"Shooting the messenger" (also "killing the messenger" or "attacking the messenger" or "blaming the bearer of bad tidings / the doom monger") is a metaphoric phrase used to describe the act of blaming the bearer of bad news, despite the bearer or messenger having no direct responsibility for the bad news or its consequences. [1]
Until the advent of modern telecommunication, messages were usually delivered by human envoys. [2] For example, in war, a messenger would be sent from one camp to another. If the message was unfitting, the receiver might blame the messenger for such bad news and take their anger out on them.[ citation needed ]
An analogy of the phrase can come from the breaching of an unwritten code of conduct in war, in which a commanding officer was expected to receive and send back emissaries or diplomatic envoys sent by the enemy unharmed. During the early Warring States period of China, the concept of chivalry and virtue prevented the executions of messengers sent by opposing sides.[ citation needed ]
An early literary citing of "killing the messenger" is in Plutarch's Lives : "The first messenger, that gave notice of Lucullus' coming was so far from pleasing Tigranes that, he had his head cut off for his pains; and no man dared to bring further information. Without any intelligence at all, Tigranes sat while war was already blazing around him, giving ear only to those who flattered him". [3]
A related sentiment was expressed in Antigone by Sophocles as "no one loves the messenger who brings bad news" or "no man delights in the bearer of bad news" (Greek : στέργει γὰρ οὐδεὶς ἄγγελον κακῶν ἐπῶν, romanized: stérgei gàr ohydeìs hángelon kakōn hepōn). [4]
The sentiment that one should not kill the messenger was expressed by Shakespeare in Henry IV, Part 2 (1598), [5] and in Antony and Cleopatra Cleopatra threatens to treat the messenger's eyes as balls when told Antony has married another, eliciting the response "Gracious madam, I that do bring the news made not the match." [6]
The term also applied to a town crier, an officer of the court who made public pronouncements in the name of the ruling monarch, and often including bad news. Harming a town crier was considered treason. [7]
A modern version of "shooting the messenger" can be perceived when someone blames the media for presenting bad news about a favored cause, person, organization, etc. "Shooting the messenger" may be a time-honored emotional response to unwanted news, but it is not a very effective method of remaining well-informed." [8]
Getting rid of the messenger may be a tactical move, but danger found in nondisclosure may result in either hostile responses or negative feedback from others. "People learn very quickly where this is the case, and will studiously avoid giving any negative feedback; thus the 'Emperor' continues with the self-delusion....Obviously this is not a recipe for success". [9] Barbara Ehrenreich in Bright-sided/Smile or Die argued that a culture of "thinking positive" so as to "purge 'negative people' from the ranks...[fed into] the bubble-itis " [10] of the 2000s.
Reactions to the whistleblowing organization WikiLeaks led to calls not to shoot the messenger. [11]
Aeschylus was an ancient Greek tragedian often described as the father of tragedy. Academic knowledge of the genre begins with his work, and understanding of earlier Greek tragedy is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Formerly, characters interacted only with the chorus.
Marcus Antonius, commonly known in English as Mark Antony, was a Roman politician and general who played a critical role in the transformation of the Roman Republic from a constitutional republic into the autocratic Roman Empire.
Gnaeus Pompeius Magnus, known in English as Pompey or Pompey the Great, was a general and statesman of the Roman Republic. He played a significant role in the transformation of Rome from republic to empire. Early in his career, he was a partisan and protégé of the Roman general and dictator Sulla; later, he became the political ally, and finally the enemy, of Julius Caesar.
Cleopatra VII Thea Philopator was Queen of the Ptolemaic Kingdom of Egypt from 51 to 30 BC, and its last active ruler. A member of the Ptolemaic dynasty, she was a descendant of its founder Ptolemy I Soter, a Macedonian Greek general and companion of Alexander the Great. Her first language was Koine Greek, and she is the only Ptolemaic ruler known to have learned the Egyptian language. After her death, Egypt became a province of the Roman Empire, marking the end of the last Hellenistic-period state in the Mediterranean, a period which had lasted since the reign of Alexander.
Antony and Cleopatra is a tragedy by William Shakespeare. The play was first performed around 1607, by the King's Men at either the Blackfriars Theatre or the Globe Theatre. Its first appearance in print was in the First Folio published in 1623, under the title The Tragedie of Anthonie, and Cleopatra.
Antigone is an Athenian tragedy written by Sophocles in 441 BC and first performed at the Festival of Dionysus of the same year. It is thought to be the second oldest surviving play of Sophocles, preceded by Ajax, which was written around the same period. The play is one of a triad of tragedies known as the three Theban plays, following Oedipus Rex and Oedipus at Colonus. Even though the events in Antigone occur last in the order of events depicted in the plays, Sophocles wrote Antigone first. The story expands on the Theban legend that predates it, and it picks up where Aeschylus' Seven Against Thebes ends. The play is named after the main protagonist Antigone.
