Seckou Keita (born 14 February 1978) is a kora player and drummer from Senegal. [1] He is one of the few champions of the lesser-known kora repertoire from Casamance in southern Senegal.
Seckou Keita (born 14 February 1978) is a kora player and drummer from Senegal. [1] He is one of the few champions of the lesser-known kora repertoire from Casamance in southern Senegal.
Keita was born in Ziguinchor, Senegal. Through his father he is a descendant of the Malian Keita family of kings, and his mother's family, the Cissokhos, are a griot family (hereditary musicians). [2] He launched his international career in 1996 under the guidance of his uncle Solo Cissokho with appearances at Norway's Forde Festival in a successful collaboration with Cuban, Indian and Scandinavian musicians. [2] In the years that followed, Keita relocated to the United Kingdom, while touring regularly in Spain, France, Portugal, Greece and the Czech Republic as well as playing at such festivals as WOMAD and Glastonbury, both as a solo musician, and in collaboration with acclaimed figures like Indian violinist Dr. L. Subramaniam.
Keita developed his work on the kora and with support slots to luminaries like Salif Keita and Youssou N'Dour, solo slots at London's Jazz Café and at Ireland's Sacred Music Festival, and a nomination in 2001 for BBC Radio 3's prestigious World Music Award. Keita formed the Seckou Keita Quartet in 2004, [2] later expanding into the Seckou Keita Quintet with the addition of his sister Binta Susso on vocals.
Based near Nottingham in England, Keita runs drumming and kora workshops in schools, arts centres and festivals, working with organisations such as Music For Change, Creative Partnerships and WOMAD. He is also a regular guest leader for Sewa Beats, a company which offers corporate learning through rhythm and music.
Seckou has made several significant contributions to kora music, firstly with developing his original kora tunings in 2002. "There are four basic traditional tunings," he explains, "which are linked to the different regions in Senegal, Gambia, Guinea-Bissau and Mali where the kora is played. Each region has its own distinct tuning. My own approach has been to put all these tunings together in the same instrument, so while still rooted in tradition, the sound is quite different to what people are used to hearing, and the range of material I can perform is greatly extended." [3]
In 2003, interested in seeing how much further he could push his kora playing, he asked his cousin Aliou Gassama to create a double-necked kora for him, which he uses for performances and some recordings.
Additionally, Keita has been constructive in making the kora more accessible outside the traditional griot families. Initially, he was considering the value of having a physical record of his music, and how that would help his children to learn the kora and its music without being part of the upbringing he had had, and using sources more familiar to them while growing up in the UK. [4] Historically, only griots would learn the kora from family members by listening and repetition, [5] so with the assistance of Latin jazz pianist, composer and producer Alex Wilson, Keita worked on deconstructing the kora and its outputs so that it could be transcribed and adapted for Western instruments. Eight books of kora music adapted for the piano, flute, cello, violin and clarinet were launched in 2020 and are available for sale from his website. [6] Prior to their release, the world premiere of the transcriptions was performed by Sinfonia Cymru musicians Abel Selaocoe (cello) and Helen Wilson (flute), award-winning jazz pianist Zoe Rahman and Paul Moylan (double bass) in a twilight concert at the Howard Assembly Room at Opera North, Leeds, in January 2019. [7]
Throughout his career, Keita has collaborated with other artists, including musicians with different backgrounds; a 2010 review described Keita's work as "Witnessing Keita you are assured that his many collaborations have fed and extended rather than diluted the African main spring of his music"; [8] Keita has said “Everything in music has to be honest, and the deeper meanings of the songs and melodies must be preserved. This is why it’s important that collaborations should be right for the music, and there are connections between, say, Cuban and Indian sounds and the repertoire of the kora that can be explored without losing the distinct flavours of the different traditions and styles”. [8]
He joined the popular world music group Baka Beyond as a drummer in 1998, [2] contributing to their well-received East To West album, and in 2000 began to record his own solo debut Baiyo (retitled Mali for a later release through ARC Music), which encompassed his musical journey to that date, from Africa to Europe, via India.
