Second Take | ||||
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Studio album by | ||||
Released | November 1972 | |||
Recorded | 1972 | |||
Genre | Rock/Pop | |||
Language | English | |||
Label | RCA Victor | |||
Producer | The Searchers, David Paramor | |||
The Searchers chronology | ||||
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Singles from Second Take | ||||
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International edition (1974) | ||||
Second Take is the sixth studio album by the English rock band The Searchers and the first with drummer Billy Adamson. Album consists of re-recordings of their earlier hits as well as their last US hit single "Desdemona" from the previous year. [1] Guitarist and vocalist Mike Pender takes the lead as singer on all of the tracks. Second Take is also the band's first self-produced album.
"Desdemona" brought the Searchers back into the charts in the summer and autumn of 1971. Single entered the US Billboard Hot 100,reached No. 94 and stayed for three weeks. [2] On Cashbox went even higher to No. 79. [3] and the song reached No. 28 on Detroit's radio "Keener 13" hitparade (WKNR). [4] So it had been successful enough for RCA Victor to release new album by the group. Although the band had some strong new material ("Love Is Everywhere","The World Is Waiting for Tomorrow"),they set about re-recording 10 hits of their Pye Records-era and featured only two songs that were originally released on RCA singles "Come On Back to Me" (B-side of "Sing Singer Sing") and of course "Desdemona". "We did the remakes because we wanted to clear the path to recording some newer stuff,but I don’t think RCA was ever interested in anything but the old hits,”said guitarist John McNally. [5] "Second Take" was issued in November 1972 on RCA Victor SF 8298. Despite the success of "Desdemona" in the US,the only other countries that released the LP were Germany and South Africa. [6]
Although the album didn't chart,RCA give the second chance to it and released new version on their budget label RCA International on July 6,1974. This time under the title "Needles &Pins" and with the new cover art. The LP failed to chart again. Moreover,Pye Records (who released compilation LP "The Golden Hour Of The Searchers" in the same year) checking the contracts and realized that the Searchers could not re-record the old hits for another company. RCA eventually settled and paid Pye an override. [7]
No. | Title | Writer(s) | Length |
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1. | "Sugar and Spice" | Fred Nightingale | 2:25 |
2. | "Don't Throw Your Love Away" | Jimmy Wisner, Billy Jackson | 2:19 |
3. | "Farmer John" | Don "Sugarcane" Harris, Dewey Terry | 2:28 |
4. | "Come On Back to Me" | Mike Pender, John McNally, Frank Allen | 3:36 |
5. | "When You Walk in the Room" | Jackie DeShannon | 2:42 |
6. | "Needles and Pins" | Jack Nitzsche, Sonny Bono | 2:20 |
No. | Title | Writer(s) | Length |
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7. | "Desdemona" | Valerie Avon, Harold Spiro | 2:21 |
8. | "Goodbye My Love" | Robert Mosley, Lamar Simington, Leroy Swearingen | 2:40 |
9. | "Love Potion No. 9" | Jerry Leiber and Mike Stoller | 1:57 |
10. | "Sweets for My Sweet" | Doc Pomus, Mort Shuman | 2:25 |
11. | "Take Me For What I'm Worth" | P. F. Sloan | 2:35 |
12. | "What Have They Done to the Rain" | Malvina Reynolds | 2:32 |
The Searchers
Additional musicians and production
The Searchers are an English Merseybeat group who emerged during the British Invasion of the 1960s. The band's hits include a remake of the Drifters' 1961 hit, "Sweets for My Sweet"; "Sugar and Spice" ; remakes of Jackie DeShannon's "Needles and Pins" and "When You Walk in the Room"; a cover of the Orlons' "Don't Throw Your Love Away"; and a cover of the Clovers' "Love Potion No. 9". With the Swinging Blue Jeans, the Searchers tied for being the second group from Liverpool, after the Beatles, to have a hit in the US when their "Needles and Pins" and the Swinging Blue Jeans' "Hippy Hippy Shake" both reached the Hot 100 on 7 March 1964.
Cute 'n' Country is the second studio album by American country music artist Connie Smith. It was released in October 1965 by RCA Victor and contained 12 tracks. Cute 'n' Country contained a mixture of original songs and cover versions by other country artists. Featured on the album was the top ten single "I Can't Remember". Cute 'n' Country was Smith's second album to top the Billboard country LP's chart.
Connie in the Country is the seventh studio album by American country singer Connie Smith. It was released in February 1967 on RCA Camden and contained ten tracks. It was her first to be released on RCA's budget Camden label. Unlike most RCA Camden albums which often contained previously issued material, the album consisted of new recordings for Smith's catalog. This included the single, "Cry, Cry, Cry", which was a top 20 hit on the American country songs chart in 1968.
Connie Smith Sings Bill Anderson is the eighth studio album by American country singer Connie Smith. It was released in May 1967 by RCA Victor and featured 12 tracks. The album was dedicated to her mentor, Bill Anderson. It contained several songs made popular by Anderson himself, along with several tracks made popular by other performers. It also included the newly-recorded "Cincinnati, Ohio". Smith released her version as a single, which climbed into the top five of the American country songs charts. The album received favorable reviews following its release.
The Best of Connie Smith is a compilation album by American country singer Connie Smith. It was released in September 1967 by RCA Victor and featured 12 tracks. The disc was Smith's first compilation project released in her career and featured her most popular singles made commercially successful between 1964 and 1967. It also featured one new recording titled "I'll Come Runnin'". Penned by Smith herself and released as a single, the song became a top ten hit on the American country songs chart in 1967.
