| Seated Woman, 1957 | |
|---|---|
 | |
| Artist | Henry Moore |
| Year | 1956-1957 |
| Catalogue | LH 435 |
| Type | Bronze |
| Dimensions | 160 cm× 142.9 cm× 105.1 cm(62 in× 56+1⁄4 in× 41+3⁄8 in) |
| Location | Washington, D.C. and Kansas City |
Seated Woman is a bronze sculpture by Henry Moore, catalogued as LH 435. [1] Examples are in the Hirshhorn Museum and Sculpture Garden, Washington, D.C., [2] and Nelson-Atkins Museum of Art in Kansas City. [3]
The Hirshhorn Museum and Sculpture Garden is an art museum beside the National Mall in Washington, D.C., United States. The museum was initially endowed during the 1960s with the permanent art collection of Joseph H. Hirshhorn. It was designed by architect Gordon Bunshaft and is part of the Smithsonian Institution. It was conceived as the United States' museum of contemporary and modern art and currently focuses its collection-building and exhibition-planning mainly on the post–World War II period, with particular emphasis on art made during the last 50 years.
Large Interior Form, 1953–54 is a sculpture by Henry Moore.
Are Years What? is a sculpture by American artist Mark di Suvero. It is in the collection of the Hirshhorn Museum and Sculpture Garden, in Washington, D.C., United States. The sculpture is named after poet Marianne Moore's "What Are Years". From May 22, 2013 through May 26, 2014, the sculpture resided temporarily in San Francisco, as part of the San Francisco Museum of Modern Art's Mark di Suvero exhibition at Crissy Field.
Upright Motive No. 1: Glenkiln Cross is a bronze sculpture by Henry Moore, cast in a number of copies in 1955–56. It was the first of a series of narrow vertical sculptures by Moore, who compared them to totem poles.
Brushstroke is a sculpture by Roy Lichtenstein. There are two copies. The original was created in 2001 for the Museo Nacional Centro de Arte Reina Sofía in Madrid, Spain. The second was delivered to the Hirshhorn Museum and Sculpture Garden in Washington, DC, on September 16, 2003, and dedicated on October 25, 2003.
Three-Piece No. 3: Vertebrae is a bronze sculpture by Henry Moore. It was cast in 1968 as in edition of 8, along with an artist's copy which is now part of the Tate collection.
Three-Piece Reclining Figure No. 2: Bridge Prop is a sculpture by Henry Moore, created in 1963, and produced in an edition of six copies.
Two-Piece Reclining Figure: Points is a sculpture by Henry Moore, catalogued as LH 606, and created in 1969–70.
Crouching Woman is a bronze sculpture by Auguste Rodin.
Seated Woman on a Bench is a bronze sculpture by Willem de Kooning. Modeled in 1972, it was cast in 1976. It is at the Hirshhorn Museum and Sculpture Garden, in Washington, D.C..
Seated Yucatán Woman is a bronze sculpture, by Francisco Zúñiga. It is an edition of four, one of which is located at the Hirshhorn Museum and Sculpture Garden.
Draped Reclining Figure, 1952–53 is a bronze sculpture by Henry Moore, catalogued as "LH 336".
Draped Seated Woman 1957–58 is a bronze sculpture by the British artist Henry Moore, cast in an edition of seven in the 1950s. The sculpture depicts a female figure resting in a seated position, with her legs folded back to her right, her left hand supporting her weight, and her right hand on her right leg. The drapery emphasises the female figure, but the facial features are abstracted and barely picked out.
Knife Edge Two Piece 1962–65 is an abstract bronze sculpture by Henry Moore. It is one of Moore's earliest sculptures in two pieces, a mode that he started to adopt in 1959. Its form was inspired by the shape of a bone fragment. Moore created the sculpture from an edition of 10 working models in 1962; these working models are now in public collections. Moore created four full-size casts between 1962 and 1965, with one retained by him. The three casts are on public display on College Green in Westminster, London; Queen Elizabeth Park in Vancouver; and the garden at Kykuit, the house of the Rockefeller family in Tarrytown, New York. Moore's own cast is on display at his former studio and estate, 'Hoglands' in Perry Green, Hertfordshire in southern England. A similar work, Mirror Knife Edge 1977, is displayed at the entrance to I. M. Pei's east wing of the National Gallery of Art in Washington, D.C. The Westminster cast was donated by Moore through the Contemporary Art Society to what he believed was the City of London, but its actual ownership was undetermined for many years. The Westminster cast subsequently fell into disrepair, and was restored in 2013 after it became part of the British Parliamentary Art Collection; it was granted a Grade II* listing in January 2016.
King and Queen is a bronze sculpture by Henry Moore, designed in 1952. It depicts two figures, one male and one female, seated beside each other on a bench, both facing slightly to the left. It is Moore's only sculpture depicting a single pair of adult figures. Moore's records suggest it was originally known as Two Seated Figures.
Three Piece Sculpture: Vertebrae is an abstract bronze sculpture by Henry Moore.
Standing Figure: Knife Edge is a bronze sculpture by the English artist Henry Moore. It was cast in two full-size versions: Standing Figure: Knife Edge in 1961, and a larger Large Standing Figure: Knife Edge in 1976. The sculpture also is sometimes known as Standing Figure (Bone) or Winged Figure.
UNESCO Reclining Figure 1957–58 is a sculpture by Henry Moore. It was made in a series of scales, from a small plaster maquette, through a half-size working model made in plaster and cast in bronze, to a full-size version carved in Roman travertine marble in 1957–1958. The final work was installed in 1958 at the World Heritage Centre, the headquarters of UNESCO at the Place de Fontenoy in Paris. This was Moore's last major public commission in which he created a new work for a specific site; he afterwards generally worked from an existing sketch or model.
Locking Piece is a sculpture by Henry Moore. It comprises two interlocking forms holding a third element between them, on a bronze base. It is usually mounted on a separate plinth. The sculpture was created in 1962–1964, and bronze casts were made in 1964–1967.
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