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Barbara Sykes into a family of artists, designers and inventors. Since childhood, she has produced work in a variety of different art forms. In 1974, she became one of Chicago's pioneering video and new media artists and, later to include, independent video producer, exhibition curator and teacher. Sykes is a Chicago based experimental video artist who explores themes of spirituality, ritual and indigeneity from a feminist perspective. Sykes is known for her pioneering experimentation with computer graphics in her video work, utilizing the Electronic Visualization Laboratory at the University of Illinois, Chicago, at a time when this technology was just emerging. Her early works broke new grounds in Chicago's emerging New Media Art scene, and continue to inspire women to explore experimental realms. With a passion for community, she fostered significant collaborations with many institutions that include but are not limited to University of Illinois, School of the Art Institute of Chicago, Columbia College, Center for New Television, and (art)n laboratory. These collaborations became exemplary for the showcasing of new media work. The wave of video, new media and computer art that she pioneered alongside many other seminal early Chicago New Media artists persists as a major influence for artists and educators today. Her work has been exhibited internationally, at institutions such as Moderna Museet (Stockholm), Ny Carlsberg Glyptotek (Copenhagen), Musée d'Art Moderne de la Ville de Paris, Museum of Contemporary Art San Diego, Metropolitan Museum of Art , Museum of the Art Institute (Chicago), The Metropolitan Museum of Art and SIGGRAPH. Sykes's tapes have been broadcast in Sweden, Italy, Puerto Rico and extensively throughout in the US, including "The Independents", PBS national broadcast, 1985, and national cablecast, 1984. Media Burn has an online selection of her tapes and over 200 of her raw footage, master edits, dubs and compilation tapes in their Independent Video Archives @ Barbara Sykes https://mediaburn.org/collections/videomakers-page/barbara-sykes/. Select grants include a National Endowment for the Arts and American Film Institute Regional Fellowship, Evanston Art Council Cultural Arts Fund and several Illinois Arts Council grants. In 2017, Sykes began to paint. In 2020, as the recipient of an Evanston Art Center Individual Artist Exhibition Award, Ethereal Abstractions, Sykes's first solo watercolor exhibition premiered 81paintings and she gave an online Artist Talk. Her paintings are lyrical, colorful abstractions reminiscent of organic shapes, ethereal forms and underwater landscapes - evocative impressions of spiritual and elemental worlds. They evoke the spontaneity and themes that have evolved from her previous body of time-based and digital artwork. In 2021, she moved to Florida. Her 2022 painting exhibitions/reviews include Forces of Nature showcased on the cover of Estero Life Magazine and she is in the article, Beholding Beauty: Artists of Estero Exhibit at COCO Art Gallery, the Florida Watercolor Society's 2022 Online Show, the 36th Annual All Florida Exhibition and Connections Art in Flight exhibit at the Southwest Florida International Airport, June 2022 to June 2023. She paints under the name of Barbara L. Sykes.
References
- ↑ "Shelly Silver >> video artist & filmmaker". Archived from the original on 2014-02-03. Retrieved 2014-02-01.
- ↑ "Shelly Silver | Columbia University School of the Arts". Archived from the original on 2010-11-22. Retrieved 2014-02-05.>
- ↑ http://www.eai.org/artistTitles.htm?id=256>
- ↑ Sarrazin, Stephen. Shelly Silver: Video. Museum for Art & History, 2001, p. 30-35.
- ↑ <Wilder, Charly. The Berlin Wall: How Today’s Art Reflects 20 Years of Memories. Esquire Magazine, August 19, 2009.>
- ↑ <Huber-Sigwart, Ann. Dialogue: Shelly Silver. n.paradoxa, International Feminist Art Journal, January 2002. Volume 9.>
- ↑ <Smith, Roberta. Art in Review. The New York Times, December 12, 1997.>
- ↑ <Scott, A.O. Video Artists Escape Hollywood Sensibility to Explore Their Inner Worlds. The New York Times, July 23rd, 2003>
- ↑ <Bellour, Raymond. The Time in Movement. Viva Fotofilm, 2010, p 207-212>
- ↑ https://static1.squarespace.com/static/55fb7a98e4b0fa9f9a7f7a45/t/56628258e4b08333d1f0eb6a/1449296472253/artforum+steinbach+solo.tif.pdf>
- ↑ https://www.faz.net/asv/blinkvideo/portrait-in-the-neighboring-rooms-shelly-silver-and-fantasy-verite-12639310-p2.html>
- ↑ http://www.film-documentaire.fr/4DACTION/w_fiche_film/44834_1/>
- ↑ https://www.screendaily.com/reviews/girls/museum-dok-leipzig-review/5154186.article>
- ↑ https://radiomephisto.de/news/girlsmuseum-virtueller-museumsbesuch-68688>
- ↑ https://www.luhze.de/2020/10/30/ein-film-zum-schweigen/>
- ↑ http://www.imaionline-katalog.de/servlet/return/Silver-Shelly_Bio_GB.pdf?oid=53806&contenttype=application/pdf>