In 2013, he replaced Toumani Diabaté on a tour with Welsh harpist Catrin Finch, [9] which was described by Robin Denselow of The Guardian as "one of the classic concerts of the year." [10] Their subsequent albums Clychau Dibon in 2013 and Soar [11] in 2018 won numerous awards, and saw Keita's development as a vocalist. They have continued to collaborate, with an upcoming album planned, and recent performances in 2021 include The Proms, [12] the Brighton Festival and the London Jazz Festival, and a performance in Liverpool with the Royal Liverpool Philharmonic.
In 2012, Keita met Omar Sosa, an acclaimed Cuban jazz pianist, and their debut album Transparent Water, featuring Gustavo Ovalles, was released in 2017, followed by SUBA on 22 October 2021, accompanied by a nationwide tour of England and Wales. Transparent Water was hailed by Songlines as ‘beautiful, rhapsodic… spiritual’ [13] and by World Music Central as ‘mesmerising, evocative and sophisticated.'
In 2019, Keita joined the AKA Trio, "an international musical summit meeting of three world-renowned virtuosos: Antonio Forcione, Seckou Keita and Adriano Adewale"; [14] Forcione is an Italian guitarist-composer while Adewale is a Brazilian percussionist. Their album JOY was released in May 2019, alongside a major UK tour which included the Brighton Festival.
Also in 2019, Keita was part of Spell Songs , which brought together folk musicians, and the artwork and text of Robert McFarlane's and Jackie Morris's children's book The Lost Words: A Spell Book; performances included the Hay International Literary Festival, with a followup concert hall tour planned for early 2022. [15]
In 2020, Keita sought to explore how the traditional role of a griot could address a global tragedy such as the COVID-19 pandemic, [16] so he reached out to other artists and friends, and their contributions resulted in the release of Now Or Never, a charity single to support the International Committee of the Red Cross (ICRC) in July 2020, which featured artists from across Africa, Scotland, India, Cuba and Japan, including Fatoumata Diawara (Mali), Noura Mint Seymali (Mauritania), Kris Drever (Scotland), Anandi Bhattacharya (India), Zule Guerra (Cuba) and Mieko Miyazaki (Japan). All proceeds from Now Or Never go to the ICRC for its global response to COVID-19. [16]
Subsequently, Keita explored ways of collaborating with pan-African artists, including "long time friends, musical heroes and African legends," [17] explaining that he's "collaborated a lot in the West, but not enough in the land of Africa, so that’s where my focus is at the moment." The first of these collaborations was with Aida Samb, a Senegalese singer and performer, with their single Elles Sont Toutes Belles released in February 2021; he has since released Homeland on 21 June 2021 which features the renowned Senegalese vocalist Baaba Maal.
In April 2022, Seckou Keita was co-nominated for two Songlines Awards for his collaborations with Sosa and Spell Songs.
In November 2010, Keita launched a partnership with the International Committee of the Red Cross (ICRC). He will donate 50% of the proceeds made from sales of his CD, The Silimbo Passage , over six months, to support the ICRC's work to protect and assist victims of war and other situations of violence. Keita chose the ICRC because he had come into contact with the humanitarian organization when he was a child in the Casamance (a region that has been affected by armed violence for the last 30 years). “The International Red Cross sparks memories from my youth. I didn't know what they were about but I knew they were doing good things,” he says. [19]
In August 2020, he sought contributions from musicians around the world to produce a charity single, Now Or Never, to support the ICRC's global response to the coronavirus pandemic. [20]
Keita moved to the UK in 1999 and currently lives in Sneinton, England. [21] [22]
The kora is a stringed instrument used extensively in West Africa. A kora typically has 21 strings, which are played by plucking with the fingers. It combines features of the lute and harp.
Senegal's music is best known abroad due to the popularity of mbalax, a development of conservative music from different ethnic groups and sabar drumming popularized internationally by Youssou N'Dour.
The music of Mali is, like that of most West African nations, ethnically diverse, but one influence predominates: that of the ancient Mali Empire of the Mandinka. Mande people make up around 50% of Mali's population; other ethnic groups include the Fula (17%), Gur-speakers 12%, Songhai people (6%), Tuareg and Moors (10%).
