Serge Attukwei Clottey

Last updated

Serge Attukwei Clottey
Born1985 (age 3738)
Accra, Ghana
Education
OccupationArtist
Known forAfrogallonism

Serge Attukwei Clottey (born 1985) is a Ghanaian artist who works across installation, performance, photography and sculpture. [1] He is the creator of Afrogallonism, an artistic concept, which he describes as 'an artistic concept to explore the relationship between the prevalence of the yellow oil gallons in regards to consumption and necessity in the life of the modern African.' [2] As the founder of Ghana's GoLokal, Clottey tries to transform society through art. [3]

Contents

He is based at Labadi, a suburb of Accra. [4]

Early life and education

Clottey was born in Accra in 1985 [5] and started exhibiting his works around 2003. [6] He was educated at the Ghanatta College of Art and Design in Accra. He then moved to Brazil where he attended Guignard University of Art of Minas Gerais. In 2019 he received an Honorary Doctorate of Art from the University of Brighton. [7]

Exhibitions

Solo exhibitions

Tribe and Tribulation (2022) sculpture situated at North Greenwich, London Tribe and Tribulation - a 2022 sculpture by Serge Attukwei Clottey.jpg
Tribe and Tribulation (2022) sculpture situated at North Greenwich, London

Group exhibitions

Recognition

In August 2019, Clottey received the award of honorary Doctorate of Arts from the University of Brighton. [24]

Selected bibliography

Jana, Rosalind. “Louise Bourgeois and how old clothes can haunt us”, BBC Style. April 6, 2022.

Jamal, Ashraf. “Beyond Skin? Ashraf Jamal reflects on Serge Attukwei Clottey’s recent solo”, Art Africa Magazine. May 21, 2021.

Keh, Pei-Ru. “Serge Attukwei Clottey on fashion, gender, and unexpected art”, Wallpaper. May 4, 2021.

Fontaine, Pearl. “Serge Attukwei Clottey, from Afrogallonism to Duct Tape Portraiture”, whitewall, April 2021.

Berardini, Andrew. “Dry Goods”, Artforum, April 29, 2021.

Looseleaf, Victoria. “Serge Attukwei Clottey Exploring Issues of Belonging and Place”, Art Now LA, April 17, 2021.

Knight, Christopher. Review: "Desert X has a great big wall. Beyond that, this art biennial feels thin”, Los Angeles Times, March 16, 2021.

Ebert, Grace. “Two Imposing Cubes Covered in Yellow Plastic by Artist Serge Attukwei Clottey Respond to Global Water Insecurity”, Colossal, March 16, 2021.

Quinn Olivar, Amanda. “SERGE ATTUKWEI CLOTTEY” Curator, March, 2021.

Finkel, Jori. “Desert X Artists Dig Beneath the Sandy Surface”, The New York Times, March 12, 2021.

Glentzer, Molly. “Contemporary African artists shine in ‘Radical Revisionists’ show”, Houston Chronicle, January 30, 2021.

Brady, Anna and Carrigan Margaret. “Private view: must-see gallery shows opening in January”, The Art Newspaper, January 6, 2021.

Caldwell, Erica. “To Go Local.” BOMB magazine, August 26, 2019.

Can, Gülnaz. “The Migration of Yellow Plastica Gallons.” Wall Street International Magazine, 29 April, 2019.

Donoghue, Katy. “Serge Attukwei Clottey Uses Performance to Address Political, Social, and Local Issues.” Whitewall, 3 April, 2019.

Harpers Bazaar Arabia Art (cover), July, 2019.

Donoghoe, Katy. SERGE ATTUKWEI CLOTTEY’S “TIME AFTER TIME”, Whitewall Magazine.

Chase, Dylan. If this jerrycan could talk, Flaunt Magazine.

Gotthardt, Alexxa. Serge Attukwei Clottey Is Creating a Real-Life Yellow Brick Road in Accra, Artsy.

In pictures: Follow Ghana's 'yellow-brick road', BBC News.

Ghanaian artist making art for Facebook HQ from plastic waste, BBC World.

Nnadi, Chioma. This Artist Is Wearing His Mother’s Clothing to Promote Social Change in Ghana, Vogue Magazine.

