"Seekest Thou the Road" | |
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Agatha All Along episode | |
![]() Promotional poster for Agatha All Along, highlighting elements seen in this episode | |
Episode no. | Episode 1 |
Directed by | Jac Schaeffer |
Written by | Jac Schaeffer |
Featured music | "Season of the Witch" by Donovan |
Cinematography by | Caleb Heymann |
Editing by | Jamie Gross |
Original release date | September 18, 2024 |
Running time | 42 minutes |
Cast | |
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"Seekest Thou the Road" is the first episode of the American television miniseries Agatha All Along , based on Marvel Comics featuring the character Agatha Harkness. The episode is set in the Marvel Cinematic Universe (MCU), sharing continuity with the films of the franchise. It was written and directed by showrunner Jac Schaeffer.
The episode follows Harkness (Kathryn Hahn) as she regains her identity after the events of WandaVision (2021), crosses paths with a mysterious Teen (Joe Locke), and confronts an old enemy. Apart from Hahn and Locke, Debra Jo Rupp and Aubrey Plaza also star in the episode. Filming took place in the Atlanta metropolitan area and in Los Angeles.
"Seekest Thou the Road" was released on the streaming service Disney+ on September 18, 2024, alongside "Circle Sewn with Fate / Unlock Thy Hidden Gate" as a two-part premiere. The episode garnered favorable reviews, with critics praising Hahn and Plaza's performances as well as the WandaVision Easter eggs, although some criticism was aimed at the pacing. Disney reported that the episode drove 9.3 million views globally within the first seven days of streaming.
Detective Agnes O'Connor arrives at a crime scene outside of Westview, New Jersey, where she begins investigating the murder of a Jane Doe found face-down by a creek. While searching the nearby area for evidence, O'Connor discovers a mysterious locket, and later deduces the murder occurred elsewhere. O'Connor visits the town library to investigate a card found on the victim, and learns the documented book was stolen three years ago. A fire scorched the library shelf where the book once sat, destroying every copy. At the police station, O'Connor reluctantly joins forces with FBI agent Rio Vidal—an old acquaintance—to solve the case. Later, O'Connor realizes the book's title is an anagram for the Darkhold .
Vidal visits O'Connor at her home, where they discuss the case before O'Connor admits she doesn't recall what caused the animosity between them. They are interrupted when a teenage burglar intrudes in O'Connor's house. O'Connor apprehends, unmasks and interrogates him, believing him to be involved in the murder case when he inquires about "the Road" and displays blackened fingertips similar to the victim's. As the teen chants in Latin, O'Connor realizes the pictures of the victim are photographs of flowers, and the one-way mirror is a painting. O'Connor visits the morgue and sees the victim's body, whose identity is revealed to be Wanda Maximoff. [a] With Vidal's encouragement, O'Connor sheds the layers of Wanda's spell and her real identity, Agatha Harkness, emerges.
Bereft of her magic, Harkness finds herself inside her Westview home. After learning from local resident Herb that she has been trapped under Maximoff's spell for three years [b] and her life as a detective has been an illusion, Harkness descends into her basement, only to find it stripped of magical equipment. She stumbles upon the teen, tied up in a closet, and realizes she kidnapped him under the influence of Maximoff's spell. Vidal, revealed to be a witch, arrives and attacks Harkness. As the fight escalates, Harkness requests that Vidal give her time to regain her powers for a fair match. Vidal relents, but promises to disclose Harkness' whereabouts to the Salem Seven before departing. Harkness is left unsure of what to do with the teen, who remains apprehended in her closet.
