Seven Days is a three-act play written in 1909 by Avery Hopwood and Mary Roberts Rinehart. It is a farce based on Rinehart's 1908 novella of the same name, which had been expanded into a bestselling 1909 novel titled When a Man Marries. Producers Lincoln Wagenhals and Collin Kemper asked Rinehart to adapt the novella for the stage. Since she had not written a play before, she agreed to work with Avery Hopwood, a young playwright with just one produced play, to create the script. Wagenhals and Kemper staged the play at the Astor Theatre on Broadway, where it premiered on November 10, 1909. The production was a hit that played for 397 performances. The play's success led Hopwood to a highly successful career as an author of comedies [1] and enabled Wagenhals and Kemper to retire. [2]
Rinehart and Hopwood would later collaborate on two other hit plays, Spanish Love and The Bat, [1] [3] both also produced by Wagenhals and Kemper, who came out of retirement. [2]
In 1925 the play was adapted into a silent film of the same name starring Lillian Rich and Creighton Hale.
James Avery Hopwood was an American playwright of the Jazz Age. He had four plays running simultaneously on Broadway in 1920.
Albert Herman Woods, born Aladore Herman, was an American theatrical producer. He produced over 140 plays on Broadway, including some of the most successful shows of the period, sometimes under the name of the production company Al Woods Ltd. or A. H. Woods. Woods also built the Eltinge Theatre, named for one of his most successful and profitable stars, Julian Eltinge.
Mary Roberts Rinehart was an American writer, often called the American Agatha Christie, although her first mystery novel was published 14 years before Christie's first novel in 1920.
The Bat is a 1926 American comedy-mystery silent film directed by Roland West and starring Jack Pickford and Louise Fazenda. The film is based on the 1920 Broadway hit play The Bat by Mary Roberts Rinehart and Avery Hopwood, which itself was an adaptation of Rinehart's 1908 mystery novel The Circular Staircase.
Seven Days or 7 Days may refer to:
Madge Kennedy was a stage, film and TV actress whose career began as a stage actress in 1912 and flourished in motion pictures during the silent film era. In 1921, journalist Heywood Broun described her as "the best farce actress in New York".
The Bat Whispers is a 1930 American pre-Code mystery film directed by Roland West, produced by Joseph M. Schenck, and released by United Artists. The film is based on the 1920 mystery play The Bat, written by Mary Roberts Rinehart and Avery Hopwood, and is the second film version by the same director, previously adapted in 1926. An early talkie and one of the first widescreen films, West financed the cinematography, which required two cameramen, several techniques and was once a lost film but thanks to the duplicate filmstock was restored in 1988.
Ladies' Night is a three-act play originally written by Charlton Andrews and later reworked by Avery Hopwood. The play was a sex farce with part of the action set in a Turkish bath instead of a bedroom. A. H. Woods staged it on Broadway, where opened under the direction of Bertram Harrison on August 9, 1920 at the Eltinge 42nd Street Theatre. Ladies' Night had a run of 375 performances with the final curtain falling in June 1921. It was revived on Broadway in adapted forms in 1945 and 1950.
The Bat is a three-act play by Mary Roberts Rinehart and Avery Hopwood that was first produced by Lincoln Wagenhals and Collin Kemper in 1920. The story combines elements of mystery and comedy as Cornelia Van Gorder and guests spend a stormy night at her rented summer home, searching for stolen money they believe is hidden in the house, while they are stalked by a masked criminal known as "the Bat". The Bat's identity is revealed at the end of the final act.
The Breaking Point was a 1923 Broadway three-act drama written by Mary Roberts Rinehart, produced by Wagenhals and Collin Kemper and staged by Kemper.
The Demi-Virgin is a three-act play written by Avery Hopwood. Producer Albert H. Woods staged it on Broadway, where it was a hit during the 1921–22 season. The play is a bedroom farce about former couple Gloria Graham and Wally Deane, both movie actors, whose marriage was so brief that the press speculated about whether Gloria was still a virgin. She attempts to seduce Wally when they are forced to reunite for a movie, but after playing along he surprises her by revealing that their divorce is not valid.
The Gold Diggers is a play written by Avery Hopwood. It popularized the use of the term "gold digger" to refer to women who seek wealthy partners, as opposed to the earlier usage referring to gold miners. Producer David Belasco staged it on Broadway in 1919, with Ina Claire in the lead role. It was a hit, running for two consecutive seasons before going on tour.
Getting Gertie's Garter is a play written by Wilson Collison and Avery Hopwood. Producer A. H. Woods staged it on Broadway, where it opened at the Republic Theatre on August 1, 1921. Hazel Dawn played the role of Gertie. The play was a sex farce, but unlike most productions of its type, the setting was a hayloft instead of a bedroom. It was a success at the box office, running for 15 weeks with 120 performances on Broadway, then moving to touring companies.
The Girl in the Limousine is a play written by Wilson Collison and Avery Hopwood. The story is a bedroom farce about a man who accidentally finds himself undressed in the bedroom of his ex-girlfriend. Producer A. H. Woods staged it on Broadway in 1919. The production was a success, closing at the end of January 1920 after 137 performances. The play was adapted into a movie in 1924.
The Woman in the Case is a play written by Clyde Fitch. The producing duo of Wagenhals and Colin Kemper opened it on Broadway at the Herald Square Theatre on January 31, 1905. Blanche Walsh starred as Margaret Rolfe, while Robert Drouet played Julian Rolfe.
The Circular Staircase is a mystery novel by American writer Mary Roberts Rinehart. The story follows dowager Rachel Innes as she thwarts a series of strange crimes at a summer house she has rented with her niece and nephew. The novel was Rinehart's first bestseller and established her as one of the era's most popular writers. The story was serialized in All-Story for five issues starting with the November 1907 issue, then published in book form by Bobbs-Merrill in 1908.
Broadway Television Theatre is a one-hour syndicated television anthology series produced by WOR-TV in New York City. The series premiered April 14, 1952 and ran for 73 episodes through 1954.
Spanish Love is a three-act play by Avery Hopwood and Mary Roberts Rinehart, who adapted an earlier Spanish play, María del Carmen by Josep Feliu i Codina. Producers Lincoln Wagenhals and Collin Kemper staged it at the Maxine Elliott Theatre on Broadway, where it opened on August 17, 1920. Although critics had reservations about the play, the production was a success, running for over 300 performances. However, the play's success was overshadowed by the tremendous popularity of The Bat, another collaboration between Hopwood and Rinehart that opened on Broadway the following week.
Sadie Love is a three-act play written by Avery Hopwood. Producer Oliver Morosco staged it on Broadway, where it opened at the Gaiety Theatre in November 1915. The play is a farce about a widow named Sadie Love, who marries a prince but discovers he still has feelings for a previous girlfriend. The play was adapted as a movie of the same name in 1919.
The Circular Staircase is a 1915 mystery silent film directed by Edward LeSaint and starring Guy Oliver, Eugenie Besserrer, and Stella Razeto. The film was produced by the Selig Polyscope Company. It is based on the mystery novel of the same name by Mary Roberts Rinehart, which was originally published in five parts starting with the November 1907 issue of All-Story magazine. The film is now lost.
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