Meet The Searchers is the 1963 debut and most successful album by British rock band The Searchers. The album featured their first single released in June 1963, a version of the Drifters' "Sweets for My Sweet", which was a UK No.1 for the band, as well as their version of the Clovers "Love Potion No.9", which was released as a single in the U.S. the following year. "Love Potion No.9" peaked on the US charts at No. 3 on 19 December 1964. The album was also released in Canada, Germany and South Africa, often with track listing changes.
Sugar and Spice is the second studio album by the British rock band The Searchers released in 1963. This album features the band's second big hit single "Sugar and Spice". With two successful Top 5 albums in three months, and two other Top 3 hit singles at the time, the group proved to be the strongest to emerge from Liverpool next to the Beatles and Gerry and the Pacemakers. They solidified their position further with another album track, "Ain't That Just Like Me", which was later released in the US and hit #61 on the Billboard Hot 100.
Sounds Like Searchers is the fourth studio album by the English rock band The Searchers and the group's first LP featuring singer and bass player Frank Allen. Album features title track of the band's UK No.1 EP "Bumble Bee" as well as cover versions of some well known tracks written or co-written by Burt Bacharach, John Barry or Jackie DeShannon. The album has reached the Top 10 in the UK album chart.
Take Me for What I'm Worth is the fifth studio album by the English rock band The Searchers and the group's first LP which missed the official Record Retailer Top 20 album chart in the United Kingdom. Released in the end of 1965 it was the last album by the Searchers before the leader of the band Chris Curtis left. Album included some songs written by members of the band as well as cover versions of some well known tracks originally recorded by The Ronettes, Fats Domino, Marvin Gaye or Ian and Sylvia. The title track, written by P. F. Sloan, was the last Top 20 hit for the band in the UK.
It's the Searchers is the third studio album by English rock band The Searchers. It features the band's famous hit singles "Needles and Pins" and "Don't Throw Your Love Away" as well as cover versions of some well known tracks originally recorded by Betty Everett, Carl Perkins, Don Gibson, The Drifters or Tommy Tucker. It was also the last Searchers album to feature singer Tony Jackson. The album peaked at No. 4 in the UK album chart.
Sweets for My Sweet – The Searchers at the Star-Club Hamburg is the first live album by English rock band the Searchers, recorded in spring 1963 at the German Star-Club during their Hamburg residency. It was recorded before the group's success in the United Kingdom. Soon after, they signed with Pye Records and went on to score many hits. Later, the Searchers re-recorded some of these tracks in studio and issued on their albums or singles. Nevertheless, the LP has never been officially released in the UK, although a live recording of the song "Sweet Nothin's" made the UK Top 50.
The Searchers Meet The Rattles is the second US live album by English rock band The Searchers and the first US LP by German rock band The Rattles. The Searchers recorded their set in March 1963 at the German Star-Club during their Hamburg residency. The album contains songs that Mercury Records had withheld from its predecessor Hear! Hear!. Songs by The Rattles are taken from their album Twist Im Star-Club Hamburg released in Germany on Philips Records in 1963. The only other country that released The Searchers Meet The Rattles was Canada.
Searchers is the seventh studio album by the English rock band The Searchers, sometimes referred to as a comeback album. It is the Searchers' first album of original songs since their 1965 Take Me for What I'm Worth and the first which entered Billboard Top 200 since The Searchers No. 4. Album contained songs originally written by Tom Petty, Bob Dylan or The Records and featured guest appearances by Bob Jackson, ex-Badfinger, on keyboards.
Play for Today is the eighth studio album by English rock band The Searchers and the last band's album to feature lead singer Mike Pender. LP was released both in the UK and the US with completely different cover art and slightly divergent track listing. Album contained songs originally performed by John Fogerty, Big Star or Fats Domino. Session musicians on the album included Martin Hughes on drums and keyboard player Mick Weaver.
The Iron Door Sessions is a compilation live album by English rock band The Searchers. It contains acetate recordings of them performing at Iron Door Club in 1963, few months before their breakthrough in the UK. The Searchers re-recorded some of these tracks in the studio later and issued on their albums or singles. Traditional Maggie May is the same song made famous by The Beatles.
German, French + Rare Recordings is the German compilation album by English rock band The Searchers. The collection includes their hits as "Needles and Pins", "Don't Throw Your Love Away" or "When You Walk In The Room" sung in German and French and is a complete catalogue of their singles and rarities issued on Liberty Records in the sixties. This was the band's second rarities album, the former being The Searchers Play The System – Rarities, Oddities & Flipsides, which was released in 1987.
The Searchers Play the System – Rarities, Oddities & Flipsides, commonly abbreviated to Play the System, is the compilation album featuring a selection of songs by English band the Searchers. The album was originally released as part of the Searchers collection on PRT Records, a set containing all original Searchers recordings released between 1963-1967 in the UK on Pye Records. It is also the only album gathering together mostly self-penned tunes by the Searchers.
The Searchers 30th Anniversary Collection 1962–1992 is a compilation album of songs by the English rock band The Searchers released by Sequel Records. This collection including all of their A-sides released on Pye Records, nearly all B-sides and many of their album tracks. The third disc featured rarities, plus previously unreleased material intended for unfinished LP from 1983.
"He’s Got No Love" is a song written by Chris Curtis and Mike Pender and released by British pop rock group The Searchers. The song was released as a single in July 1965 by Pye Records in the United Kingdom and later on Kapp Records in the United States. It became a hit in 1965 in both countries.
Billy Adamson was a Scottish musician, best known as the longtime drummer and percussionist for the English pop rock band The Searchers. He joined them shortly after their most famous period in 1969 and remained with them until 1998. He also worked with Lulu, The Nashville Teens and Junior Campbell.