Arthur Schopenhauer was a German philosopher. He is known for his 1818 work The World as Will and Representation, which characterizes the phenomenal world as the manifestation of a blind and irrational noumenal will. Building on the transcendental idealism of Immanuel Kant (1724–1804), Schopenhauer developed an atheistic metaphysical and ethical system that rejected the contemporaneous ideas of German idealism.
Frederick Charles Copleston was an English Jesuit priest, philosopher, and historian of philosophy, best known for his influential multi-volume A History of Philosophy (1946–75).
Genius is a characteristic of original and exceptional insight in the performance of some art or endeavor that surpasses expectations, sets new standards for the future, establishes better methods of operation, or remains outside the capabilities of competitors. Genius is associated with intellectual ability and creative productivity. The term genius can also be used to refer to people characterised by genius, and/or to polymaths who excel across many subjects.
Luitzen Egbertus Jan "Bertus" Brouwer was a Dutch mathematician and philosopher who worked in topology, set theory, measure theory and complex analysis. Regarded as one of the greatest mathematicians of the 20th century, he is known as one of the founders of modern topology, particularly for establishing his fixed-point theorem and the topological invariance of dimension.
German philosophy, meaning philosophy in the German language or philosophy by German people, in its diversity, is fundamental for both the analytic and continental traditions. It covers figures such as Gottfried Wilhelm Leibniz, Immanuel Kant, Georg Wilhelm Friedrich Hegel, Karl Marx, Friedrich Nietzsche, Martin Heidegger, Ludwig Wittgenstein, the Vienna Circle, and the Frankfurt School, who now count among the most famous and studied philosophers of all time. They are central to major philosophical movements such as rationalism, German idealism, Romanticism, dialectical materialism, existentialism, phenomenology, hermeneutics, logical positivism, and critical theory. The Danish philosopher Søren Kierkegaard is often also included in surveys of German philosophy due to his extensive engagement with German thinkers.
In the 19th century, the philosophers of the 18th-century Enlightenment began to have a dramatic effect on subsequent developments in philosophy. In particular, the works of Immanuel Kant gave rise to a new generation of German philosophers and began to see wider recognition internationally. Also, in a reaction to the Enlightenment, a movement called Romanticism began to develop towards the end of the 18th century. Key ideas that sparked changes in philosophy were the fast progress of science, including evolution, most notably postulated by Charles Darwin, Alfred Russel Wallace and Jean-Baptiste Lamarck, and theories regarding what is today called emergent order, such as the free market of Adam Smith within nation states, or the Marxist approach concerning class warfare between the ruling class and the working class developed by Karl Marx and Friedrich Engels. Pressures for egalitarianism, and more rapid change culminated in a period of revolution and turbulence that would see philosophy change as well.
Arthur Schopenhauer's aesthetics result from his philosophical doctrine of the primacy of the metaphysical Will as the Kantian thing-in-itself, the ground of life and all being. In his chief work, The World as Will and Representation, Schopenhauer thought that if consciousness or attention is fully engrossed, absorbed, or occupied with the world as painless representations or images, then there is no consciousness of the world as painful willing. Aesthetic contemplation of a work of art provides just such a state—a temporary liberation from the suffering that results from enslavement to the will [need, craving, urge, striving] by becoming a will-less spectator of "the world as representation" [mental image or idea]. Art, according to Schopenhauer, also provides essential knowledge of the world's objects in a way that is more profound than science or everyday experience.
Paul Jakob Deussen was a German Indologist and professor of philosophy at University of Kiel. Strongly influenced by Arthur Schopenhauer, Deussen was a friend of Friedrich Nietzsche and Swami Vivekananda. In 1911, he founded the Schopenhauer Society (Schopenhauer-Gesellschaft). Professor Deussen was the first editor, in 1912, of the scholarly journal Schopenhauer Yearbook (Schopenhauer-Jahrbuch).
The World as Will and Representation, sometimes translated as The World as Will and Idea, is the central work of the German philosopher Arthur Schopenhauer. The first edition was published in late 1818, with the date 1819 on the title page. A second, two-volume edition appeared in 1844: volume one was an edited version of the 1818 edition, while volume two consisted of commentary on the ideas expounded in volume one. A third expanded edition was published in 1859, the year before Schopenhauer's death. In 1948, an abridged version was edited by Thomas Mann.
