Showtunes | |
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Live album by | |
Released | 2000 |
Recorded | 1998–2000 |
Genre | Power pop, rock |
Label | Parasol |
Professional ratings | |
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Review scores | |
Source | Rating |
Allmusic |
Showtunes is a live album by Tommy Keene. It came out in 2000 on the Parasol Records label. Along with in-concert versions of original compositions, the album includes a cover version of Mission of Burma's "Einstein's Day".
All songs by Tommy Keene, except where noted.
Third is the third album by American rock band Big Star. Sessions started at Ardent Studios in September 1974. Though Ardent created promotional, white-label test pressings for the record in 1975, a combination of financial issues, the uncommercial sound of the record, and lack of interest from singer Alex Chilton and drummer Jody Stephens in continuing the project prevented the album from ever being properly finished or released at the time of its recording. It was eventually released in 1978 by PVC Records.
Fun Trick Noisemaker is the debut studio album from The Apples in Stereo, recorded in a house in Los Angeles, in Robert Schneider's portable Pet Sounds Studio. The album is perhaps the most raw example of the Apples, with the rather lo-fi recording values being eclipsed somewhat by their later efforts. It is one of the band's most critically lauded albums.
Unguarded is the sixth studio album, and ninth album by Christian music singer Amy Grant, released in 1985 on A&M Records. It is Grant's first album released by A&M.
Instant Replay is the seventh studio album by the Monkees. Issued six months after the cancellation of the group's NBC television series, it is also the first album released after Peter Tork left the group and the only album of the original nine studio albums that does not include any songs featured in the TV show from the original NBC run nor the CBS/ABC reruns.
Tommy Keene was an American singer-songwriter, best known for releasing critically acclaimed rock & roll/power pop songs in the 1980s. He has a longtime cult following among fans of the musical genre of power pop.
"Catch the Wind" is a song written and recorded by Scottish singer-songwriter Donovan. It was released as a single in the United Kingdom on 12 March 1965 through Pye Records and a few months later in the United States through Hickory Records. The single was backed with "Why Do You Treat Me Like You Do?" on both the United Kingdom and United States releases.
Crashing the Ether is the seventh album by Tommy Keene. Recorded at his home studio, Keene played most of the instruments himself; among others, John Richardson played drums and Gin Blossoms guitarist Jesse Valenzuela chipped in with some back-up vocals.
Ten Years After is Tommy Keene's fourth studio album, released in 1996. It was his first for Matador Records.
Songs from the Film is Tommy Keene's second full-length album and his major label debut. Originally released on LP and cassette in 1986, it wasn't available on CD until 1998.
Based on Happy Times is Tommy Keene's third album, his second for major label Geffen Records. It was released in 1989 and was his first album available on CD.
Strange Alliance is the debut album by Tommy Keene and was self-released on LP in 1982 on his Avenue Records label. Initially slated for release on Skip Groff's Limp Records, it still carries the Limp catalog number in the run-out groove of the vinyl. Keene's band line-up would remain the same until he moved to Los Angeles following the release of his major label debut, Songs from the Film, in 1986. In addition, a former bandmate of bassist Ted Niceley's from Nightman, Mike Colburn, contributes backing vocals on three songs.
Isolation Party is Tommy Keene's fifth album, and was released in 1998 by Matador Records. It includes a cover version of Mission of Burma's "Einstein's Day".
The Real Underground is a compilation of out-of-print and previously unreleased recordings by Tommy Keene. It was released on CD in 1993 by Alias Records.
Sleeping on a Roller Coaster is an EP by Tommy Keene, released on CD in 1992 by Matador Records. This was his only release of new material between 1989's Based on Happy Times and 1996's Ten Years After.
The Shaming of the True is a rock opera by Kevin Gilbert. It is Gilbert's second solo album, released posthumously in 2000. The album was first released in 2000 as a limited edition and later as a conventional jewel-case CD. A remastered version followed in 2008, and another in 2011 as a limited edition.
In the Late Bright is the eighth full-length album by Tommy Keene.
Undercover is an album of cover versions and remixes by Ministry & Co-Conspirators released on December 6, 2010 by Al Jourgensen's record label 13th Planet Records. The album includes remixes and re-recorded versions of previously released songs such as "N.W.O.", "Stigmata", and "Jesus Built My Hotrod", among others. Every Day Is Halloween: The Anthology, which was released October 5th by Cleopatra Records, features almost all of the same songs with the exception of their cover of Black Sabbath's "Paranoid", which is only available on this album.
Blues And Boogie Shoes is an album by the Keene Brothers, formed by Robert Pollard and Tommy Keene, released in 2006.
Autotheism is the third studio album by American technical death metal band The Faceless. It was released on August 14, 2012 through Sumerian Records. The album debuted at number 50 on the Billboard 200, number 3 on the Top Hard Rock Albums, number 13 on the Top Independent albums, number 18 on Top Rock albums, and hit number 1 on the CMJ radio loud rock chart. This is the band's only album to feature vocalist Geoffrey Ficco.
The Mission is the sixteenth studio album by the band Styx, released on June 16, 2017 through UMe. It is the band's first studio album since 2005's Big Bang Theory and their first release of original material since 2003's Cyclorama. The album reached #45 on the Billboard 200, propelled by pre-sales prior to its official release date, but fell off the chart after 2 weeks. Reaching the Top 100 in four other countries, the concept album tells the story of a mission to the planet Mars in the year 2033. The album's story was written by Tommy Shaw and Will Evankovich. Evankovich played a significant role, serving as producer and co-writing all but 1 of the full length tracks.