Nielsen Media Research (NMR) is an American firm that measures media audiences, including television, radio, theatre, films (via the AMC Theatres MAP program), and newspapers. Headquartered in New York City, it is best known for the Nielsen ratings, an audience measurement system of television viewership that for years has been the deciding factor in canceling or renewing television shows by television networks. As of August 2024, it is the primary part of Nielsen Holdings.
NMR began as a division of ACNielsen, a marketing research firm founded in 1923. In 1996, NMR was split off into an independent company, and in 1999, was purchased by the Dutch conglomerateVNU. In 2001, VNU also purchased ACNielsen, thereby bringing both companies under the same corporate umbrella for years.[1] NMR is also a sister company to Nielsen//NetRatings, which measures Internet and digital media audiences. VNU was reorganized and renamed the Nielsen Company in 2007. NMR was separated again from the NielsenIQ (the former ACNielsen) in 2021.[2][3]
History
The Nielsen TV Ratings have been produced in the United States since the 1950–51 television season and statistically measure which programs are watched by individual segments of the population. The most well-known portion is the "diary". During the four "sweeps" months of February, May, July and November, Nielsen interviewers in Oldsmar, Florida, and Radcliff, Kentucky, ask homes to participate in filling out a diary of the programs watched in their home for a one-week period.[4][5]
The Nielsen sample included roughly 1,700 audiometer homes and a rotating board of nearly 850 diary respondents by the early 1980s. Nielsen launched its Nielsen Homevideo Index (NHI) in 1980 to measure cable, pay cable, and VCRs, and the NHI began offering daily cable ratings in 1982. Nielsen's continued to advance with steady changes into the mid-2000s. Along with changing their counting methods, Nielsen also started emphasizing[clarification needed] their sample in 2003 in reaction to census shifts and requests from some industry sectors. Nielsen's automated Local People Meter (LPM) technology was introduced in two cities: New York and Los Angeles. The LPM improved the method of measurement from active and diary-based to passive and meter-monitored. More importantly, the LPM provides accurate measurements of particular local markets, versus a nationwide sample. While diary-based surveys concentrated on quarterly sweeps periods, the industry has been pushed toward year-round measurement due to the automated LPM system.
In 1996, Nielsen Media Research began tracking computer, internet, and video game usage through telephone surveys.[6] Nielsen Media Research is a sister company to Nielsen NetRatings, which measures Internet and digital media audiences through a telephone and internet survey, and Nielsen BuzzMetrics, which measures Consumer-Generated Media. Nielsen also conducts market research for the film industry through National Research Group (NRG).
In September 2018, Nielsen acquired SuperData Research, an industry analysis firm that deals with tracking viewing habits within the video game and eSports areas, an area that Nielsen plans to expand into.[7] Later, in April 2021, Nielsen stated they will close down SuperData and move its analysis and tracking into Nielsen Sports.[8]
In September 2020, Nielsen began compiling a weekly Top 10 list of most watched shows on streaming platforms.[9]
After divestiture of NielsenIQ (the former ACNielsen consumer research business) in 2021, Nielsen became solely a media audience measurement and analytics firm.[10][11]
Nielsen TV ratings
Nielsen TV ratings (commonly referred to as Nielsen ratings) are the audience measurement systems operated by Nielsen Media Research that seek to determine the audience size and composition of television programming in the United States using a rating system. Nielsen lost accreditation by the Media Rating Council (MRC) in 2022 due to inaccurate data reporting during the COVID-19 pandemic,[12] but regained it in April 2023.[13]
Nielsen Media Research was founded by Arthur C. Nielsen, a market analyst who began his career in the 1920s with marketing research and performance analysis. The company subsequently expanded into radio market analysis in the late 1930s, culminating in the Nielsen Radio Index in 1942,[14] which was meant to provide statistics as to the markets of radio shows. The first Nielsen ratings for radio programs were released the first week of December 1947. They measured the top 20 programs in four areas: total audience, average audience, cumulative audience, and homes per dollar spent for time and talent.[15]
In 1950, Nielsen then moved to television, developing a rating system using the methods he and his company had developed for radio. That method became the primary source of audience measurement information in the American television industry. In September 2020, Nielsen began compiling a weekly Top 10 list of most-watched shows on streaming platforms.
