The shorthand for the instrumentation of a symphony orchestra (and other similar ensembles) is used to outline which and how many instruments, especially wind instruments, are called for in a given piece of music. The shorthand is ordered in the same fashion as the parts of the individual instruments in the score (when read from top to bottom).
The orchestra is divided into four groups (five if a keyboard instrument is used) and specified as follows: [1]
If any soloists or a choir are called for, their parts are usually printed between the percussion/keyboards and the strings in the score.
The basic order of the instruments, as seen above, is common to all of the shorthand systems. However, there is no standardized version of this shorthand; different publishers and librarians use different systems, especially for doubling/alternate/additional instruments. David Daniels, in earlier versions of his influential work that collects in print a catalog of the instrumentations of some 4,000+ pieces, [2] made use of a shorthand for doubling/alternate/additional instruments which was less clear, but in the newer online version [3] Daniels' approach has been refined to something more explicit, akin to the Chester Novello and Boosey & Hawkes notations below.
Examples for different notations (the instrumentation of John Adams' Harmonielehre is used here as an example):
Written out in full: [4] | 4 flutes (2,3,&4=piccolos), 3 oboes (3=English horn), 3 clarinets (3=bass clarinet), bass clarinet, 3 bassoons, contrabassoon, 4 horns, 4 trumpets, 3 trombones, 2 tubas, timpani, percussion (4 players), 2 harps, piano, celesta, strings |
Chester Novello: [5] | 4(3pic)3(1ca)3(1bcl)+bcl3+cbn / 4432 / timp.4perc / 2hp.pf.cel / str |
Boosey & Hawkes: [6] | 4(II,III,IV=picc).3(III=corA).3(III=bcl).bcl.3.dbn - 4.4.3.2 - timp.perc(4):2marimbas/vib/xyl/t.bells/crot/glsp/2susp.cym/sizzle cymbal/cyms/bell tree/2tam-t/2tgl/BD - pft - cel - 2harps - strings |
Piece | Chester Novello | Boosey & Hawkes | Meaning |
---|---|---|---|
Symphony No. 25 (Mozart) | 0202 / 4000 / str [7] | 0.2.0.2 - 4.0.0.0 - strings [6] | 2 oboes, 2 bassoons, 4 horns, strings |
Symphony No. 5 (Beethoven) | 3223 / 2230 / timp.perc / str [8] | 3.2.2.3 - 2.2.3.0 - timp - strings [6] | 3 flutes, 2 oboes, 2 clarinets, 3 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, strings |
Pictures at an Exhibition (Ravel orchestration) | 3(pic)3(ca)33 / 4331 / timp.5perc / 2hp.cel / str [9] | 3(III=picc).3(III=corA).3.3 - 4.3.3.1 - timp.perc(5) - cel - 2harps - strings [6] | 3 flutes (1 doubling piccolo), 3 oboes (1 doubling English horn), 3 clarinets, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, 5 percussionists, celesta, 2 harps, strings |
Symphony No. 1 (Mahler) | 4(2pic)4(ca)4(bcl)3(cbn) / 7431 / 2timp.perc / hp / str [10] | 4(III,IV=picc).4(III=corA).4(III=bcl).3(III=dbn) - 7.4.3.1 - timp(2).perc - harp - strings [6] | 4 flutes (2 doubling piccolo), 4 oboes (1 doubling English horn), 4 clarinets (one doubling bass clarinet), 3 bassoons (one doubling contrabassoon), 7 horns, 4 trumpets, 3 trombones, 1 tuba, 2 timpanists, percussion, harp, strings |
The Rite of Spring (Stravinsky) | 3(1pic)+pic+afl.4(1ca)+ca.3(1bcl)+Dcl(Ebcl)+bcl.4(1cbn) / 8(2ttuba).4(1btpt)pictpt.3.2 / 2timp.4perc / str [5] | 3(III=picc).picc.afl.4(IV=corA).corA.3(III=bcl).Dcl(=Ebcl).bcl.4(IV=dbn).dbn - 8(VII,VIII=ttuba).4(IV=btpt).picctpt.3.2 - timp(2).perc(4):crot/cyms/tam - t/tgl/guiro/BD/tamb - strings [11] | 3 flutes (1 doubling piccolo), piccolo, alto flute, 4 oboes (one doubling english horn), english horn, 3 clarinets (one doubling bass clarinet), D clarinet (doubling E-flat clarinet), bass clarinet, 4 bassoons (one doubling contrabassoon), contrabassoon, 8 horns (2 doubling tenor tuba), 4 trumpets (1 doubling bass trumpet), piccolo trumpet, 3 trombones, 2 tubas, 2 timpani, 4 percussionists (crotales, cymbals, tam-tam, triangle, guiro, bass drum, tambourine), strings |
An example of another approach, particularly useful where there may be extensive versatility required from doubling players, is given here for The Phantom of the Opera for a 45-part orchestra, taken from the Chester/Novello Hire Library:
John Coolidge Adams is an American composer and conductor. Among the most regularly performed composers of contemporary classical music, he is particularly noted for his operas, many of which center around historical events. Apart from opera, his oeuvre includes orchestral, concertante, vocal, choral, chamber, electroacoustic, and piano music.
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