| Three Piece Sculpture: Vertebrae | |
|---|---|
 Three Piece Sculpture: Vertebrae, Perry Green | |
| Artist | Henry Moore |
| Year | 1968-1969 |
| Catalogue | LH 580 [1] |
| Medium | Bronze |
| Dimensions | 710 cm(280 in) |
| Location | Perry Green |
Three Piece Sculpture: Vertebrae (LH 580) is an abstract bronze sculpture by Henry Moore. [2]
The three part sculpture looks back to his earlier multi-part sculptures of human figures, and also his interlocking works such as Two Piece Sculpture No. 7: Pipe from 1966. Moore started with a plaster maquette in 1968 (LH 578), [3] with three interlocking elements inspired by bones or flints.
He created a second larger plaster working model, which was cast in bronze in 1968 as his Working Model for Three Piece No.3: Vertebrae (LH 579), [4] in an edition of eight (plus an artist's copy, which is at the Tate Gallery in London). [5] It measures 94 by 236.3 by 122 centimetres (37.0 in × 93.0 in × 48.0 in). Other casts are held by the Hirshhorn Museum and Sculpture Garden in Washington D.C., [6] the Art Gallery of Ontario in Toronto, and Memorial Art Gallery in Rochester, New York, [7] and the Nasher Sculpture Center in Dallas. [8] Others are in private collections. [9] One example was sold at Christie's in 2012 for over £5m. [10]
The working model was scaled up in 1968–69 into a full-size bronze sculpture, measuring 9 feet (2.7 m) x 24 feet (7.3 m) x 10 feet 7 inches (3.23 m) (LH 580). The full-size sculpture was cast in edition of three (plus one for the artist). One example is installed outside the Safeco Plaza (1001 4th Avenue) in Seattle, Washington. [11] It was surveyed and deemed "well maintained" by the Smithsonian Institution's "Save Outdoor Sculpture!" program in May 1995. [2] [12] The others are at the Israel Museum in Jerusalem, [13] and the Landesbausparkasse in Münster, [14] with the artist's copy at the Henry Moore Foundation in Perry Green, Hertfordshire.
Three Forms Vertebrae (LH 580a), [15] also known as Dallas Piece or Vertebrae, is an abstract bronze sculpture by Henry Moore. [2] It was cast in 1978–79, specifically for a site outside I.M. Pei's Dallas City Hall, and is the largest version of a sculpture that Moore created in 1968. Moore was commissioned in 1978 to create a sculpture to stand in the City Centre Park Plaza outside the Dallas City Hall, for which he scaled up his 1968–69 work Three Piece Sculpture: Vertebrae (LH 580). [8]
Henry Spencer Moore was an English artist. He is best known for his semi-abstract monumental bronze sculptures which are located around the world as public works of art. Moore also produced many drawings, including a series depicting Londoners sheltering from the Blitz during the Second World War, along with other graphic works on paper.
Nuclear Energy (1964–1966) is a bronze sculpture by Henry Moore on the campus of the University of Chicago at the site of the world's first nuclear reactor, Chicago Pile-1. The first human-made self-sustaining nuclear chain reaction was created here on December 2, 1942. The sculpture is set in a granite paved quadrangle, with the paving stones radiating outward from the sculpture, and memorial plaques mounted on a adjacent wall. The memorial site is a National Historic Landmark and Chicago Landmark.
Three-Piece No. 3: Vertebrae is a bronze sculpture by Henry Moore. It was cast in 1968 as in edition of 8, along with an artist's copy which is now part of the Tate collection.
Reclining Figure 1969–70 is a bronze sculpture by English artist Henry Moore.
Draped Seated Woman 1957–58 is a bronze sculpture by the British artist Henry Moore, cast in an edition of seven in the 1950s. The sculpture depicts a female figure resting in a seated position, with her legs folded back to her right, her left hand supporting her weight, and her right hand on her right leg. The drapery emphasises the female figure, but the facial features are abstracted and barely picked out.
Draped Reclining Woman 1957–58 is a bronze sculpture by British artist Henry Moore, with a series of six castings made by Hermann Noack in Berlin.
Knife Edge Two Piece 1962–65 is an abstract bronze sculpture by Henry Moore. It is one of Moore's earliest sculptures in two pieces, a mode that he started to adopt in 1959. Its form was inspired by the shape of a bone fragment. Moore created the sculpture from an edition of 10 working models in 1962; these working models are now in public collections. Moore created four full-size casts between 1962 and 1965, with one retained by him. The three casts are on public display on College Green in Westminster, London; Queen Elizabeth Park in Vancouver; and the garden at Kykuit, the house of the Rockefeller family in Tarrytown, New York. Moore's own cast is on display at his former studio and estate, 'Hoglands' in Perry Green, Hertfordshire in southern England. A similar work, Mirror Knife Edge 1977, is displayed at the entrance to I. M. Pei's east wing of the National Gallery of Art in Washington, D.C. The Westminster cast was donated by Moore through the Contemporary Art Society to what he believed was the City of London, but its actual ownership was undetermined for many years. The Westminster cast subsequently fell into disrepair, and was restored in 2013 after it became part of the British Parliamentary Art Collection; it was granted a Grade II* listing in January 2016.
