Georges Braque was a major 20th-century French painter, collagist, draughtsman, printmaker and sculptor. His most notable contributions were in his alliance with Fauvism from 1905, and the role he played in the development of Cubism. Braque's work between 1908 and 1912 is closely associated with that of his colleague Pablo Picasso. Their respective Cubist works were indistinguishable for many years, yet the quiet nature of Braque was partially eclipsed by the fame and notoriety of Picasso.
Paul Cézanne was a French Post-Impressionist painter whose work introduced new modes of representation and influenced avant-garde artistic movements of the early 20th century, whose work formed the bridge between late 19th-century Impressionism and early 20th century Cubism.
Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter.
The 1913 Armory Show, also known as the International Exhibition of Modern Art, was organized by the Association of American Painters and Sculptors. It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories.
Hendrik Emil (Rik) Wouters was a Belgian painter, sculptor and draughtsman. Wouters produced 200 paintings, drawings and sculptures in his 34 years before his illness-caused death. he died partway through the First World War on 11 July 1916 in Amsterdam. A sculptor, painter, draughtsman and etcher of typically fauvist style, Wouters' art resembled the works of artists including Henri Matisse, Paul Cézanne and André Derain- the "forefathers" of Fauvism.
Dance (La Danse) is a painting made by Henri Matisse in 1910, at the request of Russian businessman and art collector Sergei Shchukin, who bequeathed the large decorative panel to the Hermitage Museum, in Saint Petersburg. The composition of dancing figures is commonly recognized as "a key point of (Matisse's) career and in the development of modern painting". A preliminary version of the work, sketched by Matisse in 1909 as a study for the work, resides at MoMA in New York, where it has been labeled Dance (I).
Woman with a Hat is an oil-on-canvas painting by Henri Matisse. It depicts Matisse's wife, Amélie Matisse. It was painted in 1905 and exhibited at the Salon d'Automne during the autumn of the same year, along with works by André Derain, Maurice de Vlaminck and several other artists later known as "Fauves".
The Dessert: Harmony in Red is a painting by Henri Matisse. Previously titled Harmony in Blue, the painting had a blue background when Matisse first exhibited it in 1908. In 1909, Matisse changed the blue to red, retitling it The Dessert: Harmony in Red.
The Painter and His Model is a work by Henri Matisse painted late 1916, early 1917. It is currently in the collection of the Musée National d'Art Moderne, Centre Georges Pompidou, Paris. In this work Matisse depicted himself in his studio on the fourth floor of 19 Quai Saint-Michel, at work on his painting Laurette in a Green Robe (1916).
Zorah on the Terrace is an oil on canvas painting by French painter Henri Matisse, created in 1912. It is in the collection of the Pushkin Museum of Fine Arts, Moscow, Russia.
Odalisque With Raised Arms is a painting by Henri Matisse, completed in 1923. The oil on canvas measuring 23 by 26 inches is held in the National Gallery of Art, in Washington D.C.. Matisse's style changed and evolved drastically throughout his career, including his wide and varying collection of paintings depicting female nudes. His odalisque paintings were inspired by his trip to Morocco. Many of the female subjects in the Odalisque paintings were modeled after Matisse's main model at the time, Henriette Darricarrère.
The Red Studio is an oil on canvas painting by French artist Henri Matisse from 1911. It is held in the collection of the Museum of Modern Art, in New York.
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
Le pigeon aux petit pois, sometimes referred to as Dove with green peas, is a 1911 oil on canvas painting by Pablo Picasso. It is an example of Picasso's Cubist works and has an estimated value of €23 million. The painting was one of five artworks stolen from the Musée d'Art Moderne de la Ville de Paris on 20 May 2010, which together are valued at €100 million. It has so far not been recovered and its whereabouts remain unknown.
Cubist sculpture developed in parallel with Cubist painting, beginning in Paris around 1909 with its proto-Cubist phase, and evolving through the early 1920s. Just as Cubist painting, Cubist sculpture is rooted in Paul Cézanne's reduction of painted objects into component planes and geometric solids; cubes, spheres, cylinders, and cones. Presenting fragments and facets of objects that could be visually interpreted in different ways had the effect of 'revealing the structure' of the object. Cubist sculpture essentially is the dynamic rendering of three-dimensional objects in the language of non-Euclidean geometry by shifting viewpoints of volume or mass in terms of spherical, flat and hyperbolic surfaces.
The Piano Lesson depicts the living room of Henri Matisse's home in Issy-les-Moulineaux, with his younger son, Pierre, at the piano, the artist's sculpture Decorative Figure (1908), at bottom left, and, at upper right, his painting Woman on a High Stool. Matisse began with a naturalistic drawing, but he eliminated detail as he worked, scraping down areas and rebuilding them broad fields of color. The painting evokes a specific moment in time—light suddenly turned on in a darkening interior—by the triangle of shadow on the boy's face and the rhyming green triangle of light falling on the garden. The artist's incising on the window frame and stippling on the left side produce a pitted quality that suggests the eroding effects of light or time, a theme reiterated by the presence of the metronome and burning candle on the piano.
Cécile Debray is a French museum director, art historian and curator, specializing in modern and contemporary art in painting. She is general heritage curator, director of the Musée de l'Orangerie since 2017. She has been awarded the medal of Officier des Arts et des Lettres by France in 2018.
Goldfish is an oil-on-canvas still life painting by French visual artist Henri Matisse. Painted in 1912, Goldfish was part of a series that Matisse produced between the spring and early summer of 1912.
Arab Coffeehouse, is an oil-on-canvas painting by French visual artist Henri Matisse. Produced in 1913, Arab Coffeehouse was part of a series of goldfish paintings that Matisse produced in the 1910s and 1920s.