Measuring ratings
The data collection methods used to generate Nielsen TV ratings included:
The Audimeter (audience meter) was used from 1950 during the early days of television broadcasting. It attached to a television and recorded the channels viewed, onto a 16mm film cartridge that was mailed weekly to company headquarters in Evanston, Illinois, and used to generate the Nielsen Television Index. It was based on an earlier Audimeter that had been developed for the 1942 Nielsen Radio Index. Randomly selected "Nielsen families" homes were enticed to accept the Audimeter by including free TV repair service provided by TV Index reps, which was a valuable commodity when vacuum tube televisions predominated.[16][14]
Paper "viewer diaries", in which a household recruited by the company self-recorded its viewing or listening habits. This adjunct Nielsen Station Index Service offered since 1953 targeted various demographics, particularly for local programming. The resulting statistical models provided a report of the audiences of any given show, network, and programming hour. The company phased out this methodology as electronic data collection became more sophisticated. As of June 28, 2018, the Nielsen paper TV diary rating service was retired.[17]
In 1971, the Storage Instantaneous Audimeter allowed electronically recorded program viewing history to be forwarded to Nielsen via a telephone line, making overnight ratings possible.[14]
The upgraded People Meter, introduced in 1987, records individual viewing habits of the home and transmits the data nightly to Nielsen through a telephone line. This system is designed to allow market researchers to study television viewing on a minute-to-minute basis, recording when viewers change channels or turn off their television.[14]
Nielsen replaced People Meters with Portable People Meters (PPM), which collects the data of individual household members through the use of separate login credentials and allows the company to separate household viewing information into diverse demographic groups.
Changing systems of viewing have impacted Nielsen's methods of market research. In 2005, Nielsen began measuring the usage of digital video recording devices (DVRs) such as TiVos. Initial results indicated that time-shifted viewing (i.e., programs that are watched after the networks have aired them) would significantly impact television ratings. A year later, the networks were not factoring these new results into their ad rates because of advertisers' resistance.[18]
In July 2017, Nielsen announced that it would include select programs from subscription-based video on demand (vSVOD) services Hulu and YouTube TV in its Digital in TV Ratings system.[19] Since about October 2017, Nielsen also began to track select programs from Netflix. Partnering distributors insert a "tag" into the program to be distributed on these services, which Nielsen then tracks through its meters system. Partnering distributors are able to determine if these ratings can be released publicly or not.[20]
Ratings/share and total viewers
The most commonly cited Nielsen results are reported in two measurements: ratings points and share, usually reported as: "ratings points/share". There were 119.6million TV homes in the United States for the 2017–18 TV season (Nielsen's National Television Household Universe, or Households Using Television, HUT).[21] Nielsen re-estimates the number of television-equipped households each August for the upcoming television season.[22]
The rating of a program is a fraction of the HUT. It is calculated as RTG = HUT × SHARE where HUT (or PUT when measuring demos) is Homes Using Television and SHARE is the percentage of TV sets in use which are tuned to a particular show.
Share is the percentage of television sets in use, Households Using Television (HUT) or Persons Using Television (PUT) who are tuned to a specific program, station or network in a specific area at a specific time.[23][24] For example, Nielsen may report a show as receiving a 4.4/8 during its broadcast; this would mean that 4.4% of all television-equipped households (that is to say homes with a TV set, not total number of people) were tuned in to that program, while 8% of households that were watching TV at that time were watching the specific program.[25]
Because ratings are based on samples, it is possible for shows to get a 0.0 rating, despite having an audience; CNBC's talk show McEnroe was one notable example.[26] Another example is The CW show, CW Now, which received two 0.0 ratings in the same season. In 2014, Nielsen reported that American viewership of live television (totaling on average four hours and 32 minutes per day) had dropped 12 minutes per day compared to the year before. The CW got another 0.0 rating for its broadcast of the 1st Critics Choice Super Awards. Nielsen reported several reasons for the shift away from live television: increased viewership of time-shifted television (mainly through DVRs) and viewership of internet video (clips from video sharing websites and streams of full-length television shows).[27]
Viewer location: out of home, on the go
In 2007, Nielsen began to release data that reflected out-of-home/not via home TV viewing. [28] This was a follow-up to their added inclusiveness regarding family members who are dorming in college.[29]
Demographics
Since specific demographics influence advertising rates, Nielsen provides statistics by categories including age, sex, race, economic class, and area. For example, an advertiser might look for younger viewers, for older or wealthier audiences, or for women rather than men.
