Broken Obelisk

Last updated

Broken Obelisk
Artist Barnett Newman
Year
  • 1963–1967
  • 1969
  • 2005 (Exhibition Copy)
Medium Weathering steel
Broken Obelisk in front of Rothko Chapel in Houston, Texas. Barnett Newman Broken Obelisk Rothko Chapel (HDR).jpg
Broken Obelisk in front of Rothko Chapel in Houston, Texas.
Broken Obelisk in the University of Washington's Red Square Barnett Newman, Broken Obelisk (designed 1963, cast 1967), Quadrangle, Suzzallo Library, University of Washington, Seattle, Washington - 20060328.jpg
Broken Obelisk in the University of Washington's Red Square

Broken Obelisk is a sculpture designed by Barnett Newman between 1963 and 1967. Fabricated from three tons of Cor-Ten steel, which acquires a rust-colored patina, it is the largest and best known of his six sculptures. [1]

Contents

The first two multiples of the sculpture were fabricated by Lippincott, Inc. in North Haven, Connecticut in 1966–67. The sculpture first appeared on display in front of the Seagram Building in New York City and outside the Corcoran Gallery of Art in Washington, DC [2] where it was part of an exhibit titled "Scale and Content" (1967), which also consisted of Tony Smith's Smoke and Ronald Bladen's The X. [3] Broken Obelisk generated some controversy in Washington, as it appeared to be a reference to a broken upside-down Washington Monument at a time of civil unrest. When Corcoran director James Harithas resigned in 1969, Barnett Newman had the sculpture removed. [1]

A third multiple, which included some internal, structural improvements, was completed in 1969 by Lippincott, Inc., which became part of the permanent collection of the Museum of Modern Art in New York City. For a short period of time in 1969–70, the first three multiples of this sculpture sat side by side at the Lippincott, Inc. foundry in North Haven. One was secured by John de Menil with a matching grant from the National Foundation for the Arts and Humanities and was installed on the grounds of the Rothko Chapel in Houston in 1970, surrounded by a reflecting pool. As a condition set by de Menil, the sculpture in Houston is dedicated to Martin Luther King Jr. Virginia Wright secured another multiple, which was installed in Red Square on the campus of the University of Washington in Seattle in 1971. [4]

With the permission of the Barnett Newman Foundation, a fourth multiple was commissioned in 2003 and completed in 2005–06 by Lippincott, Merrifield, and Roberts. This last of the four multiples was installed in front of the Neue Nationalgalerie in Berlin in 2007–08 and later acquired by Storm King Art Center. In the summer of 2014, all four multiples were on display in the United States at the following locations: Rothko Chapel, Houston; Red Square, University of Washington, Seattle; Museum of Modern Art, New York City; and Storm King Art Center, New Windsor, New York.

Art critic Robert Hughes, writing on Broken Obelisk in 1971, said:

Newman's pursuit of the sublime lay less in nature than in culture. This enabled him to pick ancient, man-made forms and return them to pristine significance without a trace of piracy. One index of that ability was his sculpture. Broken Obelisk, perhaps the best American sculpture of its time, is Newman's meditation on ancient Egypt: a steel pyramid, from whose apex an inverted obelisk rises like a beam of light. Here, Newman bypassed the Western associations of pyramids and broken columns with death, and produced a life-affirming image of transcendence. That unruffled self-sufficiency, beyond style, gave Newman's work its mysterious didactic value. It is not 'expressive'; the silence at the core bespeaks a man for whom art was a philosophical activity, a way of knowledge. [5]

Locations

Four versions of the sculpture exist. Three originals were fabricated in the 1960s during the artist's life; two in 1967, and a third for MoMA in 1969. A fourth "Exhibition Copy" was completed in 2005.

Related Research Articles

<span class="mw-page-title-main">Mark Rothko</span> Abstract painter (1903–1970)

Mark Rothko, was an American abstract painter. He is best known for his color field paintings that depicted irregular and painterly rectangular regions of color, which he produced from 1949 to 1970. Although Rothko did not personally subscribe to any one school, he is associated with the American abstract expressionism movement of modern art.

