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Lwa, also called loa, are spirits in the African diasporic religion of Haitian Vodou. They have also been incorporated into some revivalist forms of Louisiana Voodoo. Many of the lwa derive their identities in part from deities venerated in the traditional religions of West Africa, especially those of the Fon and Yoruba.
Vodun is a religion practiced by the Aja, Ewe, and Fon peoples of Benin, Togo, Ghana, and Nigeria.
Zora Neale Hurston was an American author, anthropologist, and documentary filmmaker. She portrayed racial struggles in the early-20th-century American South and published research on hoodoo and Caribbean Vodou. The most popular of her four novels is Their Eyes Were Watching God, published in 1937. She also wrote over 50 short stories, plays, and essays.
Hoodoo is a set of spiritual practices, traditions, and beliefs that were created by enslaved African Americans in the Southern United States from various traditional African spiritualities and elements of indigenous botanical knowledge. Practitioners of Hoodoo are called rootworkers, conjure doctors, conjure men or conjure women, and root doctors. Regional synonyms for Hoodoo include rootwork and conjure. As a syncretic spiritual system, it also incorporates beliefs from Islam brought over by enslaved West African Muslims, and Spiritualism. Scholars define Hoodoo as a folk religion. It is a syncretic religion between two or more cultural religions, in this case being African indigenous spirituality and Abrahamic religion.
Their Eyes Were Watching God is a 1937 novel by American writer Zora Neale Hurston. It is considered a classic of the Harlem Renaissance, and Hurston's best known work. The novel explores protagonist Janie Crawford's "ripening from a vibrant, but voiceless, teenage girl into a woman with her finger on the trigger of her own destiny".
Èzili Dantò or Erzulie Dantor is the main loa or senior spirit of the Petro family in Haitian Vodou. Ezili Danto, or Èzili Dantò, is the "manifestation of Erzulie, the divinity of love,". It is said that Ezili Danto has a dark complexion and is maternal in nature. The Ezili are feminine spirits in Haitian Vodou that personify womanhood. The Erzulie is a goddess, spirit, or loa of love in Haitian Voudou. She has several manifestations or incarnations, but most prominent and well-known manifestations are Lasirenn, Erzulie Freda, and Erzulie Dantor. There are spelling variations of Erzulie, the other being Ezili. They are English interpretations of a Creole word, but do not differ in meaning.
John the Conqueror, also known as High John de Conqueror, John, Jack, and many other folk variants, is a folk hero from African-American folklore. He is associated with the roots of Ipomoea purga, the John the Conqueror root or John the Conqueroo, to which magical powers are ascribed in African-American folklore, especially among the Hoodoo tradition of folk magic. Muddy Waters mentions him as Johnny Cocheroo in the songs "Mannish Boy" and "I'm Your Hoochie Coochie Man". In "Mannish Boy", the line is "I think I'll go down/To old Kansas too/I'm gonna bring back my second cousin/That little Johnny Conqueroo". This line is borrowed from the Bo Diddley song "I'm a Man", to which "Mannish Boy" is an answer song. In "I'm Your Hoochie Coochie Man", it is called "John De Conquer Blue".
Clairvius Narcisse was a Haitian man who claimed to have been turned into a zombie by a Haitian vodou, and forced to work as a slave.
Nine-Night, also known as Dead Yard, is a funerary tradition originating in West Africa and practiced in Caribbean countries. It is an extended wake that lasts for several days, with roots in certain West African religious traditions. During this time, friends and family come together to the home of the deceased. They share their condolences and memories while singing hymns and eating food together.
Haitian Vodou is an African diasporic religion that developed in Haiti between the 16th and 19th centuries. It arose through a process of syncretism between several traditional religions of West and Central Africa and Roman Catholicism. There is no central authority in control of the religion and much diversity exists among practitioners, who are known as Vodouists, Vodouisants, or Serviteurs.
Christianity is the most widely professed religion in the Dominican Republic. Historically, Catholicism dominated the religious practices of the country, and as the official religion of the state it receives financial support from the government. About 60% of Dominicans identify themselves as Catholic.
Louisiana Voodoo, also known as New Orleans Voodoo, is an African diasporic religion that originated in Louisiana. It arose through a process of syncretism between the traditional religions of West Africa, the Roman Catholic form of Christianity, and Haitian Vodou. No central authority is in control of Louisiana Voodoo, which is organized through autonomous groups.
Saut-d'Eau is a commune in the Mirebalais Arrondissement, in the Centre department of Haiti. It has 34,885 inhabitants.
Mule Bone: A Comedy of Negro Life is a 1930 play by American authors Langston Hughes and Zora Neale Hurston. The process of writing the play led Hughes and Hurston, who had been close friends, to sever their relationship. Mule Bone was not staged until 1991, when it was produced in New York City by the Lincoln Center Theater.
Published in 1983, In Search of Our Mothers' Gardens: Womanist Prose is a collection composed of 36 separate pieces written by Alice Walker. The essays, articles, reviews, statements, and speeches were written between 1966 and 1982. Many are based on her understanding of "womanist" theory. Walker defines "womanist" at the beginning of the collection as "A black feminist or feminist of color. From the black folk expression of mother to female children and also a woman who loves other women, sexually and/or nonsexually. Appreciates and prefers women's culture. Committed to survival and wholeness of entire people, male and female. Womanist is to feminist as purple is to lavender."
Jean Jacques Dessalines Michel Cincinnatus Leconte was President of Haiti from August 15, 1911, until his death on August 8, 1912.
Valerie Boyd was an American writer and academic. She was best known for her biography of Zora Neale Hurston entitled Wrapped in Rainbows: The Life of Zora Neale Hurston. She was an associate professor and the Charlayne Hunter-Gault Distinguished Writer-in-Residence at the Grady College of Journalism and Mass Communication at the University of Georgia, where she taught narrative nonfiction writing, as well as arts and literary journalism.
Haitian Vodou art is art related to the Haitian Vodou religion. This religion has its roots in West African traditional religions brought to Haiti by slaves, but has assimilated elements from Europe and the Americas and continues to evolve. The most distinctive Vodou art form is the drapo Vodou, an embroidered flag often decorated with sequins or beads, but the term covers a wide range of visual art forms including paintings, embroidered clothing, clay or wooden figures, musical instruments and assemblages. Since the 1950s there has been growing demand for Vodou art by tourists and collectors.
Mules and Men is a 1935 autoethnographical collection of African-American folklore collected and written by anthropologist Zora Neale Hurston. The book explores stories she collected in two trips: one in Eatonville and Polk County, Florida, and one in New Orleans. Hurston's decision to focus her research on Florida came from a desire to record the cross-section of black traditions in the state. In her introduction to Mules and Men, she wrote, "Florida is a place that draws people—white people from all over the world, and Negroes from every Southern state surely and some from the North and West". Hurston documented 70 folktales during the Florida trip, while the New Orleans trip yielded a number of stories about Marie Laveau, voodoo and Hoodoo traditions. Many of the folktales are told in vernacular; recording the dialect and diction of the Black communities Hurston studied.
Moses, Man of the Mountain is a 1939 novel by African-American novelist and anthropologist Zora Neale Hurston. The novel rewrites the story of the Book of Exodus of Moses and the Israelites from an Afro-American perspective. The novel applies a number of different motifs and themes commonly addressed in African-American culture, subverting the Moses story.
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