Oedipus was a mythical Greek king of Thebes. A tragic hero in Greek mythology, Oedipus fulfilled a prophecy that he would end up killing his father and marrying his mother, thereby bringing disaster to his city and family.
In ancient Greek religion and mythology, Iacchus was a minor deity, of some cultic importance, particularly at Athens and Eleusis in connection with the Eleusinian mysteries, but without any significant mythology. He perhaps originated as the personification of the ritual exclamation Iacche! cried out during the Eleusinian procession from Athens to Eleusis. He was often identified with Dionysus, perhaps because of the resemblance of the names Iacchus and Bacchus, another name for Dionysus. By various accounts he was a son of Demeter, or a son of Persephone, identical with Dionysus Zagreus, or a son of Dionysus.
Tigranes II, more commonly known as Tigranes the Great, was a king of Armenia. A member of the Artaxiad dynasty, he ruled from 95 BC to 55 BC. Under his reign, the Armenian kingdom expanded beyond its traditional boundaries and reached its peak, allowing Tigranes to claim the title Great King or King of Kings. His empire for a short time was the most powerful state to the east of the Roman Republic. The appearance of Halley's comet during his reign, as depicted on the rare series of Tigranes's coins, was seen as an auspicious sign.
Lucius Licinius Lucullus was a Roman general and statesman, closely connected with Lucius Cornelius Sulla. In culmination of over 20 years of almost continuous military and government service, he conquered the eastern kingdoms in the course of the Third Mithridatic War, exhibiting extraordinary generalship in diverse situations, most famously during the Siege of Cyzicus in 73–72 BC, and at the Battle of Tigranocerta in Armenian Arzanene in 69 BC. His command style received unusually favourable attention from ancient military experts, and his campaigns appear to have been studied as examples of skilful generalship.
The Mithridatic Wars were three conflicts fought by the Roman Republic against the Kingdom of Pontus and its allies between 88 and 63 BCE. They are named after Mithridates VI, the King of Pontus during the course of the wars, who initiated the hostilities with Rome. Mithridates led the Pontic forces in every war. The Romans were led by various generals and consuls throughout the wars, namely Lucius Cornelius Sulla, Lucius Licinius Lucullus, and Gnaeus Pompey Magnus.
Don't shoot the messenger may refer to:
The Artaxiad dynasty ruled the Kingdom of Armenia from 189 BC until their overthrow by the Romans in 12 AD. Their realm included Greater Armenia, Sophene and, intermittently, parts of Mesopotamia. Their main enemies were the Romans, the Seleucids and the Parthians, against whom the Armenians conducted multiple wars. Under the Artaxiad king Tigranes the Great, the Kingdom of Armenia reached its greatest territorial extent, extending for a brief period from the Caspian to the Mediterranean Sea.
Gordyene or Corduene was an ancient historical region, located south of Lake Van, present-day eastern Turkey.
Cleopatra is a 1963 American epic historical drama film directed by Joseph L. Mankiewicz, with a screenplay adapted by Mankiewicz, Ranald MacDougall and Sidney Buchman from the 1957 book The Life and Times of Cleopatra by Carlo Maria Franzero, and from histories by Plutarch, Suetonius, and Appian. The film stars Elizabeth Taylor in the eponymous role, along with Richard Burton, Rex Harrison, Roddy McDowall and Martin Landau. It chronicles the struggles of the young queen Cleopatra VII of Egypt to resist the imperial ambitions of Rome.
Kill the Messenger may refer to:
The Roman–Parthian Wars were a series of conflicts between the Parthian Empire and the Roman Republic and Roman Empire. It was the first series of conflicts in what would be 682 years of Roman–Persian Wars.
Cappadocia was a province of the Roman Empire in Anatolia, with its capital at Caesarea. It was established in 17 AD by the Emperor Tiberius, following the death of Cappadocia's last king, Archelaus.
Cleopatra VII, the last ruler of Ptolemaic Egypt, died on either 10 or 12 August, 30 BC, in Alexandria, when she was 39 years old. According to popular belief, Cleopatra killed herself by allowing an asp to bite her, but according to the Roman-era writers Strabo, Plutarch, and Cassius Dio, Cleopatra poisoned herself using either a toxic ointment or by introducing the poison with a sharp implement such as a hairpin. Modern scholars debate the validity of ancient reports involving snakebites as the cause of death and whether she was murdered. Some academics hypothesize that her Roman political rival Octavian forced her to kill herself in a manner of her choosing. The location of Cleopatra's tomb is unknown. It was recorded that Octavian allowed for her and her husband, the Roman politician and general Mark Antony, who stabbed himself with a sword, to be buried together properly.