Dangerous is a 1935 American drama film directed by Alfred E. Green and starring Bette Davis in her first Oscar-winning role. The screenplay by Laird Doyle is based on his story Hard Luck Dame.
Hush...Hush, Sweet Charlotte is a 1964 American psychological horror thriller film directed and produced by Robert Aldrich, and starring Bette Davis, Olivia de Havilland, Joseph Cotten, Agnes Moorehead and Mary Astor in her final film role. It follows a middle-aged Southern woman, suspected in the unsolved murder of her lover from decades before, who is plagued by bizarre occurrences after summoning her cousin to help challenge the local government's impending demolition of her home. The screenplay was adapted by Henry Farrell and Lukas Heller, from Farrell's unpublished short story "What Ever Happened to Cousin Charlotte?"
Charles E. Boles, also known as Black Bart, was an American outlaw noted for the poetic messages he left behind after two of his robberies. Often called Charley by his friends, he was also known as CharlesBolton. Considered a gentleman bandit with a reputation for style and sophistication, he was one of the most notorious stagecoach robbers to operate in and around Northern California and Southern Oregon during the 1870s and 1880s.
Satan Met a Lady is a 1936 American detective film directed by William Dieterle and starring Bette Davis and Warren William.
A Tree Grows in Brooklyn is a 1945 American drama film that marked the debut of Elia Kazan as a dramatic film director. Adapted by Tess Slesinger and Frank Davis from the 1943 novel by Betty Smith, the film focuses on an impoverished but aspirational, second-generation Irish-American family living in the Williamsburg neighborhood of Brooklyn, New York, in the early 20th century. Peggy Ann Garner received the Academy Juvenile Award for her performance as Francie Nolan, the adolescent girl at the center of the coming-of-age story. Other stars are Dorothy McGuire, Joan Blondell, Lloyd Nolan, Ted Donaldson, and James Dunn, who received the Academy Award for Best Supporting Actor for his portrayal of Francie's father.
Old Acquaintance is a 1943 American drama film released by Warner Bros. It was directed by Vincent Sherman and produced by Henry Blanke with Jack L. Warner as executive producer. The screenplay by John Van Druten, Lenore Coffee and Edmund Goulding was based on Van Druten's 1940 play of the same title.
Of Human Bondage is a 1934 American drama film directed by John Cromwell and regarded by critics as the film that made Bette Davis a star. The screenplay by Lester Cohen is based on the 1915 novel Of Human Bondage by W. Somerset Maugham.
Bordertown is a 1935 American drama film directed by Archie Mayo and starring Paul Muni and Bette Davis. The screenplay by Laird Doyle and Wallace Smith is based on Robert Lord's adaptation of the 1934 novel Border Town by Carroll Graham. The supporting cast features Margaret Lindsay, Eugene Pallette and Robert Barrat. Although the films They Drive by Night (1940) and Blowing Wild (1953) are not specifically remakes of Bordertown, they include many of its plot elements and similar scenes.
Genevieve Tobin was an American actress.
Back Street is a 1932 American pre-Code drama film directed by John M. Stahl and starring Irene Dunne and John Boles. Based on the best-selling of the same title by Fannie Hurst, it tells the story of a woman who spends her life as the secret mistress of a wealthy married man. The devotion and love of the woman to the married man determines that she will be the “back streets” of him in the whole life; a story of a love that was not destined. This was the first of three film versions of Hurst's novel; remakes were released in 1941 and 1961.
Of Human Bondage is a 1946 American drama film directed by Edmund Goulding and starring Paul Henreid, Eleanor Parker and Alexis Smith. The second screen adaptation of W. Somerset Maugham's 1915 novel, this Warner Bros. sanitized version was written by Catherine Turney. The central characters are Philip Carey, a clubfooted medical student, and Mildred Rogers, a low-class waitress with whom he becomes obsessed.
The Cabin in the Cotton is a 1932 American pre-Code drama film directed by Michael Curtiz. The screenplay by Paul Green is based on the novel of the same title by Harry Harrison Kroll.
Fog Over Frisco is a 1934 American Pre-Code drama film directed by William Dieterle. The screenplay by Robert N. Lee and Eugene Solow was based on the 1932 mystery novel The Five Fragments by George Dyer.
That Certain Woman is a 1937 American melodramatic film written and directed by Edmund Goulding and starring Bette Davis, Henry Fonda and Anita Louise. It is a remake of Goulding's 1929 film The Trespasser, Gloria Swanson's first sound film.
The Golden Arrow (1936) is an American comedy film directed by Alfred E. Green and starring Bette Davis and George Brent. The screenplay by Charles Kenyon is based on a story of the same title by Michael Arlen published in the September 14, 1935 issue of Liberty.
Winter Meeting is a 1948 American drama film directed by Bretaigne Windust and starring Bette Davis and Jim Davis. The screenplay, based on the novel of the same name by Grace Zaring Stone, was written by Catherine Turney.
Ex-Lady is a 1933 American pre-Code comedy/drama film directed by Robert Florey. The screenplay by David Boehm is a remake of the Barbara Stanwyck film Illicit (1931), both crediting a story by Edith Fitzgerald and Robert Riskin. The film focuses on a pair of lovers, commercial illustrator Helen Bauer and advertising writer Don Peterson, who have been living together quite happily for some time. One night, after hiding in Helen's bedroom until their party guests have all left, Don announces that he is tired of sneaking around. He wants marriage—and possibly children—and Helen finally agrees, although she is afraid that it will wreck their relationship. Her predictions of trouble—increased by the stresses of opening their own advertising agency—come true, but in the end, with the serendipitous intervention of their perpetually inebriated friend, Van, they reconcile and resume the mixed blessings of wedded bliss.
Scream, Pretty Peggy is a 1973 American made-for-television horror film directed by Gordon Hessler and starring Bette Davis, Ted Bessell, and Sian Barbara Allen. Its plot follows a young college student who is given a job by a sculptor housekeeping at a mysterious mansion where his sister and their elderly mother reside. It was broadcast as the ABC Suspense Movie on November 24, 1973.
Of Human Bondage is a 1964 British drama film directed by Ken Hughes and starring Kim Novak and Laurence Harvey in the roles played by Bette Davis and Leslie Howard three decades earlier in the original film version. This MGM release, the third screen adaptation of W. Somerset Maugham's 1915 novel, was written by Bryan Forbes from the novel by Somerset Maugham.
The Menace is a 1932 American pre-Code American crime drama film directed by Roy William Neill. The screenplay by Roy Chanslor, Dorothy Howell, and Charles Logue is based on the 1927 novel The Feathered Serpent by Edgar Wallace.
