Sera Waters | |
---|---|
Born | 1979 (age 44–45) |
Education | University of South Australia, University of Adelaide |
Known for | Textile arts, embroidery, blackwork |
Awards | Heysen Prize for Landscape 2016 |
Website | serawaters |
Sera Waters is an Australian textile artist, arts writer, and arts educator. She lectures at Adelaide Central School of Art in Adelaide, South Australia.
Sera Waters was born in Murray Bridge, South Australia, in 1979. [1]
She received a Bachelor of Visual Arts (Hons) from the University of South Australia in 2000. [2] In 2005 she was awarded the Ruth Tuck Scholarship for Visual Arts, and used it to undertake study at the Royal School of Needlework in the UK. [3] [2]
She then went on to earn a Masters of Visual Arts from the University of Adelaide in 2006, [2] and later (2018) [2] a PhD from the University of South Australia [4] [5]
Waters specialises in textile arts and techniques, such as embroidery. Waters’ blackwork is considered her signature technique. [6] In her PhD thesis, she used textile arts to explore family genealogy. [7] [8] Her works have been described as deeply conceptual, [9] witty, [10] and using humble needlework to encompass worlds of concern. [11] As well as examining the colonial experience through her art, she is concerned with practicing art on Aboriginal land and the impact of colonisation. [12] She is also interested in textiles arts embodying labour and time. [13] [14]
As of 2024 [update] Waters lectures in art history at Adelaide Central School of Art. [15]
Sir Hans Heysen was an Australian artist.
The Art Gallery of South Australia (AGSA), established as the National Gallery of South Australia in 1881, is located in Adelaide. It is the most significant visual arts museum in the Australian state of South Australia. It has a collection of almost 45,000 works of art, making it the second largest state art collection in Australia. As part of North Terrace cultural precinct, the gallery is flanked by the South Australian Museum to the west and the University of Adelaide to the east.
James Dodd is a South Australian artist, arts educator and street artist who used the pseudonym Dlux for his street art when he operated out of Melbourne.
Greer Honeywill is an Australian conceptual artist. Her work covers sculptural conventions, autobiography and critical thinking.
Artlink, formerly titled Artlink: Australian contemporary art quarterly, is a themed magazine covering contemporary art and ideas from Australia and the Asia-Pacific. It covers a diverse range of issues, including social and environmental issues as well as media arts, science and technology.
Danie Mellor is an Australian artist who was the winner of 2009 National Aboriginal & Torres Strait Islander Art Award. Born in Mackay, Queensland, Mellor grew up in Scotland, Australia, and South Africa before undertaking tertiary studies at North Adelaide School of Art, the Australian National University (ANU) and Birmingham Institute of Art and Design. He then took up a post lecturing at Sydney College of the Arts. He works in different media including printmaking, drawing, painting, and sculpture. Considered a key figure in contemporary Indigenous Australian art, the dominant theme in Mellor's art is the relationship between Indigenous and non-Indigenous Australian cultures.
Norman Macgeorge was an artist and art critic in the colony and State of Victoria.
Kate Just is an American-born Australian feminist artist. Just is best known for her inventive and political use of knitting, both in sculptural and pictorial form. In addition to her solo practice, Just often works socially and collaboratively within communities to create large scale, public art projects that tackle significant social issues including sexual harassment and violence against women.
Sally Smart is an Australian contemporary artist known for her large-scale assemblage installations that incorporate a range of media, including felt cut-outs, painted canvas, drawings, screen-printing, printed fabric and photography, performance and video. Her art addresses gender and identity politics and questions the relationships between body and culture, including trans-national ideas that shaped cultural history. She has exhibited widely throughout Australia and internationally, and her works are held in major galleries in Australia and around the world.
Sue Kneebone is an Adelaide-based artist and arts educator who lectures at Adelaide Central School of Art.
JamFactory is a not-for-profit arts organisation which includes training facilities, galleries and shops, located in the West End precinct of Adelaide and on the Seppeltsfield Estate in the Barossa Valley, north of Adelaide. It is supported by the South Australian Government, University of South Australia, and private donors. It was founded in 1973 in an old jam factory in the suburb of St Peters. It runs training courses and specialises in high quality craft and design objects, including furniture, jewellery, ceramics, glass, and metal ware.
Caroline Phillips is an Australian visual artist who has exhibited works in Australia and internationally in the areas of sculpture, and photography. Phillips' works deploy industrial and textile based materials to critique contemporary feminist aesthetics, through modes of abstraction and materiality.
Alison Alder is an artist working predominantly within screen-printing media, technology-based works and "constructed environments" to explore social issues in Australia, including Indigenous Australian communities, and other organisations. She co-founded the Megalo International Silkscreen Collective with a collective of activists including Colin Little, the founder of Earthworks Poster Collective, in 1980.
Narelle Jubelin is an Australian artist who has lived and practiced in Madrid since 1996. Jubelin's often collaborative work spans across media such as sculpture, printmaking, multi-media installation and is especially focused on single thread petit point stitching. She has been exhibiting her work internationally for over 30 years and exhibited work in the 1990 Venice Biennale. Her work is held in the Cruthers Collection of Women's Art, and she is represented by Mori Gallery, Sydney and The Commercial Gallery, Sydney. Her work brings attention to themes of cultural exchange, feminine labour, modernism and Australian feminism, architecture and colonialism.
Miriam Stannage (1939–2016) was an Australian conceptual artist. She was known for her work in painting, printmaking and photography, and participated in many group and solo exhibitions, receiving several awards over her career. Her work was also featured in two Biennales and two major retrospective exhibitions.
Cruthers Collection of Women's Art is a collection of more than 700 artworks by Australian women, held at the University of Western Australia. It is the only public collection focused on women's art in Australia.
Robyn Stacey is an Australian photographer and new media artist known for her large striking still lifes.
Elizabeth Gower is an Australian abstract artist who lives and works in Melbourne. She is best known for her work in paper and mixed-media monochrome and coloured collages, drawn from her sustained practice of collecting urban detritus.
Savanhdary Vongpoothorn is a Laotian-born Australian visual artist. She immigrated with her parents as a seven-year old, and through studies and travel has integrated Laotian, Vietnamese and Australian influences in her art. Her art reflects cross-cultural influences in contemporary Australia as she fuses her personal experiences, dual cultures, and painterly abstraction. She has exhibited widely in Australia and Singapore, and her works are held in major state and regional galleries across Australia. She was a finalist in the Sir John Sulman Prize 2016 and the Moet & Chandon art prize in 1998. She lives and works in Canberra.
Stephanie Radok is an artist and writer based in Adelaide, South Australia, whose work is held in the National Gallery of Australia and the National Gallery of Victoria. She worked as a general editor for Artlink and as an art critic for Artlink, Adelaide Review, and Art Monthly Australia.