A griot is a West African historian, storyteller, praise singer, poet, and/or musician.
Toumani Diabaté was a Malian kora player. In addition to performing the traditional music of Mali, he was involved in cross-cultural collaborations with flamenco, blues, jazz, and other international styles of music. In 2006, the London-based newspaper The Independent named him one of the fifty best African artists. In its obituary, The Times described him as "a bold and innovative musical visionary".
Rokia Traoré is a Malian-born singer, songwriter and guitarist.
Mory Kanté was a Guinean vocalist and player of the kora harp. He was best known internationally for his 1987 hit song "Yé ké yé ké", which reached number-one in Belgium, Finland, the Netherlands, and Spain. The album it came from, Akwaba Beach, was the best-selling African record of its time.
Catrin Ana Finch is a Welsh harpist, arranger and composer. She was the Official Harpist to the Prince of Wales from 2000 to 2004 and is visiting professor at the Royal Welsh College of Music & Drama and the Royal Academy of Music in London. Finch has given recitals at venues throughout the world.
fRoots was a specialist music magazine published in the UK between 1979 and 2019. It specialised in folk and world music, and featured regular compilation downloadable albums, with occasional specials. In 2006, the circulation of the magazine was 12,000 worldwide.
Omar Sosa is a jazz pianist from Cuba.
Songlines is a British magazine launched in 1999 that covers music from traditional and popular to contemporary and fusion, featuring artists from around the globe.
Ablaye Cissoko is a Senegalese musician, singer and composer, who plays the kora.
Mamadou Sidiki Diabaté is a prominent Mandé kora player and jeli from Bamako, Mali. He is the 71st generation of kora players in his family and a son to Sidiki Diabaté.
Juldeh Camara is a griot, as well as an internationally followed blues musician and recording artist who has appeared on 21 albums. He is known for his instrumental virtuosity and for his collaborations with European, African, and other artists. His instrument is an African one-string fiddle, known as Nyanyero in his native Fula language or Riti in the Wolof language.
3MA is a contemporary African music group, consisting of three players of different string instruments: Ballaké Sissoko from Mali on kora, Driss El Maloumi from Morocco on oud and Rajery from Madagascar on valiha. The band takes its name from the first two letters of each member's country of origin in French: Madagascar, Mali, and Maroc.
Driss El Maloumi is a Moroccan composer and performer on the oud, the Arabic short-necked lute. He is mainly known for playing solo or in trio formations under his own name, for his long-standing cooperation with Catalan musician and musical director Jordi Savall, as well as for being a member of the group 3MA, comprising three popular African string instrumentalists.
Zal Sissokho is a Senegalese-Canadian musician based in Montreal, Quebec. He is most noted for his 2020 album Kora Flamenca, an exploration of the fusion of African kora with Spanish flamenco which won the Félix Award for World Music Album of the Year at the 42nd Félix Awards. The album has also been shortlisted for the Juno Award for World Music Album of the Year at the Juno Awards of 2021, and won the Canadian Folk Music Award for World Music Album of the Year at the 16th Canadian Folk Music Awards.
New Ancient Strings is a studio album by the Malian musicians Toumani Diabaté and Ballaké Sissoko, released on 22 June 1999 by the British label Hannibal Records. The album comprises eight instrumental duets composed by Diabaté for kora, a stringed instrument of West African music. Diabaté and Sissoko are esteemed as the best and the second-best kora players of their generation, respectively. Their duets were recorded in a single live take within a marble hallway of Bamako's conference centre on the night of 22 September 1997, coinciding with Mali's Independence Day.
Kassé Mady Diabaté was a Malian singer, musician and griot. His soft and particular voice with deep undertones – an atypical characteristic for a griot – earned him the nickname "The golden voice of Mali". He is considered, together with Salif Keita, as one of the greatest Mandinka artists of his generation.
Solo Cissokho was a Norwegian/Senegalese Jazz and Mbalax musician known for playing the Kora. Born into a Senegalese griot family in Ziguinchor, Casamance, Solo continued the family tradition of Kora playing at a young age.
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