Sietze K. de Vries (born 1973) is a Dutch organist, church musician and academic teacher. In the context of his international concert activities, he became known for his renowned organ improvisations on chorale, psalm, and hymn melodies in numerous styles and the Genevan Psalter in numerous styles, but most especially in that of the Renaissance and the Baroque.
He is one of several organists at the Martinikerk in the Dutch city of Groningen.
Sietze de Vries' father was the organist at the Gereformeerde Kerk (Vrijgemaakt) in Niezijl, where his grandfather was the sexton. During his school years, de Vries attended the Gomarus College in Groningen. Since 1988, he received organ lessons from lecturers at the Prins Claus Conservatorium in Groningen. The lessons took place at the famous Organ in the Martinikerk at Groningen, which received its authoritative form in 1692 through Arp Schnitger. de Vries studied at the Groningen Conservatory with Johan Beeftink, Jan Jongepier and Wim van Beek until he obtained his bachelor's degree in 1994. [1] At the Royal Conservatory of The Hague followed two years in the organ class of Jos van der Kooy, graduating with a master's degree in 1996. There, de Vries deepened his knowledge of improvisation with van der Kooy from 1996 to 1998. [2] Since 1994, de Vries has been active as a concert organist. In 2002, he won the International Organ Improvisation Competition in Haarlem. [3]
At the Southern Adventist University in Tennessee, de Vries has held a visiting professorship since 2011. Since 2015, he has been a lecturer in piano at the Prins Claus Conservatorium, and in 2020 he received an appointment there as a lecturer in the organ major, succeeding Theo Jellema from September 2021.
Since 2017, he has shared with Stef Tuinstra the organist position of the Martinikerk Groningen, which was held by Wim van Beek for 60 years before them. [4] In addition, he is still organist with a quarter position at the Immanuelkerk in Groningen, where he has worked since 2014.
De Vries is the artistic director of the Stichting Hinszorgel Leens, a foundation that promotes young talent. He also directs the Organ Education Center Groningen, which, starting with the Hinsz organ of the Petruskerk in Leens, aims to preserve and publicise the historic organ landscape of Groningen (province). He gives organ lessons, leads organ excursions and master classes.
Improvisations in various styles from the Renaissance to the modern are a fixed component of his concerts. As a rule, he adapts stylistically to the instrument and plays in the style of the epoch in which the organ was created. His improvisations present the individual tonal possibilities of the respective organ in the manner of stops performances. His CDs recordings also always include improvisations, preferably in the style of the 17th and 18th centuries. [5] More than 800 recordings have been uploaded on his video channel and in parallel on YouTube (as of 2021). Recently, de Vries started publishing a video-course in organ improvisation. [6]
He regularly writes specialist articles in the field of organ building, church music and improvisation and is editor for the organ building section of the Dutch trade journal Het Orgel . [7]
De Vries bought the deconsecrated church in the village of Niezijl and made it his private residence. The organ there by Marten Eertman from 1907 (originally I/p/10) [8] is being rebuilt in several stages into a two-manual instrument with independent pedal in the style of the late baroque (II/P/21). In addition, there are further keyboard instruments, besides three house organs also harpsichords, a clavichord and harmoniums. de Vries has been married to the conductor Sonja de Vries, (née van der Linden, born 1980) since 2005 and has a daughter and a son with her. His wife grew up in South Africa, also studied music and has conducted the Roden Girl Choristers since 2008. Her husband has been organist of the boys' choir "Roder Jongenskoor" and the girls' choir since 2006. [9]
De Vries speaks four languages fluently: Dutch (his native tongue), German, English, and Afrikaans.
Most of the CD recordings were released on his own label "JSB Records".
Dieterich Buxtehude was a Danish organist and composer of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach and George Frideric Handel. Buxtehude is considered one of the most important composers of the 17th century.
Jan Pieterszoon Sweelinck was a Dutch composer, organist, and pedagogue whose work straddled the end of the Renaissance and beginning of the Baroque eras. He was among the first major keyboard composers of Europe, and his work as a teacher helped establish the north German organ tradition.
Johann Adam Reincken was a Dutch/German organist and composer. He was one of the most important composers of the 17th century, a friend of Dieterich Buxtehude and a major influence on Johann Sebastian Bach; however, very few of his works survive to this day.
Arp Schnitger was an influential Northern German organ builder. Considered the paramount manufacturer of his time, Schnitger built or rebuilt over 150 organs. He was primarily active in Northern Europe, especially the Netherlands and Germany, where a number of his instruments still survive.
