Woman on a High Stool (French: Femme au tabouret or La femme assise) is an oil painting on canvas by the French artist Henri Matisse from early 1914. It is held in the Museum of Modern Art, in New York.
It is a portrait of Germaine Raynal, the wife of the poet and art critic Maurice Raynal. With its simplified geometric structure, dark contouring, and subdued palette, the work relates closely to Paul Cézanne and Cubism. [1]
Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related artistic movements in music, literature, and architecture. In Cubist works of art, the subjects are analyzed, broken up, and reassembled in an abstract form—instead of depicting objects from a single perspective, the artist depicts the subject from multiple perspectives to represent the subject in a greater context. Cubism has been considered the most influential art movement of the 20th century. The term cubism is broadly associated with a variety of artworks produced in Paris or near Paris (Puteaux) during the 1910s and throughout the 1920s.
Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.
Picasso's African Period, which lasted from 1906 to 1909, was the period when Pablo Picasso painted in a style which was strongly influenced by African sculpture, particularly traditional African masks and art of ancient Egypt, in addition to non-African influences including Iberian sculpture, and the art of Paul Cézanne and El Greco. This proto-Cubist period following Picasso's Blue Period and Rose Period has also been called the Negro Period, or Black Period. Picasso collected and drew inspiration from African art during this period, but also for many years after it.
Paul Rosenberg was a French art dealer. He represented Pablo Picasso, Georges Braque and Henri Matisse. Both Paul and his brother Léonce Rosenberg were among the world's major dealers of modern art.
Dance (La Danse) is a painting made by Henri Matisse in 1910, at the request of Russian businessman and art collector Sergei Shchukin, who bequeathed the large decorative panel to the Hermitage Museum, in Saint Petersburg. The composition of dancing figures is commonly recognized as "a key point of (Matisse's) career and in the development of modern painting". A preliminary version of the work, sketched by Matisse in 1909 as a study for the work, resides at MoMA in New York, where it has been labeled Dance (I).
The Blue Nudes is a series of collages, and related color lithographs, by Henri Matisse, made from paper cut-outs depicting nude figures in various positions. Restricted by his physical condition after his surgery for stomach cancer, Matisse began creating art by cutting and painting sheets of paper by hand; these Matisse viewed as independent artworks in their own right. The Blue Nudes refers also to the editioned multiples based on the cut-outs. Matisse supervised the creation of these lithographs until his death in 1954.
Woman with a Hat is a painting by Henri Matisse. An oil on canvas, it depicts Matisse's wife, Amelie. It was painted in 1905 and exhibited at the Salon d'Automne during the autumn of the same year, along with works by André Derain, Maurice de Vlaminck and several other artists known as "Fauves".
The Matisse Museum is a museum in Le Cateau-Cambrésis, France that primarily displays paintings by Henri Matisse. The museum was established by Matisse himself on 8 November 1952; he also defined the way his works should be arranged. At that time the museum was located in the wedding room of the Le Cateau City Hall.
The Boat is a paper-cut from 1953 by Henri Matisse. The picture is composed from pieces of paper cut out of sheets painted with gouache, and was created during the last years of Matisse's life.
View of Notre-Dame is an oil painting by Henri Matisse from 1914. It is held in the Museum of Modern Art, in New York.
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
The Back Series is a series of four bas-relief sculptures, by Henri Matisse. They are Matisse's largest and most monumental sculptures. The plaster originals are housed in the Musée Matisse in Le Cateau-Cambrésis, France.
The Piano Lesson depicts the living room of Henri Matisse's home in Issy-les-Moulineaux, with his younger son, Pierre, at the piano, the artist's sculpture Decorative Figure (1908), at bottom left, and, at upper right, his painting Woman on a High Stool. Matisse began with a naturalistic drawing, but he eliminated detail as he worked, scraping down areas and rebuilding them broad fields of color. The painting evokes a specific moment in time—light suddenly turned on in a darkening interior—by the triangle of shadow on the boy's face and the rhyming green triangle of light falling on the garden. The artist's incising on the window frame and stippling on the left side produce a pitted quality that suggests the eroding effects of light or time, a theme reiterated by the presence of the metronome and burning candle on the piano.
The Constellations are a series of 23 paintings on paper produced from January 1940 to September 1941 by the Spanish surrealist Joan Miró. Art historians and museum curators have said of the paintings: "Universally considered one of the greatest achievements of his career", "The Constellations, as a group and singly, are among the miracles that art occasionally bestows", "masterpiece of world painting", "perhaps the most intricate, most elaborately developed of all Miró's compositions", "genuine masterpieces", "one of the most brilliant episodes of his career", and "As an optical experience the Constellations are entirely unprecedented, having no forerunners even in Miró's own work".
The Société Normande de Peinture Moderne, also known as Société de Peinture Moderne, or alternatively, Normand Society of Modern Painting, was a collective of eminent painters, sculptors, poets, musicians and critics associated with Post-Impressionism, Fauvism, Cubism and Orphism. The Société Normande de la Peinture Moderne was a diverse collection of avant-garde artists; in part a subgrouping of the Cubist movement, evolving alongside the so-called Salon Cubist group, first independently then in tandem with the core group of Cubists that emerged at the Salon d'Automne and Salon des Indépendants between 1909 and 1911. Historically, the two groups merged in 1912, at the Section d'Or exhibition, but documents from the period prior to 1912 indicate the merging occurred earlier and in a more convoluted manner.
Cha-U-Kao was a French entertainer who performed at the Moulin Rouge and the Nouveau Cirque in the 1890s. Her stage name was also the name of a boisterous popular dance, similar to the can-can, which came from the French words "chahut", meaning "noise" and "chaos". She was depicted in a series of paintings by Henri de Toulouse-Lautrec. Cha-U-Kao soon became one of his favorite models. The artist was fascinated by this woman who dared to choose the classic male profession of clowning and was not afraid to openly declare that she was a lesbian.
Bathers by a River, also known as Bathers at the River and occasionally referred to as simply Bathers, is a large 1917 oil-on-canvas painting by French artist Henri Matisse. Matisse began painting the canvas in 1909 and finished the painting in the fall of 1917, making it one of three pictures he painted during the Battle of Verdun.
French visual artist Henri Matisse was known for his use of color and draughtsmanship. In the early 20th century, Matisse became a leader of the Fauvism art movement, which was an early movement in the broader Post-impressionist era.
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