A cartoonist is a visual artist who specializes in both drawing and writing cartoons or comics. Cartoonists differ from comics writers or comics illustrators/artists in that they produce both the literary and graphic components of the work as part of their practice.
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings. Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both. Caricatures of politicians are commonly used in newspapers and news magazines as political cartoons, while caricatures of movie stars are often found in entertainment magazines. In literature, a caricature is a distorted representation of a person in a way that exaggerates some characteristics and oversimplifies others.
Benjamin Franklin Thorne was an American comic book artist-writer, best known for the Marvel Comics character Red Sonja.
Edward Sorel is an American illustrator, caricaturist, cartoonist, graphic designer and author. His work is known for its storytelling, its left-liberal social commentary, its criticism of reactionary right-wing politics and organized religion. Formerly a regular contributor to The Nation, New York Magazine and The Atlantic, his work is today seen more frequently in Vanity Fair. He has been hailed by The New York Times as "one of America's foremost political satirists". As a lifelong New Yorker, a large portion of his work interprets the life, culture and political events of New York City. There is also a large body of work which is nostalgic for the stars of 1930s and 1940s Hollywood when Sorel was a youth. Sorel is noted for his wavy pen-and-ink style, which he describes as "spontaneous direct drawing".
David Levine was an American artist and illustrator best known for his caricatures in The New York Review of Books. Jules Feiffer has called him "the greatest caricaturist of the last half of the 20th Century".
John Ross "Dok" Hager was an American cartoonist for the Seattle Daily Times, creator of a daily comic accompanying the weather report, and the comic strip Dok's Dippy Duck. Hager's nickname stems from his time as a dentist in Terre Haute, Indiana before he moved to Seattle, Washington in 1889 and began working for the Seattle Times. Hager retired in 1925 due to blindness.
Russell Patterson was an American cartoonist, illustrator and scenic designer. Patterson's art deco magazine illustrations helped develop and promote the idea of the 1920s and 1930s fashion style known as the flapper.
Kerry G. Johnson is an African-American cartoonist, graphic designer, art director, caricaturist and children's book illustrator. He specializes in caricatures but has created cartoons, illustrations and news graphic work in his career in news and publication design.
John Ernest Bechdolt was an American short story writer, novelist, and journalist. He wrote under the name Jack Bechdolt as well as his full name. He worked for the Seattle Post-Intelligencer from 1909 to 1916, after which he moved to New York City, where he worked for Munsey Publications for a year before freelancing. His first novel, The Torch, was serialized in the magazine Argosy in 1920. Several of his stories were adapted into films.
Frank Calvert (1876–1920) was a Seattle Times newspaper artist and cartoonist, and member of the Seattle Cartoonists' Club. In 1911, he edited a book for the club, The cartoon; a reference book of Seattle's successful men, which included biographies, photos and caricatures of men the club considered influential in Seattle.
George Hager was a Seattle illustrator and editorial cartoonist who worked for the Seattle Post-Intelligencer in the early 20th century. He was the son of another Seattle cartoonist, John Hager. He is known for being the first illustrator to show the Pike Place Market in Seattle.
Ernest Comstock Jenner was a Seattle newspaper artist and engraver. He was part of the Seattle Cartoonists' Club which produced illustrations and caricatures of Seattle's rich, famous and powerful men.
William Charles McNulty (1884–1963) was an American artist, who created realistic etchings and drawings of New York. He was born in Ogden, Utah. He studied art in 1908 and 1909 at the Art Students League in New York, where he also later taught. He was a successful editorial cartoonist for the Seattle Star. Works by McNulty are housed in the permanent collections of the Metropolitan Museum of Art, the New York Public Library, the Newark, Detroit and Whitney Museums, the U.S. Library of Congress and the University of Nebraska.
Edwin Frederick Brotze (1868–1939) was a newspaper illustrator and editorial cartoonist. He grew up in California, where he went to St Mary's College in Moraga. He worked in newspapers in Chicago and Los Angeles and in 1906 ended up in Seattle, where he worked for The Seattle Times until his death. He was known for his caricatures and editorial cartoons.
Alfred T. Renfro was an artist, editorial cartoonist, photographer and architect who lived in Santa Barbara, California and Seattle, Washington.
Benjamin B. Martin was an artist. He made his living in Seattle, Washington, where he worked as an illustrator for the Seattle Times, and later in New York, where he worked as a commercial artist. One of his lasting legacies was his work as a member of the Seattle Cartoonists' Club, in the club's book The Cartoon; A Reference Book of Seattle's Successful Men.
James Sanderson Ditty (1880–1962) was a photo-engraver in the Seattle area for 30 years and an "adventurous entrepreneur" and "hard-nosed" businessman who was involved in the developing of Bellevue, Washington. He is best known today as a businessman whose ideas contributed to the development of a city across the lake from Seattle.
John Olaf Todahl (1884–1924) was an American illustrator and cartoonist. He worked principally as a newspaper editorial cartoonist.
Barry Blitt is a Canadian-born American cartoonist and illustrator, best known for his New Yorker covers and as a regular contributor to the op-ed page of The New York Times. Blitt creates his works in traditional pen and ink, as well as watercolors.