Frizzell, Nell. Serge Attukwei Clottey: the artist urging African men to dress as Women’, The Guardian.

Related Research Articles

Alexandra Grant is an American visual artist who examines language and written texts through painting, drawing, sculpture, video, and other media. She uses language and exchanges with writers as a source for much of that work. Grant examines the process of writing and ideas based in linguistic theory as it connects to art and creates visual images inspired by text and collaborative group installations based on that process. She is based in Los Angeles.

The following is a timeline of the history of the city of Accra, Ghana.

<span class="mw-page-title-main">Chale Wote Street Art Festival</span> Street festival in Ghana

The Chale Wote Street Art Festival also known as Chale Wote is an annual street festival in Accra, Ghana. The festival targets exchanges between scores of local and international artists and patrons.

<span class="mw-page-title-main">Cole Sternberg</span>

Cole Sternberg is an American visual artist. Sternberg's works are chiefly in the medium of painting, but also photography, sculpture, room installations and film. His work initially came to public view with the release of Cole Sternberg Paintings, a publication chronicling six years of his painting,. Since then, he has been featured extensively in exhibitions in the United States and Europe.

Kour Pour is a British-born American artist, who is of British and Iranian-descent. His artwork is inspired by living between different cultures and he works primarily in painting and printmaking. Pour is best known for a series of carpet paintings. He lives in Los Angeles.

Project 1975 started in 2010 as a two-year project based in the Netherlands with the intent to explore the relationships between contemporary art and postcolonialism. Through this project Stedelijk Museum Bureau Amsterdam (SMBA) explored the role of art and visual culture in the context of colonial practices. The project consisted of multiple exhibitions, seminars, reading groups, articles, and a blog. "1975" in the title refers to the year that Suriname gained independence and the Netherlands thus became to some extent "postcolonial".

Desert X is a site-specific, contemporary art exhibition that is held in the Coachella Valley in Southern California. The inaugural Desert X was held from February 25 to April 30, 2017, and has held subsequent exhibitions every two years. The next planned exhibition is for March 4, 2023.

Olusegun Adejumo is a Nigerian visual artist, known for his female figure drawings and paintings. He is the director of One Draw Gallery and currently the president of the Guild of Professional Fine Artists Nigeria.

<span class="mw-page-title-main">Nubuke Foundation</span> Art foundation in Ghana

Nubuke Foundation is an art foundation in East Legon in the Greater Accra Region of Ghana. It was established in April 2006.

A Ghanaian film poster is a film poster hand-painted in Ghana used to advertise films produced in Ghana as well as world cinema. Ghanaian film posters, particularly hand-painted posters from the 1980s and 1990s, have become noted for their imaginative and unique artistry. They have been exhibited around the world in galleries and museums in Los Angeles, New York, Hong Kong, San Francisco, Chicago, and across Europe.

Senam Okudzeto is an American and British artist and educator who lives and works in Basel, London, Ghana and New York City.

<span class="mw-page-title-main">Joseph Awuah-Darko</span> Musical artist

Joseph Nana Kwame Awuah-Darko, also known as Okuntakinte, is a Ghanaian social entrepreneur, artist, and philanthropist. He started his music career professionally in late 2015 when he was signed with Meister Music Management which also manages artists like Mr. Eazi. He released his major hit Melanin Girls in January 2016, which was received with controversy as much as with appreciation.

<span class="mw-page-title-main">Prince Gyasi</span> Ghanaian visual artist (born 1995)

Prince Gyasi Nyantakyi also known by the artist name Prince Gyasi is a Ghanaian international visual artist. He is the co-founder of Boxedkids, a non-profit organization helping kids from Accra get an education.

<span class="mw-page-title-main">Bernard Akoi-Jackson</span> Ghanaian artist and writer

Bernard Akoi-Jackson is a Ghanaian academic, artist and writer. He is known for projects that are in continual metamorphosis. His art works are mostly performative or pseudo-rituals. His writings are focused on the development of contemporary African, Ghanaian visual arts and culture in poetic and jovial manner. He is known as a proverbial jester or Esu using critical absurdity to move between installations, dance and poetry, video, and photography. He blends post-colonial African identities through transient and makeshift memorials.

