Shim Sham

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The Shim Sham being danced in Montreal in 2022

The Shim Sham Shimmy,Shim Sham or just Sham originally is a particular tap dance routine and is regarded as tap dance's national anthem. [1] For today's swing dancers, it is a line dance. [2]

Contents

History

In the late 1920s, when Leonard Reed and Willie Bryant were with the Whitman Sisters troupe on the T.O.B.A. circuit in Chicago, they created a tap dance routine they called "Goofus" [3] to the tune Turkey in the Straw. [1] [4] [5] The routine consisted of standard steps: eight bars each of the Double Shuffle, the Cross Over, Tack Annie (an up-and-back shuffle), and Falling Off a Log. [1] [5] [6]

In early 1930s, the Shim Sham was performed on stage in Harlem at places like Connie's Inn, [5] [6] Dickie Wells's Shim Sham Club, [1] [5] the 101 Ranch, [7] the LaFayette Theatre, [1] and the Harlem Opera House. [1]

At the end of many performances, all of the musicians, singers, and dancers would get together on stage and do one last routine: the Shim Sham Shimmy. Tap dancers would perform technical variations, while singers and musicians would shuffle along as they were able. [5] For example, in 1931 flash dance act The Three Little Words would close their show at Connie's Inn with the Shim Sham, and invite everyone to join in, "and the whole club would join us, including the waiters. For awhile people were doing the Shim Sham up and down Seventh Avenue all night long," according to Joe Jones. [6]

According to tap dancer Howard “Stretch” Johnson the word "Shim" was a contraction of the term "she-him", a reference to the fact that the female chorus line dancers at the 101 Ranch were played by men. [7]

At the Savoy Ballroom, some lindy hoppers did the shim sham as a group line dance, without the taps. A bunch of dancers would just jump up and start doing the shim sham on the side of the ballroom, over in the corner. Although a few people might join in, most everybody else kept on dancing without paying any attention to it. [2]

In the mid-1980s, Frankie Manning introduced the shim sham at New York Swing Dance Society dances, and he also created a special version of the shim sham for swing dancers. Frankie Manning's version of the shim sham caught on, and it's now done at swing dances worldwide. [2]

Variations

There are several variations of "shim sham" choreography. There is the choreography used by Leonard Reed and Willie Bryant, as well as a number of variations by Leonard Reed and others. Other "shim sham" choreographies include ones by Frankie Manning, Al Minns and Leon James (also called the "Savoy Shim Sham"), and Dean Collins.

The Leonard Reed Shim Shams:

The dance

The Shim Sham is 10 phrases of choreography (each phrase lasting four 8-counts), so it does not usually take up an entire song. After the Shim Sham was over, the dancers then would exit either stage left or right, depending on what was agreed upon for that show.

Today in the Lindy Hop scene, once the Shim Sham choreography is over, dancers typically grab a partner and break into lindy hop for the remainder of the song. During this portion of the song, the band or a DJ may call out "Freeze!" or "Slow!" instructing the dancers to either stop where they are or dance slowly, then call out "Dance!" to tell everyone to resume normal dancing. The Frankie Manning version repeats the basic choreography (replacing each of the break steps with an 8-beat hold), then adds two Boogie Back/Boogie Forward phrases and two Boogie Back/Shorty George phrases to the end of the second repetition of the basic choreography. [8] Only after the final Shorty George is completed do the dancers break into freestyle Lindy Hop.

The music

The Shim Sham goes best with swing songs whose melody lines start on beat eight, as does the choreography. An obvious choice is The Shim Sham Song (Bill Elliot Swing Orchestra), which was written specifically for this dance and has musical effects (e.g., breaks) in all the right places. However, today the Shim Sham — particularly the Frankie Manning version — is danced more often to "'Tain't What You Do (It's The Way That Cha Do It)" by Jimmie Lunceford and His Orchestra, or "Tuxedo Junction" by Erskine Hawkins. In fact, it is typical now at a Lindy dance party for dancers to start up a Shim Sham whenever "'Tain't What You Do" is played. There is also a recording "Stompin' at the Savoy" with the George Gee band where Manning himself calls out the moves.

The steps

These are the steps of the original 32-bar Shim Sham:

Step 1: The shim sham/double shuffle

BarTimeStepsLeft/Right
18e1stomp spank stepRRR
2e3stomp spank stepLLL
24e1estomp spank ball changeRRRL
2e3stomp spank stepRRR
3+4repeat with sides reversed
5+6repeat bar 1-2, ending with:
62e3stomp spank touchRRR

[9]

The break

BarTimeStepsLeft/Right
78 1stamp toeRL
2 3&step hop stepLLR
8(4)a5hop stepRL
6 7step stepRL

Step 2: Push and cross/Crossover

BarTimeStepsLeft/Right
98123stamp step stamp stepRLRL
104 1estep heel step (crossing in front of right foot)RRL
(2)e3heel stepLR
11+12repeat with sides reversed
13+14repeat bars 9+10
154 1estep heel step (crossing)LLR
(2)e3heel stepRL
16repeat bar 15 with sides reversed

Step 3: Tacky Annies/Tack Annies

BarTimeStepsLeft/Right
17e4e1stamp stamp spank touch (crossing behind)RLRR
2e3stamp spank touch (crossing behind)RLL
184e1stamp spank touch (crossing behind)LRR
2e3stamp spank step (crossing behind)RLL
19-22repeat twice, ending with:
222e3stamp spank stepRLL
23+24Break as before

Step 4: Half breaks/Falling-off-the-log

BarTimeStepsLeft/Right
258 1stamp stepRL
e2e3shuffle ball changeRRRL
26repeat
27+28break as before
29-32repeat 25-28, ending the break with:
32(4)e1hop stepRL
2 3jump out, jump inBB

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References

  1. 1 2 3 4 5 6 Valis Hill, Constance (2010). Tap Dancing America: A Cultural History. Oxford University Press. pp.  80. ISBN   978-0-19-539082-7.
  2. 1 2 3 Manning, Frankie (2007). Frankie Manning, Ambassador of Lindy Hop. Temple University Press. pp. 70, 226. ISBN   978-1-59213-563-9.
  3. Reed, Leonard (September 25, 2018). "Leonard Reed Interview: The Origins of the Shim Sham". YouTube. Archived from the original on 2021-12-11. Retrieved February 18, 2021.
  4. Frank, Rusty (1994). Tap! the greatest tap dance stars and their stories. Da Capo Press. pp.  43–44. ISBN   0-306-80635-5.
  5. 1 2 3 4 5 Feldman, Anita (1996). Inside Tap. Princeton Book Company. pp. 105–106. ISBN   0-87127-199-0.
  6. 1 2 3 Stearns, Marshall and Jean (1994). Jazz Dance: the story of American vernacular dance . Da Capo Press. pp.  195–196. ISBN   0-306-80553-7.
  7. 1 2 Boyd, Herb (2000). Autobiography of a People: three Ccnturies of African American history told by those who lived it . Doubleday, a division of Random House. pp.  260. ISBN   0-385-49278-2.
  8. "The Shim Sham". Jitterbuzz.com. Retrieved 22 May 2018.
  9. "Shim Sham Dance Move by Rod Howell".