Abstract expressionism in the United States emerged as a distinct art movement in the immediate aftermath of World War II and gained mainstream acceptance in the 1950s, a shift from the American social realism of the 1930s influenced by the Great Depression and Mexican muralists. The term was first applied to American art in 1946 by the art critic Robert Coates. Key figures in the New York School, which was the center of this movement, included such artists as Arshile Gorky, Jackson Pollock, Franz Kline, Mark Rothko, Norman Lewis, Willem de Kooning, Adolph Gottlieb, Clyfford Still, Robert Motherwell, Theodoros Stamos and Lee Krasner among others.

<span class="mw-page-title-main">Barnett Newman</span> American painter

Barnett Newman was an American artist. He has been critically regarded as one of the major figures of abstract expressionism, and one of the foremost color field painters. His paintings explore the sense of place that viewers experience with art and incorporate the simplest forms to emphasize this feeling.

<span class="mw-page-title-main">Rothko Chapel</span> United States historic place

The Rothko Chapel is a non-denominational chapel in Houston, Texas, founded by John and Dominique de Menil. The interior serves not only as a chapel, but also as a major work of modern art: on its walls are fourteen paintings by Mark Rothko in varying hues of black. The shape of the building—an octagon inscribed in a Greek cross—and the design of the chapel were largely influenced by the artist. The chapel sits two miles southwest of downtown in the Montrose neighborhood, situated between the building housing the Menil Collection and the Chapel of Saint Basil on the campus of the University of Saint Thomas. About 110,000 people visit the chapel each year.

<span class="mw-page-title-main">Dia Art Foundation</span> US nonprofit arts foundation

Dia Art Foundation is a nonprofit organization that initiates, supports, presents, and preserves art projects. It was established in 1974 by Philippa de Menil, the daughter of Houston arts patron Dominique de Menil and an heiress to the Schlumberger oil exploration fortune; art dealer Heiner Friedrich, Philippa's husband; and Helen Winkler, a Houston art historian. Dia provides support to projects "whose nature or scale would preclude other funding sources."

<span class="mw-page-title-main">Anne Truitt</span> American sculptor (1921–2004)

Anne Truitt, born Anne Dean, was an American sculptor of the mid-20th century.

Paul Jenkins was an American abstract expressionist painter.

<span class="mw-page-title-main">Menil Collection</span> Art museum in Houston, Texas, US

The Menil Collection, located in Houston, Texas, refers either to a museum that houses the art collection of founders John de Menil and Dominique de Menil, or to the collection itself of paintings, sculptures, prints, drawings, photographs and rare books.

<span class="mw-page-title-main">Dominique de Menil</span> American art collector (1908–1997)

Dominique de Menil was a French-American art collector, philanthropist, founder of the Menil Collection and an heiress to the Schlumberger Limited oil-equipment fortune. She was awarded the National Medal of Arts in 1986.

<span class="mw-page-title-main">Sam Gilliam</span> American painter (1933–2022)

Sam Gilliam was an American abstract painter, sculptor, and arts educator. Born in Mississippi, and raised in Kentucky, Gilliam spent his entire adult life in Washington, D.C., eventually being described as the "dean" of the city's arts community. Originally associated with the Washington Color School, a group of Washington-area artists that developed a form of abstract art from color field painting in the 1950s and 1960s, Gilliam moved beyond the group's core aesthetics of flat fields of color in the mid-60s by introducing both process and sculptural elements to his paintings.

<span class="mw-page-title-main">Tony Smith (sculptor)</span> American sculptor, visual artist, architectural designer

Anthony Peter Smith was an American sculptor, painter, architectural designer, and a noted art theorist. As a leading sculptor in the 1960s and 1970s, Smith is often associated with the Minimalist art movement.

Walter "Chico" Hopps was an American museum director, gallerist, and curator of contemporary art. Hopps helped bring Los Angeles post-war artists to prominence during the 1960s, and later went on to redefine practices of curatorial installation internationally. He is known for contributing decisively to “the emergence of the museum as a place to show new art.”

<span class="mw-page-title-main">John de Menil</span> Franco-American businessman

John de Ménil was a Franco-American businessman, philanthropist, and art patron. He was the founding president of the International Foundation for Art Research (IFAR) in New York. With his wife, Dominique de Menil, he established the Menil Collection, a free museum designed by Renzo Piano and built in 1986 to preserve and exhibit their world-class contemporary art collection.