In general, the number of viewers within the 18–49 age range is more important than the total number of viewers.[30][31] According to Advertising Age, during the 2007–08 season, ABC was able to charge $419,000 per commercial sold during its medical drama Grey's Anatomy, compared to only $248,000 for a commercial during CBS' CSI: Crime Scene Investigation, despite CSI having almost five million more viewers on average.[32] Because of its strength in young "demos" (demographic groups), NBC was able to charge almost three times as much for a commercial during Friends as CBS charged for Murder, She Wrote, even though the two series had a similar amount of total viewership during the two seasons they were on the air concurrently.[30]Glee (on Fox) and The Office (on NBC) drew fewer total viewers than NCIS (on CBS) during the 2009–10 season, but earned an average of $272,694 and $213,617 respectively, compared to $150,708 for NCIS.[33]
Commercial ratings
Nielsen also provides viewership data calculated as the average viewership for only the commercial time within the program. These "Commercial Ratings" first became available on May 31, 2007. Additionally, Nielsen provides different "streams" of this data in order to take into consideration delayed viewing (DVR) data, at any interval up to seven days.[34] C3 was the metric launched in 2007, and refers to the ratings for average commercial minutes in live programming plus total playback by digital video recorder up to three days after.[35] In 2009, dissatisfaction with Nielsen's effectiveness resulted in formation of the Council for Innovative Media Measurement by more than six major broadcast media companies.[36]
The American television measurement by Nielsen is based on three different methodological approaches. In the 25 TV markets with the highest sales (e.g. New York, Los Angeles, Chicago, Denver), the Local People Meter (LPM) is measured. Individuals register individually; the measurement is carried out on 365 days over 24 hours.[38] The SET Meter (Diary & Electronic) is used in 31 smaller markets (such as Nashville, Salt Lake City). In four sweeps in February, May, July, and November, target group data are collected with the diary and validated with the data of the devices (TV set on/off) in the participating households.[38] In the 154 TV markets with the lowest sales (e. g. Harrisburg, PA or Honolulu) the use of TV is only recorded using a diary survey.
Each year until 2018, Nielsen processed approximately two million paper diaries from households across the United States,[39][17] for November, February, May, and July—also known as the "sweeps" rating periods.[40] The term "sweeps" dates from 1954, when Nielsen collected diaries from households in the Eastern United States first; from there they would "sweep" west.[41][42] Seven-day diaries (or eight-day diaries in homes with DVRs) were mailed to homes to keep a tally of what was watched on each television set and by whom. Over the course of a sweeps period, diaries were mailed to a new panel of homes each week. At the end of the month, all of the viewing data from the individual weeks was aggregated. One exception to the normal sweeps periods occurred in 2008–09 when the February sweeps period was moved to March to accommodate the digital television transition, which was scheduled to take place on February 17, 2009. The transition date was later moved to June 12, but Nielsen kept the sweeps period in March that year rather than moving it again.
This local viewing information provides a basis for program scheduling and advertising decisions for local television stations, cable systems, and advertisers. Typically, the November, February, and May sweeps are considered more important; nevertheless, the July sweeps can have a local impact regarding personnel.[40]
In some mid-size markets, diaries provide viewer information for up to two additional "sweeps" months (October and January).
There is some public critique regarding accuracy and potential bias within Nielsen's rating system, including some concerns that the Nielsen ratings system is rapidly becoming outdated due to new technology such as smartphones, DVRs, tablet computers and Internet streaming services as preferred or alternative methods for television viewing.[44] In June 2006, however, Nielsen announced a plan to revamp its entire methodology to include all types of media viewing in its sample.[45] Since viewers are aware of being part of the Nielsen sample, it can lead to response bias in recording and viewing habits. Audience counts gathered by the self-reporting diary methodology are sometimes higher than those gathered by the electronic meters, eliminating any response bias.[46][47]
Another criticism of the measuring system itself is that it fails the most important sample criterion: it is not random. A small fraction of the population is selected, and only those accepted are used as the sample size. In many local areas during the 1990s, the difference between a rating that kept a show on the air and one that would cancel it was so small as to be statistically insignificant. Yet, the show with the higher rating would survive.[48] In addition, the Nielsen ratings encouraged a strong push for demographic measurements. This caused problems with households with multiple television sets or households where viewers would enter the simpler codes (usually their child's), raising serious questions about the demographic data quality.[48] The situation further deteriorated as the popularity of cable television increased the number of viewable networks to the extent that the margin of error has increased because the sampling sizes are too small.[48][49][50] Compounding matters is that of the sample data that is collected, advertisers will not pay for time shifted programs (those that are recorded for replay at a different time),[51] rendering the "raw" numbers useless from a statistical point of view. Even in 2013, it was noted that Internet streams of television programs were still not counted because they had either no ads (such as Netflix) or totally different advertising (such as Hulu) than their television counterparts, effectively skewing the raw data on a show's popularity.[52]