In May 2021, Jac Schaeffer, the head writer of WandaVision , signed a three-year overall television deal with Marvel Studios and 20th Television to create new projects for their Disney+ lineup. [1] In pitches for several different projects focused on various characters, Schaeffer consistently suggested including WandaVision character Agatha Harkness, a powerful witch from Marvel Comics, as part of those series. [2] This led to her and Marvel Studios president Kevin Feige pursuing a series centered on that character instead. [2] By October 2021, a "dark comedy" spin-off from WandaVision centered on Kathryn Hahn as Agatha was in early development for Disney+ from Marvel Studios, [3] with Schaeffer returning as head writer and executive producer. [3] [4]
During a Disney+ Day event in November 2021, the series was officially announced, [4] with Schaeffer revealed to be directing episodes of the series a year later. [5] By October 2023, Marvel Studios was changing its approach to television, hiring more traditional showrunners instead of head writers. [6] Schaeffer was being credited as the series' showrunner by July 2024. [7] Marvel Studios' Feige, Louis D'Esposito, Winderbaum, and Mary Livanos served as executive producers. [7] Released under Marvel Studios' Marvel Television label, [8] Agatha All Along was later announced to be second in a trilogy of series that includes WandaVision and Vision Quest (2026). [9]
Originally pitched as a WandaVision episode setting, the true crime drama concept was revisited by Jac Schaeffer for Agatha All Along early into development as the themes reflected Agatha Harkness' "gritty" headspace and her ability to see the darkness within herself and others. Schaeffer further remarked that the trope "of a woman who's smart and great at her job and [...] messy in her personal life" felt "correct" for the character of Agatha. Schaeffer also described writing the episode as "a nod to WandaVision" and "a fully realized tribute to that story, that type of filmmaking [true crime]." She cited Mare of Easttown , The Killing and Destroyer as points of reference for the episode's tone, and noted Evan Peters starring in both WandaVision and Mare of Easttown was a "funny sort of intersection". Schaeffer additionally said the episode had to resolve the fake tropes more quickly than WandaVision to avoid repetitiveness and keep the audience engaged. [10]
The episode stars Kathryn Hahn as Agatha Harkness, Joe Locke as Teen, Debra Jo Rupp as Sharon Davis, and Aubrey Plaza as Rio Vidal. Several actors reprise their WandaVision roles as Westview residents, including Emma Caulfield as Sarah Proctor / "Dottie Jones", David Payton as John Collins / "Herb Feltman", David Lengel as Sarah's husband Harold Proctor / "Phil Jones", Asif Ali as Abilash Tandon / "Norm Gentilucci", and Amos Glick as a pizza delivery man / "Dennis the Mailman". [11]
Filming took place on Blondie Street at the Warner Bros. Ranch for Agatha's house and other Westview exteriors prior to the street being demolished. [12]
Showrunner Jac Schaeffer expressed enthusiasm for the opportunity to direct again, with the episode being her first directing credit since her debut film Timer . She motivated her decision to direct episodes one and two as a way of fully setting up the story, describing "Seekest Thou the Road" as a "misdirect" pilot, noting that the genuine narrative does not open up until "Circle Sewn with Fate / Unlock Thy Hidden Gate." Schaeffer commented on Kathryn Hahn and Aubrey Plaza's on-screen chemistry in the episode: "I was directing [...], and I had to do so little. Aubrey signed up because she wanted to work with Kathryn. Both of them were so raring to go." Schaeffer would give Plaza direction that Hahn could not hear to help emphasize the "coded" nature of their exchanges, particularly during the "Agnes of Westview" segment of the episode. Schaeffer and editor Jamie Gross also ensured to use takes where the actors displayed romantic and emotional subtext in their performances, such as Plaza's "inhale, and resting for a pause" during Agatha and Rio Vidal's first exchange at the station. [10]
The episode includes the first instance of female nudity in the MCU. Initially written to have Agatha Harkness grab a robe upon emerging from Wanda Maximoff's spell, the scene of the character exiting her house to have a conversation with Herb was altered by Schaeffer on Hahn's suggestion. Hahn felt that her character had no concern for inhibition and the nudity would convey her emotional state of vulnerability and powerlessness. [13] Pushing the boundaries of Disney+ content, the scene involved legal coordination between the production and the streaming service. [14]
The sequence of Agatha breaking free from Wanda's spell drew production concerns about the numerous costume changes and their feasibility within the constraints of a single-day shoot. Originally conceived as a CGI sequence, the scene transitioned to real outfit changes once the decision was made to commit the series to practical effects. Costume designer Daniel Selon explained that the shoot was rehearsed like theater costume changes. The outfit transformations were filmed non-chronologically to maximize speed, requiring close coordination between Schaeffer, Hahn, and the hair, makeup, and wardrobe departments. Schaeffer also choreographed Hahn's movements to ensure parts of the underlying costumes remained hidden from the camera during filming. [15] [16]
