The Serenade No. 4 in D major, K. 203/189b was written in August 1774 by Wolfgang Amadeus Mozart for ceremonies at the University of Salzburg. [1] It is nicknamed Colloredo after Mozart's patron, Count Hieronymus von Colloredo. The work is very similar to the serenade K. 204 composed for Salzburg the following summer.
The serenade is scored for two oboes (doubling flutes), bassoon, two horns, two trumpets and strings. There are eight movements:
The March in D, K. 237/189c, was used as an introduction or exit for this work. [1]
The second, third and fourth movements all feature the solo violin prominently, forming a three-movement violin concerto within the serenade. This is similar to the K. 204 serenade from the previous year. These movements are set apart from the rest of the serenade by their choice of keys (B-flat major, F major, B-flat major). [1]
The trio of the second minuet features an independent solo bassoon part.
Like most of his orchestral serenades, a symphony was arranged from a subset of the serenade's movements. The "Serenade Symphony" for this work consists of movements one, six, seven and eight. [2]
Movement 4 is used in Kind Hearts and Coronets (1949). [3] [ failed verification ]
| Biography | |||
|---|---|---|---|
| Music |
| ||
| Family |
| ||
| Influences | |||
| Related | |||
| National | |
|---|---|
| Other | |
 | This article about a classical composition is a stub. You can help Wikipedia by expanding it. |
The Symphony No. 36 in C major, K. 425, also known as the Linz Symphony, was written by Wolfgang Amadeus Mozart during a stopover in the Austrian town of Linz on his and his wife's way back home to Vienna from Salzburg in late 1783. The entire symphony was written in four days to accommodate the local count's announcement, upon hearing of the Mozarts' arrival in Linz, of a concert. The première in Linz took place on 4 November 1783. The composition was also premièred in Vienna on 1 April 1784. The autograph score of the "Linz Symphony" was not preserved, but a set of parts sold by Mozart to the Fürstenberg court at Donaueschingen in 1786 does survive.
The Bassoon Concerto in B-flat major, K. 191/186e, is a bassoon concerto written in 1774 by Wolfgang Amadeus Mozart. It is the most often performed and studied piece in the entire bassoon repertory. Nearly all professional bassoonists will perform the piece at some stage in their career, and it is probably the most commonly requested piece in orchestral auditions – it is usually requested that the player perform excerpts from the concerto's first two movements in every audition.
Franz Schubert's Symphony No. 5 in B♭ major, D. 485, was written mainly in September 1816 and completed on 3 October 1816. It was finished six months after the completion of his previous symphony.
The Symphony No. 39 in E♭ major of Wolfgang Amadeus Mozart, K. 543, was completed on 26 June 1788.
Symphony No. 35 in D major, K. 385, also known as the Haffner Symphony, was composed by Wolfgang Amadeus Mozart in 1782. It was commissioned by the Haffners, a prominent Salzburg family, for the occasion of the ennoblement of Sigmund Haffner the Younger. The Haffner Symphony should not be confused with the eight-movement Haffner Serenade, another piece Mozart wrote on commission from the same family in 1776.
The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.
Symphony No. 20 in D major, K. 133, was composed by Wolfgang Amadeus Mozart in July, 1772, when Mozart was sixteen years old. This symphony is one of many written during the period Mozart stayed in Salzburg, between two trips to Italy. Compared to other symphonies Mozart wrote in this period, the scoring is extravagant, featuring two trumpets in addition to the standard oboes, horns, and strings. The key of D major, which is a key often reserved for ceremonial music, is well suited to the presence of these trumpets.
The Piano Concerto No. 22 in E♭ major, K. 482, is a work for piano, or fortepiano, and orchestra by Wolfgang Amadeus Mozart, composed in December 1785.
The Serenade No. 10 for winds in B-flat major, K. 361/370a, is a serenade by Wolfgang Amadeus Mozart scored for thirteen instruments: twelve winds and string bass. The piece was probably composed in 1781 or 1782 and is often known by the subtitle Gran Partita, though the title is a misspelling and not in Mozart's hand. It consists of seven movements.
The Serenade for orchestra in D major, K. 250 (248b), popularly known as the Haffner Serenade, is a serenade by Wolfgang Amadeus Mozart named for the Haffner family. Mozart's friend and contemporary Sigmund Haffner the Younger commissioned the serenade to be used in the course of the festivities before the wedding of his sister Marie Elisabeth Haffner and her intended, Franz Xaver Spaeth. The Serenade was first played on 21 July 1776, on the eve of the wedding. It is in eight movements:
The Symphony No. 8 in D major,, by Wolfgang Amadeus Mozart is dated 13 December 1768. Mozart wrote the symphony in Vienna, when he was twelve years old, at a time when he and his family were already due to have returned home to Salzburg. In a letter to his friend in Salzburg, Johann Lorenz Hagenauer, Leopold Mozart says of the delay that "we could not bring our affairs to a conclusion earlier, even though I endeavored strenuously to do so." The autograph of the Symphony No. 8 is today preserved in the Berlin State Library.
The Serenade for Orchestra No. 9 in D major K. 320, Posthorn, was written by Wolfgang Amadeus Mozart in Salzburg, in 1779. The manuscript is dated 3 August 1779 and was intended for the University of Salzburg's "Finalmusik" ceremony that year.
Symphony No. 6 in F major, K. 43, was composed by Wolfgang Amadeus Mozart in 1767. According to Alfred Einstein in his 1937 revision of the Köchel catalogue, the symphony was probably begun in Vienna and completed in Olomouc, a Moravian city to which the Mozart family fled to escape a Viennese smallpox epidemic; see Mozart and smallpox.
Symphony No. 7 in D major, K. 45, by Wolfgang Amadeus Mozart, was completed in Vienna in January 1768 after the family's return from a visit to Olomouc and Brno in Moravia. The symphony is in four movements. Its first performance was probably at a private concert. The symphony was reworked to become the overture to Mozart's opera, La finta semplice, K. 51, composed and performed later that year, and the overture itself was subsequently adapted further to create a new symphony, known in the Köchel 1964 (K6) catalogue as K. 46a. The autograph of the score is preserved in the Berlin State Library.
Wolfgang Amadeus Mozart's first four sonatas for keyboard and violin, K. 6–9 are among his earliest works, composed between 1762 and 1764. They encompass several of Mozart's firsts as a composer: for example, his first works incorporating the violin, his first works with more than a single instrument, his first works in more than one movement and his first works in sonata form. In fact, previous to this, all his works had been short solo-pieces for the harpsichord.
The Serenade No. 5 in D major, K. 204/213a was written on 5 August 1775 by Wolfgang Amadeus Mozart for ceremonies at the University of Salzburg. The work is very similar to the serenade K. 203, composed for Salzburg the previous summer.
Vesperae solennes de confessore, K. 339, is a sacred choral composition, written by Wolfgang Amadeus Mozart in 1780. It is scored for SATB choir and soloists, violin I, violin II, 2 trumpets, 3 trombones colla parte, 2 timpani, and basso continuo.
The divertimenti in B-flat major, K 186/159b, and E-flat major, K 166/159d, are two companion compositions for pairs of oboes, English horns, clarinets, horns and bassoons by Wolfgang Amadeus Mozart.
The divertimenti in F major, B-flat major, E-flat major, F major, and B-flat major are five companion compositions for pairs of oboes, horns and bassoons by Wolfgang Amadeus Mozart.