A related criticism of the Nielsen rating system is its lack of a system for measuring television audiences outside homes, such as college dormitories, transport terminals, bars, prisons and other public places where television is frequently viewed, often by large numbers of people in a common setting. In 2005, Nielsen announced plans to incorporate viewing by away-from-home college students into its sample. Internet television viewing is another rapidly growing market for which Nielsen ratings fail to account for viewers. iTunes, Hulu, YouTube, and some of the networks' own websites (such as ABC.com and CBS.com) provide full-length web-based programming, either subscription-based or ad-supported. Though websites can already track a site's popularity and the referring page, they cannot track viewer demographics. To both track this and expand their market research offerings, Nielsen purchased NetRatings in 2007.[53] However, as noted in a February 2012 New York Times article, the computer and mobile streams of a program are counted separately from the standard television broadcasts, further degrading the overall quality of the sampling data. As a result, there was no way for NBC to tell if there was any overlap between the roughly 111.3 million traditional television viewers[54][55] and 2.1 million live stream viewers of Super Bowl XLVII.[56]
Responding to the criticism regarding accusations by several media executives (including Viacom CEO Phillippe Dauman and former Fox Entertainment Groupchief operating officerChase Carey) that it failed to count viewers watching television programs on digital platforms, Nielsen executive vice president of global product leadership Megan Clarken stated in an April 2015 summit by the Coalition for Innovative Media Measurement that the company can count digital viewers in audience and demographic reports but is unable to do so under the current set of rules devised by networks and advertising industries last revised in 2006. As such, Nielsen can only count viewership for television-originated broadcasts, and must exclude viewers who watch programs on digital platforms if the program does not have an identical advertising load or a linear watermark.[57]
After Nielsen took over the contract for producing data on Irish advertising in 2009, agencies said that they were "disastrous" and claimed that the information produced by them is too inaccurate to be trusted by them or their clients.[58]
In 2004, News Corporation retained the services of public relations firm Glover Park to launch a campaign aimed at delaying Nielsen's plan to replace its aging household electronic data collection methodology in larger local markets with its newer electronic People Meter system. The advocates in the public relations campaign claimed that data derived from the newer People Meter system represented a bias toward underreporting minority viewing, leading to a de facto discrimination in employment against minority actors and writers. However, Nielsen countered the campaign[59] by revealing its sample composition counts. According to Nielsen Media Research's sample composition counts, as of November 2004[update], nationwide, African American households using People Meters represented 6.7% of the Nielsen sample, compared to 6.0% in the general population. Latino households represent 5.7% of the Nielsen sample, compared to 5.0% in the general population. By October 2006, News Corporation and Nielsen settled, with Nielsen agreeing to spend an additional $50 million to ensure that minority viewing was not being underreported by the new electronic people meter system.[60]
In 2011, CBS and Nielsen proposed a model consisting of six viewer segments, which according to their empirical research,[citation needed] are more relevant for advertisers than older models based on gender and age. The segments are based on user behavior, motivations, and psychographics. It is argued that the model can increase reaching the desired audience and message recall and advertisement likeability.[61]
Advent of streaming
In September 2020, Nielsen began releasing a weekly list of top 10 television shows most watched on streaming platforms or subscription video on demand (SVOD).[62][63]
The table below lists television series in the United States with the highest average household Nielsen rating for each television season.[64][65][66][67][68]
↑ NBC Sunday Night Football airs three broadcasts -- NFL weeks 1-2 and the Kickoff Game -- before the official start of television season which are not counted in the rankings. If these broadcasts were counted, NBC Sunday Night Football would average 21.44 million viewers—more than NCIS. The NFL Thanksgiving Game is counted as part of Sunday Night Football for ratings, but not the Kickoff Game or Weeks 1-2.[133]
Starting in September 2020, Nielsen releases a weekly list of top 10 television shows most watched on streaming platforms, or subscription video on demand (SVOD).[158] This immediately attracted attention by mainstream media, such as Variety, Hollywood Reporter, Deadline and Business Insider.[159][160][161][162]
Roseanne is an American television sitcom created by Matt Williams that originally aired on ABC from October 18, 1988, to May 20, 1997, and briefly revived from March 27, 2018, to May 22, 2018. The show stars Roseanne Barr as Roseanne Conner and revolves around her family in the fictional town of Lanford, Illinois. Receiving generally positive reviews for its realistic portrayal of a working-class American family, the series reached No. 1 in the Nielsen ratings from 1989 to 1990 in its second season.