Passacaglia and Fugue in C minor is an organ piece by Johann Sebastian Bach. Presumably composed early in Bach's career, it is one of his most important and well-known works, and an important influence on 19th- and 20th-century passacaglias: Robert Schumann described the variations of the passacaglia as "intertwined so ingeniously that one can never cease to be amazed."
Wolfgang Friedrich Rübsam is a German-American organist, pianist, composer and pedagogue.
Pieter William Kee was a Dutch organist and composer.
Harald Vogel is a German organist, organologist, and author. He is a leading expert on Renaissance and Baroque keyboard music. He has been professor of organ at the University of the Arts Bremen since 1994.
Jürgen Ahrend was a German organ builder famous for restoring instruments such as the Gothic Rysum organ and the Arp Schnitger organs of the Martinikerk in Groningen, Netherlands, and of St. Jacobi in Hamburg as well as building original instruments. He ran the workshop Jürgen Ahrend Orgelbau in Leer from 1972 to 2004, operating internationally.
Cornelius Herman "Cor" Edskes was a Dutch organbuilder and organologist who was one of the most important authorities on the history of organ building in Northern Europe. He acted as the consultant for the restoration of many of Europe's most important historical organs, including those in the Nieuwe Kerk (Amsterdam) and Roskilde Cathedral.
Martinikerk Rondeau is a 110-minute documentary film directed by Will Fraser and produced by Fugue State Films for Boeijenga Music Publications, about the historic organs of the Dutch province of Groningen. Centred on the organ of the Martinikerk, Groningen, it also includes the organs of Krewerd, Zeerijp, Loppersum, Noordwolde, Kantens, Uithuizen, Noordbroek, Nieuw-Scheemda, Der Aa-kerk, Groningen, Leens, Zandeweer, Zuidbroek, Farmsum, and Middelstum. The film includes interviews with organ builder Jürgen Ahrend, organ consultant Cor Edskes and organ builder Bernhardt Edskes. It was released as part of the boxed set Pronkjuwelen in Stad en Ommeland in 2009.
"An Wasserflüssen Babylon" is a Lutheran hymn by Wolfgang Dachstein, which was first published in Strasbourg in 1525. The text of the hymn is a paraphrase of Psalm 137. Its singing tune, which is the best known part of the hymn and Dachstein's best known melody, was popularised as the chorale tune of Paul Gerhardt's 17th-century Passion hymn "Ein Lämmlein geht und trägt die Schuld". With this hymn text, Dachstein's tune is included in the Protestant hymnal Evangelisches Gesangbuch.
Willem Tanke is an organist and acclaimed recitalist known for his interpretations of works by J.S. Bach, Max Reger, Olivier Messiaen and contemporary composers. In addition he is noted for his own musical language as an improviser and a performing composer. As a teenager, he was drawn especially to wanting to play the organ by the religiously-inspired music of J.S. Bach and Olivier Messiaen, and also John Coltrane.
An Wasserflüssen Babylon is a chorale fantasia for organ by Johann Adam Reincken, based on "An Wasserflüssen Babylon", a 16th-century Lutheran hymn by Wolfgang Dachstein. Reincken likely composed the fantasia in 1663, partly as a tribute to Heinrich Scheidemann, his tutor and predecessor as organist at St. Catherine's Church, Hamburg. With its 327 bars, it is the most extended repertoire piece of this kind. Reincken's setting is a significant representative of the north German style of organ music.
The west gallery organ of the Martinikerk in Groningen dates from the 15th century; it took its present form in the 18th century when it was expanded by Arp Schnitger, his son Franz Caspar Schnitger and his successor Albertus Antonius Hinsz. It has 52 speaking stops on three manuals and pedal, and is one of the largest and most famous baroque organs in Northern Europe.
The west gallery organ in the Aa-kerk in Groningen was built by Arp Schnitger in 1699–1702. Originally built for the Academiekerk in Groningen it was moved to the Aa-kerk in 1815. Today it has 40 stops on three manuals and pedal, and is a monument of European significance.
Stef Tuinstra is a Dutch organist, organ expert and author.
Bernhardt Hilbrand Edskes was a Dutch-Swiss organist, organologist, and organ builder based in Wohlen.
Albertus Antonius Hinsz was an organ builder in the Netherlands, who followed in the tradition of Arp Schnitger.
Niezijl, historically Bomsterzijl, is a village in the municipality of Westerkwartier in the province of Groningen in the Netherlands. The village is located between Grijpskerk and Zuidhorn on the N355, the trunk highway from Leeuwarden to Groningen. As of 2021, Niezijl had a population of 420. The village is intersected by two canals, the Niezijlsterdiep and the Hoerediep.