Samuel Prophask Asamoah is a Ghanaian painter. Brush name "Prophask", his works have been exhibited widely, locally and internationally with several in art collections. Asamoah reportedly sits comfortably in the field of painting with his inspirations for his themes from proverbs, daily activities and dreams. His motivation is finding joy while painting and experiencing pain when not painting.

<span class="mw-page-title-main">Amoako Boafo</span> Ghanaian painter

Thomas Amoako Boafo, known as Amoako Boafo, is a Ghanaian painter and visual artist.

Gallery 1957 is a contemporary art gallery located in Accra, Ghana. The gallery intends to present artists of West Africa and the diaspora. It was established in March 2016 by British construction company owner Marwan Zakhem. As of 2018, the gallery has shown artists including Serge Attukwei Clottey, Gideon Appah, Modupeola Fadugba, Godfried Donkor, Yaw Owusu, and Zohra Opoku.

Kofi Setordji is a multidisciplinary visual artist based in Ghana. His works range from graphic design, textile designing, sculpture and painting.

Galle Winston Kofi Dawson was a Ghanaian modernist artist. His range of works included paintings, sculptures, texts, drawing, print, and installations.

Eric Gyamfi is a Ghanaian photographer, living in Accra, who has made work about queer lives there. His work has been shown in solo exhibitions at the Nubuke Foundation in Accra and the Goethe-Institut in Johannesburg. In 2019, he won the Foam Paul Huf Award.

References

  1. AsiwomeWrites. "5 Contemporary Artists in Ghana". AsiwomeWrite.Com. Retrieved 31 January 2020.
  2. "Afrogallonism" . Retrieved 7 February 2019.
  3. "Afrogallonism" . Retrieved 7 February 2019.
  4. Mueller, Baerbel (10 April 2017). [APPLIED] FOREIGN AFFAIRS: Investigating spatial phenomena in rural and urban Sub-Saharan Africa. Birkhäuser. ISBN   978-3-0356-0878-6.
  5. "Serge Attukwei Clottey: 'My body is part of my work's mystery'" . Retrieved 7 February 2019.
  6. "CV" . Retrieved 4 February 2019.
  7. "CV" . Retrieved 7 February 2019.
  8. "Serge Attukwei Clottey: Tribe and Tribulation, 2022". The Line. Retrieved 20 September 2022.
  9. "Serge Attukwei Clottey – Sensitive Balance". GNYP Gallery. Retrieved 10 June 2020.
  10. "Serge Attukwei Clottey / ADESA WE / January 11 – February 29, 2020". Ever Gold [Projects]. Retrieved 10 June 2020.
  11. "Serge Attukwei Clottey: Routes". The Mistake Room. Retrieved 10 June 2020.
  12. "Serge Attukwei Clottey: Solo Chorus". The Mistake Room. Retrieved 10 June 2020.
  13. "KUBATANA. An Exhibition with Contemporary African Artists". Vestfossen Kunstlaboratorium. Retrieved 10 June 2020.
  14. "Current Affairs: Serge Attukwei Clottey". Fabrica. Retrieved 10 June 2020.
  15. "Serge Attukwei Clottey / Everyday Myth: Survival and Sustenance / April 7 – May 26". Ever Gold [Projects]. Retrieved 10 June 2020.
  16. "360 LA Art Exhibition by Serge Attukwei Clottey". Classic Ghana. Retrieved 10 June 2020.
  17. "Serge Attukwei Clottey: Differences Between". Jane Lombard Gallery. Retrieved 10 June 2020.
  18. "Gallery Takeover by Gallery 1957 from Accra, Ghana". Lawrie Shabibi Gallery. Retrieved 10 June 2020.
  19. "Radical Revisionists: Contemporary African Artists Confronting Past and Present". Moody Center. Retrieved 10 June 2020.
  20. "Stormy Weather". Museum Arnhem. Retrieved 10 June 2020.
  21. "Right at the Equator". Depart Foundation. Retrieved 10 June 2020.
  22. "Fairs". Gallery 1957. Retrieved 10 June 2020.
  23. "Defying the Narrative: Contemporary Art from West and Southern Africa / September 8 – October 27". Ever Gold [Projects]. Retrieved 10 June 2020.
  24. "The importance of hope in difficult times". University of Brighton. Retrieved 10 June 2020.