The Ed Sullivan Show is an American television variety show that ran on CBS from June 20, 1948, to March 28, 1971, and was hosted by New York entertainment columnist Ed Sullivan. It was replaced in September 1971 by the CBS Sunday Night Movie.
M*A*S*H is an American war comedy drama television series that aired on CBS from September 17, 1972, to February 28, 1983. It was developed by Larry Gelbart as the first original spin-off series adapted from the 1970 feature film M*A*S*H, which, in turn, was based on Richard Hooker's 1968 novel MASH: A Novel About Three Army Doctors. The series, which was produced with 20th Century Fox Television for CBS, follows a team of doctors and support staff stationed at the "4077th Mobile Army Surgical Hospital" in Uijeongbu, South Korea, during the Korean War (1950–53).
A people meter is an audience measurement tool used to measure the viewing habits of TV and cable audiences.
A media market, broadcast market, media region, designated market area (DMA), television market area, or simply market is a region where the population can receive the same (or similar) television and radio station offerings, and may also include other types of media such as newspapers and internet content. They can coincide with or overlap with one or more metropolitan areas, though rural regions with few significant population centers can also be designated as markets. Conversely, very large metropolitan areas can sometimes be subdivided into multiple segments. Market regions may overlap, meaning that people residing on the edge of one media market may be able to receive content from other nearby markets. They are widely used in audience measurements, which are compiled in the United States by Nielsen Media Research. Nielsen has measured both television and radio audiences since its acquisition of Arbitron, which was completed in September 2013.
The "rural purge" of American television networks was a series of cancellations in the early 1970s of still-popular rural-themed shows with demographically skewed audiences, the majority of which occurred at the end of the 1970–71 television season. In addition to rural-themed shows such as Mayberry R.F.D., The Beverly Hillbillies, Petticoat Junction, and Green Acres, the cancellations ended several highly rated variety shows that had been on CBS since the beginning of television broadcasting. CBS saw a dramatic change in direction with the shift, moving away from shows with rural themes and toward more appeal to urban and suburban audiences.
Audience measurement calculates how many people are in an audience, usually in relation to radio listenership and television viewership, but also in relation to newspaper and magazine readership and, increasingly, web traffic. The term is sometimes used with regard to practices that help broadcasters and advertisers determine who is listening, rather than how many people are listening. In some parts of the world, the resulting numbers are referred to as audience share; in other places, the broader term market share is used. This broader meaning is also known as audience research. Measurements are broken down by media market, which corresponds to large and small metropolitan areas.
Television ratings in Australia are used to determine the size and composition of audiences across Australian broadcast and subscription television, primarily for the purpose of informing advertisers what programming is popular with the audience they are attempting to sell their product or service to.
Audience measurement by Nielsen Media Research, commonly referred to as Nielsen ratings, has provided World Series television ratings since at least 1963. Key measurements are ratings, the percentage of all U.S. television-equipped households that watched a game, share, the percentage of television sets in use that were tuned to a game, and total viewers, the average number of people watching a game throughout its duration.
Super Bowl television ratings have traditionally been high. One of the most watched annual sporting events in the world, the NFL's championship game is broadcast in over 130 countries in more than 30 languages. Viewership is predominantly North American; the Super Bowl is the most watched television broadcast in the United States every year.
Stranger is a South Korean crime thriller drama television series. Produced by Signal Entertainment and IOK Media, it was created by Studio Dragon writer Lee Soo-yeon and broadcast on tvN from June 10, 2017. The series was renewed for a second season, which premiered on August 15, 2020.
↑ Frank Baker (February 12, 2009). "What is a RATING". Media Literacy Clearinghouse. Archived from the original on May 13, 2016. Retrieved December 8, 2017.
↑ Tim Brooks; Earle Marsh (2007). The Complete Directory to Prime Time Network and Cable TV Shows, 1946–present. New York City, New York: Ballantine. pp.1679–1698. ISBN978-0-345-49773-4.
↑ "TV Ratings: 1982-1983". ClassicTVHits.com. Archived from the original on March 10, 2018. Retrieved June 14, 2018.{{cite web}}: CS1 maint: unfit URL (link)
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