïcha Goblet was a French artists' model and dancer, a figure of the Années folles in 1920s Paris.
Interior with Aubergines is a 1911 oil on canvas painting produced in his studio in Collioure by Henri Matisse. It is part of his set of four Symphonic Interiors.
The Little Mulatta or The Moroccan Girl is a 1912 oil on canvas painting by Henri Matisse, now in the Museum of Grenoble, to which it was left in the 1923 Agutte-Sembat legacy.
View over the Bay of Tangier is a 1912 oil on canvas painting by Henri Matisse, showing Tangier and its port on the Bay of Tangier. It was left to the Museum of Grenoble by Marcel Sembat and Georgette Agutte in 1923, and still hangs there.
Young Woman Lying on a White Fur is a 1944 oil on canvas painting by Henri Matisse.
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