Marcus Elmore Baldwin, nicknamed "Fido" and "Baldy", was an American right-handed professional baseball pitcher who played seven seasons in Major League Baseball (MLB). In 346 career games, he pitched to a 154–165 win–loss record with 295 complete games. Baldwin set the single-season MLB wild pitches record with 83 that still stands today.
Robert Wesley Addy was an American actor of stage, television, and film.
Dream Girl is a 1945 two-act comedy by Elmer Rice, with a large cast, multiple sets, and quick pacing. It depicts a day in the life of a daydreaming bookstore manager, whose vivid fantasies form much of the play's action. The work makes great demands on the actress playing this part, as she is on stage constantly, must make costume and mood changes while jumping between sets, and delivers long soliloquies and a Shakespearean speech. According to some reviewers, her spoken lines were the longest female part known up to that time, nearly as long as Hamlet. The dream fantasies prompted comparison to the short story The Secret Life of Walter Mitty, but critics at the time more often suggested the play Lady in the Dark as an influence.
The Washington Square Players (WSP) was a theatre troupe and production company that existed from 1915 to 1918 in Manhattan, New York City. It started as a semi-amateur Little Theatre then matured into a Repertory theatre with its own touring company and drama school. It received national newspaper coverage and sparked like-minded companies across the country. After it ceased operating, three of its members founded the Theatre Guild.
The Bat is a three-act play by Mary Roberts Rinehart and Avery Hopwood that was first produced by Lincoln Wagenhals and Collin Kemper in 1920. The story combines elements of mystery and comedy as Cornelia Van Gorder and guests spend a stormy night at her rented summer home, searching for stolen money they believe is hidden in the house, while they are stalked by a masked criminal known as "the Bat". The Bat's identity is revealed at the end of the final act.
Dolores Dorn was an American film and television actress, who was the co-star of The Bounty Hunter (1954), Uncle Vanya (1957), Underworld U.S.A. (1961), and several other films through 1985. On Broadway, she was billed as Dolores Dorn-Heft.
The 1892 Yale Bulldogs football team represented Yale University in the 1892 college football season. In its fifth and final season under head coach Walter Camp, the team finished with a 13–0 record and outscored opponents by a total of 429 to 0. Mike Murphy was the team's trainer. The team is regarded as the 1892 national champion, having been selected retrospectively as such by the Billingsley Report, Helms Athletic Foundation, Houlgate System, National Championship Foundation, and Parke H. Davis. Yale's 1892 season was part of a 37-game winning streak that began with the final game of the 1890 season and stopped at the end of the 1893 season.
The Girl in the Limousine is a play written by Wilson Collison and Avery Hopwood. The story is a bedroom farce about a man who accidentally finds himself undressed in the bedroom of his ex-girlfriend. Producer A. H. Woods staged it on Broadway in 1919. The production was a success, closing at the end of January 1920 after 137 performances. The play was adapted into a movie in 1924.
Alan Dale was an influential British theatre critic, playwright and book author of the late Victorian and early 20th Century eras. He was born Alfred J. Cohen in Birmingham England. He arrived in New York in 1887 and became a drama critic for several New York papers i.e., New York Evening World, New York Journal and the New York American. His reviews of plays were often negative but helped sell a lot of William Randolph Hearst's newspapers. The theatre world despised Dale for his acid reviews.
Grace Filkins was an American stage actress.
Johnstone Bennett was an American actress and vaudeville performer.
Minna Gale, also credited as Minna K. Gale and Minna Gale Haynes, was an American actress.
Mamie Gilroy was an American actress and singer in musical theatre.
Rosa Olitzka was a German-born contralto singer. She sang with the Metropolitan Opera from 1895 to 1901, and with the Chicago Opera from 1910 to 1911.
Oriska Worden, born Oriska Haverfield, was an American actress and singer.
Louise Alexander, born Jennie Louise Spalding, was an American theatrical and social exhibition dancer between 1905 and 1916. She began as a chorus girl, soon became a pantomime dancer, then an exhibition social dancer in restaurants and on the vaudeville stage.
Anniversary Waltz is a three-act play, written by Jerome Chodorov and Joseph Fields, and staged by Moss Hart. It is a comedy with a simple plot, medium-sized cast, fast pacing, and only one setting. The action varies from farce to schmaltz, as the Walters celebrate their fifteenth wedding anniversary only to have a family secret go public and send everyone into a frenzy.
José Ruben was a French-born actor whose career from 1910 on was in the United States. He first rose to prominence in 1916-1917 with the Washington Square Players, and for the next ten years was a highly regarded lead player. He acted in over twenty silent films and was a fixture on Broadway stages, as both performer and director, for over forty years. He also taught drama at Barnard College and was a stage director for the New York City Opera.
The Garden of Allah is a play written by Robert Hichens and Mary Anderson. It was based on Hichens 1904 novel of the same name. It consists of four acts and an epilogue, with a medium-sized speaking cast and slow pacing. The play is concerned with the romance between a wealthy young Englishwoman and a half-Russian, half-English man of mysterious background. The settings are various locales in French Algeria and French Tunis around 1900, particularly the oasis town of Beni-Mora, a fictional name for Biskra. The title stems from an Arabic saying that the desert is the Garden of Allah.
Madame Sand is a 1917 play written by Philip Moeller, who subtitled it "a biographical comedy". It consists of three acts, with a medium-sized cast and moderate pacing. Most of the play's characters are historical, figures from the Romantic literary and musical world of the 1830s. Each act has only one scene and one setting. The subject is an episodic treatment of three love affairs conducted by George Sand, with Alfred de Musset, Pietro Pagello, and Frédéric Chopin.