In September 2024, Michael Paraskevas was revealed to have composed the series' score with Christophe Beck. [17] It was released digitally by Marvel Music and Hollywood Records in two volumes: music from the first five episodes was released on October 11, 2024, [18] and the music from the last four episodes was released on November 1, 2024. [19] A soundtrack album was released on vinyl featuring all versions of "The Ballad of the Witches' Road", as well as selected tracks from the score, on October 30, 2024. [20] The episode's end credits feature the song "Season of the Witch" by Donovan. [11] : 35:05
For its fake opening credits sequence, the episode includes "The Ballad of the Witches' Road (True Crime Version)" performed by Matthew Mayfield, the first of several versions of the song featured across the series. Schaeffer envisioned the series with a song by Robert Lopez and Kristen Anderson-Lopez in mind as a successor to the impact of "Agatha All Along". Serving as both a narrative device and a thematic anchor, the "Ballad of the Witches' Road" incorporates lore and hidden clues in its lyrics, a result of close collaboration between the Lopezes and the writing team. [21]
Disney announced that "Seekest Thou the Road" attracted 9.3 million views globally within its first seven days of streaming. [22] [23] The two-episode premiere also garnered over 9.8 million viewers during its premiere week. [24] [25] It became the No. 1 television show on Disney+ during that period. [26] Nielsen Media Research, which records streaming viewership on U.S. television screens, estimated that the series was viewed for 426 million minutes from September 16–22. [27] JustWatch, a guide to streaming content with access to data from more than 40 million users around the world, reported it as the thrid most-streamed series in the U.S. from September 16–22. [28]
The review aggregator website Rotten Tomatoes reported a 82% approval rating based on eleven reviews. The site's critical consensus reads, "Spearheaded by the fantastically versatile and wickedly good Kathryn Hahn, Seekest Though the Road spooks and spoofs its way into an intriguingly new, marvelous adventure." [29]
Lyra Hale of Fangirlish gave the episode an A+ grade, stating, "Agatha All Along season 1 episode 1 was a slow burn that left me wanting more of Agatha and Rio just staring into each other's eyes, having full conversations about death, passion, anger, and so much more." [30] Writing for Sunshine State Cineplex, Alan French called the episode "a solid start", and credited its impact to "Hahn's stellar performance", which he described as "an excellent parody of the genre that speaks to her talents as a performer." [31] In a 7/10 review, Collider 's Taylor Gates felt the episode was "more like a prologue than a pilot", and opined, "Watching Hahn ham it up will never not be a blast, and the writing remains clever with all the Easter eggs scattered throughout. [...] But as fun as it is, it also feels a little unnecessary — at least at the moment." [32]
Joshua Patton of CBR also awarded the episode a score of 7/10, calling it "wilder" than WandaVision, and writing: "It's an intriguing premise for a TV series, and clever of Jac Schaeffer, who also created WandaVision, to kick off with elements of that earlier show." [33] Writing for Tell-Tale TV , Mufsin Mahbub praised Hahn and Plaza's performances, stating: "The first episode does well in showcasing Hahn's ability to play this role and why audiences have been captivated by her mischievous character. [...] Plaza does a marvelous job in her role as she is on equal footing with Hahn when they share screen time." [34] In a 4/5 review, Caroline Framke of Vulture found the episode enjoyable and "trippy", but felt it did not set up a clear narrative for the remainder of the series, concluding: "I'm going to call this premiere successfully intriguing while also holding out a bit longer to see what Agatha's actually all about." [35] But Why Tho? critic Allyson Johnson gave the episode a 7/10 rating, labling it "a decently entertaining vehicle for Kathryn Hahn to show off her versatility" that "suffer[ed] from pacing issues." Johnson thought the narrative to be "a bit of a slog" that "only picks up once Plaza arrives, and the story pivots out of the fake reality." [36]
Jeffrey Lyles of Lyles Movie Files criticized the episode's tone for being "a little too serious and deliberate without much fun" and felt that while "Hahn is a tremendously versatile performer who can pull off this cop drama cliché", the true crime spoof was "a very questionable way to start off the series." [37]
Agatha Harkness and Rio Vidal's fight scene was featured on TV Line 's "20 Sexiest Scenes" of the year list. [38]
Award | Date of ceremony | Category | Recipient | Result | Ref. |
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Costume Designers Guild Awards | February 6, 2025 | Excellence in Contemporary Television | Daniel Selon | Nominated | [39] |