King and Queen is a bronze sculpture by Henry Moore, designed in 1952. It depicts two figures, one male and one female, seated beside each other on a bench, both facing slightly to the left. It is Moore's only sculpture depicting a single pair of adult figures. Moore's records suggest it was originally known as Two Seated Figures.
Spindle Piece is a bronze sculpture series by Henry Moore. Unusually, the sculpture was made in four sizes: a plaster maquette cast in bronze as Maquette for Spindle Piece in 1968, a larger plaster working model which was also cast in bronze as Spindle Piece in 1968, a larger series of bronze sculptures Large Spindle Piece cast in 1974, and the largest model, known as The Spindle, carved in travertine in 1981.
Reclining Figure: Festival is a bronze sculpture by English artist Henry Moore, commissioned by the Arts Council in 1949 for the Festival of Britain in 1951. The sculpture can be viewed as an abstraction of a reclining female human figure, resting on two arms, with a small head.
Three Standing Figures 1947 is a large stone sculpture by Henry Moore. It was made in 1947–48, and exhibited at London County Council's first Open-Air Sculpture Exhibition at Battersea Park in 1948. Donated to the council, it has been exhibited at the park since 1950. It became a Grade II listed building in 1988.
Three-Way Piece No.1: Points is a bronze abstract sculpture by Henry Moore. Three full-size sculptures were cast in 1967, one installed on the Columbia University campus in Upper Manhattan, New York City, and the others at Des Moines Art Center, and Fairmount Park in Philadelphia.
Sheep Piece is a sculpture by Henry Moore made in three sizes from 1969-1972, starting in 1969 with a 14 centimetres (5.5 in) maquette modelled in plaster and then cast in bronze, enlarged in 1971 to a 142 centimetres (56 in) working model in plaster and then cast in bronze, and finally a full size bronze on a monumental scale, 570 centimetres (220 in) high, cast in 1971-72. The four full-size casts are at the Henry Moore Foundation in Perry Green, Hertfordshire, in Zürich, in Kansas City, and at the Donald M. Kendall Sculpture Gardens in Purchase, New York.
Recumbent Figure 1938 (LH191) is an early sculpture by Henry Moore. It was commissioned by the architect Serge Chermayeff for his modernist villa at Bentley Wood, near Halland, Sussex. At the time it was made, it was Moore's largest stone sculpture. It was donated to the Tate Gallery in 1939, making it the first example of Moore's work in a public collection.
Oval with Points is a series of enigmatic abstract sculptures by British sculptor Henry Moore, made in plaster and bronze from 1968 to 1970, from a 14-centimetre (5.5 in) maquette in 1968 made in plaster and then cast in bronze, through a 110-centimetre (43 in) working model in 1968–1969 also made plaster and then cast in bronze, to a full-size 332-centimetre (131 in) bronze version cast in 1969.
Family Group is a sculpture by Henry Moore. It was his first large-scale bronze sculpture, and his first large bronze with multiple castings. Made for Barclay School in Stevenage, it evolved from drawings in the 1930s, through a series of models to bronze castings in 1950–51. It also one of the last important sculptures that Moore developed from preliminary drawings: in future, he worked mainly from found objects, maquettes and models.
UNESCO Reclining Figure 1957–58 is a sculpture by Henry Moore. It was made in a series of scales, from a small plaster maquette, through a half-size working model made in plaster and cast in bronze, to a full-size version carved in Roman travertine marble in 1957–1958. The final work was installed in 1958 at the World Heritage Centre, the headquarters of UNESCO at the Place de Fontenoy in Paris. This was Moore's last major public commission in which he created a new work for a specific site; he afterwards generally worked from an existing sketch or model.
Reclining Figure (Lincoln Center) (LH 519) is a statue by Henry Moore. The original two-part bronze statue of a human figure was commissioned for the Lincoln Center for the Performing Arts in New York City, where it has been displayed outdoors since 1965 in a pool of water to the north of the new Metropolitan Opera House. Other copies in plaster or bronze exist, and are displayed in other cities.
Three Way Piece No.2: Archer is a large sculpture by the British artist Henry Moore. Two casts exist: cast 1 in Toronto, cast 2 is owned by the National Gallery, Berlin. The work is 340 cm long and 325 cm high. A plaster cast of the work was also made, and was shown in June 1965 at the Queen's Theatre in London as part of a memorial service to T.S. Eliot.
Locking Piece is a sculpture by Henry Moore. It comprises two interlocking forms holding a third element between them, on a bronze base. It is usually mounted on a separate plinth. The sculpture was created in 1962–1964, and bronze casts were made in 1964–1967.