John Oxenford was an English dramatist, critic and translator.
This is an alphabetical index of articles about aesthetics.
A History of Philosophy is a history of Western philosophy written by the English Jesuit priest Frederick Charles Copleston originally published in nine volumes between 1946 and 1975. As is noted by The Encyclopedia Britannica, the work became a "standard introductory philosophy text for thousands of university students, particularly in its U.S. paperback edition." Since 2003 it has been marketed as an eleven volume work with two previously published other works by Copleston being added to the series.
Christian Martin Julius Frauenstädt was a German philosopher and editor. He was educated at the house of his uncle at Neisse, and converted from Judaism to protestant Christianity in 1833. He studied theology and, later, philosophy at Berlin, where he came under the sway of the philosophies of Hegel and Schelling. He worked as a private tutor for the Sayn-Wittgenstein family during this period.
Christopher Janaway is a philosopher and author. He earned degrees from the University of Oxford. Before moving to Southampton in 2005, Janaway taught at the University of Sydney and Birkbeck, University of London. His recent research has been on Arthur Schopenhauer, Friedrich Nietzsche and aesthetics. His 2007 book Beyond Selflessness: Reading Nietzsche's Genealogy focuses on a critical examination of Nietzsche's On the Genealogy of Morals. Janaway currently lectures at the University of Southampton, which in the past has included a module focusing on Nietzsche's Genealogy. That module is now convened by Janaway's colleague, Aaron Ridley.
In the philosophy of Baruch Spinoza, conatus is an innate inclination of a thing to continue to exist and enhance itself. This thing may be mind, matter, or a combination of both, and is often associated with God's will in a pantheist view of nature. The conatus may refer to the instinctive will to live of living organisms or to various metaphysical theories of motion and inertia. Today, conatus is rarely used in the technical sense, since classical mechanics uses concepts such as inertia and conservation of momentum that have superseded it. It has, however, been a notable influence on later thinkers such as Arthur Schopenhauer and Friedrich Nietzsche.
In the philosophy of mind, double-aspect theory is the view that the mental and the physical are two aspects of, or perspectives on, the same substance. It is also called dual-aspect monism, not to be confused with mind–body dualism. The theory's relationship to neutral monism is ill-defined,
Neutral monism and the dual-aspect theory share a central claim: there is an underlying reality that is neither mental nor physical. But that is where the agreement stops. Neutral monism has no room for the central feature of the dual-aspect theory: the mental and physical aspects, sides, or properties that characterize the underlying entities of dual-aspect theory. The neutral monist accepts the mental/physical distinction.
The following outline is provided as an overview of and topical guide to aesthetics:
Parerga and Paralipomena is a collection of philosophical reflections by Arthur Schopenhauer published in 1851. The selection was compiled not as a summation of or introduction to Schopenhauer's philosophy, but as augmentary readings for those who had already embraced it, although the author maintained it would be comprehensible and of interest to the uninitiated nevertheless. The collection is divided into two volumes, covering first the parerga and thereafter the paralipomena to that philosophy. The parerga are six extended essays intended as supplementary to the author's thought. The paralipomena, shorter elaborations divided by topic into thirty-one subheadings, cover material hitherto unaddressed by the philosopher but deemed by him to be complementary to the parerga.
Buddhist thought and Western philosophy include several parallels.
Philosophical pessimism is a family of philosophical views that assign a negative value to life or existence. Philosophical pessimists commonly argue that the world contains an empirical prevalence of pains over pleasures, that existence is ontologically or metaphysically adverse to living beings, and that life is fundamentally meaningless or without purpose. Philosophical pessimism is not a single coherent movement, but rather a loosely associated group of thinkers with similar ideas and a resemblance to each other. Their responses to the condition of life are widely varied. Philosophical pessimists usually do not advocate for suicide as a solution to the human predicament; though many favour the adoption of antinatalism, that is, non-procreation.
