| Asia | |
|---|---|
 | |
| Artist | Henri Matisse |
| Year | 1946 |
| Medium | Oil on canvas |
| Dimensions | 116 cm× 81 cm(45.7 in× 31.9 in) |
| Location | Kimbell Art Museum, Fort Worth, Texas |
Asia (French: L'Asie) [1] is a painting by Henri Matisse. It is an oil on canvas painting from 1946.
The painting is in the collection of and on public display at the Kimbell Art Museum in Fort Worth, Texas (USA). [2]
(Pierre Matisse Gallery, New York); Mr. and Mrs. Tom May, Beverly Hills, by 1951; (Frank Perls Gallery, Beverly Hills); purchased 15 November 1954 by Mollie Parnis Livingston [1905-1992], New York; (sale, Sotheby's, New York, 10 November 1992, no. 30); purchased through (Acquavella Galleries, Inc., New York) by Kimbell Art Foundation, Fort Worth, 1993.
Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.
Milton Clark Avery was an American modern painter. Born in Altmar, New York, he moved to Connecticut in 1898 and later to New York City. He was the husband of artist Sally Michel Avery and the father of artist March Avery.
Richard Diebenkorn was an American painter and printmaker. His early work is associated with abstract expressionism and the Bay Area Figurative Movement of the 1950s and 1960s. In the late 1960s he began his extensive series of geometric, lyrical abstract paintings. Known as the Ocean Park paintings, these paintings were instrumental to his achievement of worldwide acclaim.
The Kimbell Art Museum in Fort Worth, Texas, hosts an art collection as well as traveling art exhibitions, educational programs and an extensive research library. Its initial artwork came from the private collection of Kay and Velma Kimbell, who also provided funds for a new building to house it.
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Still Life with Geraniums is a 1910 oil on canvas painting by Henri Matisse.
Luxe, Calme et Volupté is a 1904 oil painting by the French artist Henri Matisse. Both foundational in the oeuvre of Matisse and a pivotal work in the history of art, Luxe, Calme et Volupté is considered the starting point of Fauvism. This painting is a dynamic and vibrant work created early on in his career as a painter. It displays an evolution of the Neo-Impressionist style mixed with a new conceptual meaning based in fantasy and leisure that had not been seen in works before.
The Torment of Saint Anthony is attributed to Michelangelo, who painted a close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. Whether the painting is actually by Michelangelo is disputed. This painting is now in the Kimbell Art Museum in Fort Worth, Texas. It shows the common medieval subject, included in the Golden Legend and other sources, of Saint Anthony being assailed in the desert by demons, whose temptations he resisted; the Temptation of St Anthony is the more common name of the subject. But this composition apparently shows a later episode where St Anthony, normally flown about the desert supported by angels, was ambushed in mid-air by devils.
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
Dr. Timothy Potts is an Australian art historian, archaeologist, and museum director. He became the director of the J. Paul Getty Museum on 1 September 2012.
Frank Richard Perls was a German-born American art dealer who was best known for uncovering a series of fraudulent art works. As an interpreter with the United States Third Army, Perls worked together with Army intelligence officer Martin Dannenberg in April 1945 in the discovery of a copy of the 1935 Nuremberg Laws signed by Adolf Hitler.
The Back Series is a series of four bas-relief sculptures, by Henri Matisse. They are Matisse's largest and most monumental sculptures. The plaster originals are housed in the Musée Matisse in Le Cateau-Cambrésis, France.
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Drying Nets or Fishermen Spreading Their Nets is an 1872 oil-on-canvas painting by Alfred Sisley, now in the Kimbell Art Museum. The painting shows a scene near the village of Villeneuve-la-Garenne.
William Bryan Jordan Jr. was an American art historian who facilitated acquisitions, curated exhibitions, and authored publications on Spanish artists and still life paintings, particularly from the Golden Age.
Bathers by a River, also known as Bathers at the River and occasionally referred to as simply Bathers, is a large 1917 oil-on-canvas painting by French artist Henri Matisse. Matisse began painting the canvas in 1909 and finished the painting in the fall of 1917, making it one of three pictures he painted during the Battle of Verdun.
In 1939 the Gallery Fischer in Lucerne organized an auction of degenerate art confiscated by the Nazis. The auction took place on 30 June 1939 in the Grand Hotel National. The auction received considerable international interest, but many of the bidders who were expected to attend were absent because they were worried the proceeds would be used by the Nazi regime.
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