<span class="mw-page-title-main">Yvonne Thomas</span> American artist

Yvonne Thomas was an American abstract artist.

<span class="mw-page-title-main">Ronald Bladen</span> Canadian-American painter and sculptor (1918-1988)

Ronald Bladen was a Canadian-born American painter and sculptor. He is particularly known for his large-scale sculptures. His artistic stance, was influenced by European Constructivism, American Hard-Edge Painting, and sculptors such as Isamu Noguchi and David Smith. Bladen in turn had stimulating effect on a circle of younger artists including Carl Andre, Donald Judd, Sol LeWitt and others, who repeatedly referred to him as one of the 'father figures' of Minimal Art.

<i>Smog</i> (1/3) Public artwork by Tony Smith

Smog is a public artwork by American artist Tony Smith located to the south east of McCardell Bicentennial Hall on the Middlebury College campus, in Middlebury, Vermont. An example of minimalist sculpture, the piece is a lattice of 45 octahedra, standing on 22 tetrahedra, and topped with 15 prisms. It is fabricated from aluminum, painted black. This work is first in an edition of three, with one artist's proof.

Carlson Baker Arts was an American company that provided custom fabrication and engineering services to artists, architectural firms and commercial companies. Based in Sun Valley, California, the company is most known for its work for artists such as Ellsworth Kelly, Jeff Koons, Christian Moeller, Isamu Noguchi, and Claes Oldenburg / Coosje van Bruggen, among others. The firm was founded by Peter Carlson in 1971, and has been headed by Carlson and John Baker as partners since mid-2010. Fabricators like Carlson Baker assist in producing technically challenging, large-scale industrial, labor-intensive, or otherwise complex artworks beyond the capacities of artists and companies. Their technical services may range from 3D scanning and modeling to advanced machining, milling, and finishing to assembly, shipping, and installation.

Virginia "Jinny" Wright, also known as Virginia Bloedel Wright, was an American art collector and philanthropist. She was considered one of the top art collectors in America for having created the largest collection of modern and contemporary art of the Pacific Northwest with her husband Bagley Wright and was credited for having played a pivotal role in the cultural development of Seattle and the Pacific Northwest.

<span class="mw-page-title-main">James Harithas</span> American museum director (1932–2023)

James Harithas was an American museum curator, director, and founder.

References

  1. 1 2 Kelly, John (March 7, 2010). "Nixon fingerprints missing from provocative sculpture's relocation" . The Washington Post . Retrieved March 7, 2010.
  2. "Chronology". The Barnett Newman Foundation. At year 1967. Retrieved October 11, 2024.
  3. Kramer, Hilton (October 7, 1967). "Sculpture: 3 Big Ones; The Corcoran Gallery's 'Scale as Content' Focuses on Move to Immense Size". New York Times. p. 24. Retrieved October 11, 2024 via TimesMachine.
  4. 1 2 3 Emery, Julie (July 11, 1971). "Newman scuplture donated for new UW quadrangle". The Seattle Times . p. A20. The Virginia Wright Fund has donated a sculpture, 'Broken Obelisk' by Barnett Newman, to the University of Washington for installation in its new Suzzallo Quadrangle. Dedication ceremonies will be held in early October.
  5. Hughes, Robert (October 18, 1971). "Pursuit of the Sublime". Time . pp. 66–69. Broken Obelisk, perhaps the best American sculpture of its time, is Newman's meditation on ancient Egypt: a steel pyramid, from whose apex an inverted obelisk rises like a beam of light.
  6. "Barnett Newman. Broken Obelisk. 1963-69". The Museum of Modern Art. Retrieved October 11, 2024.
  7. "Broken Obelisk & Main Plaza". Rothko Chapel. Retrieved October 11, 2024.
  8. Cascone, Sarah (June 6, 2014). "Storm King Adds Tony Smith, Louise Nevelson, and Barnett Newman Pieces". Artnet News. Retrieved October 11, 2024.
  9. National Gallery of Australia (2017). "Appendix E: Supporters" (PDF). National Gallery of Australia Annual Report. 2016–17. Canberra: 98. ISSN   1323-5192. OCLC   754616798.

Further reading