Stef Tuinstra (born 4 May 1954) is a Dutch organist, organ expert and author.
Born in Groningen, Tuinstra grew up in a musical family. His father was an orchestra musician from Friesland, his mother an amateur singer, his brother Luuk played trombone in radio orchestras for years. Tuinstra received piano lessons at the age of six, trombone lessons at nine and organ lessons from the age of fourteen. [1]
Tuinstra studied organ at the Prins Claus Conservatory in Groningen with Wim van Beek (1930-2017) and completed his master's degree cum laude. Minor subjects were piano and trombone; he also had harpsichord lessons. Tuinstra studied with Gustav Leonhardt and deepened his skills in master classes with Luigi Ferdinando Tagliavini, Ton Koopman and Harald Vogel. He was introduced as organ expert by Klaas Bolt. In 1978, he graduated in choral conducting and church music. One year later he won the Prix D'Exellence and in 1980 the Choral Prize at the National Improvisation Competition in Bolsward and in 1986 the International Harpsichord Competition in Bruges. [2]
As an organ expert Tuinstra works together with the Protestant Church in the Netherlands and the "Rijksdienst voor het Cultureel Erfgoed". He has supervised more than 140 new organ constructions and restoration projects, including Arp Schnitger's Orgel der Dorpskerk Mensingeweer and his Organ in the Aa-kerk in Groningen.
Since 1973, he has been cantor organist in Zeerijp. In 1978, Tuinstra founded the chamber choir Musica Retorica, which he conducted until 1993. [3] In 1992, he founded the North Netherlands Organ Academy, which he has directed ever since. In the same year he became organist at the Nieuwe Kerk in Groningen with its classical organ by Johannes Wilhelmus Timpe (1831). Since 2017, he has shared with Sietze de Vries the organist position at Martinikerk, which Wim van Beek had previously held for 60 years. [4] There is one of the most famous baroque organs of Northern Europe, which was given its definitive shape in 1692 by Arp Schnitger.
Tuinstra regularly gives concerts, which he enriches with improvisations in various styles from Renaissance to modern music. His master classes are held in Europe, Japan and the U.S.A. Two of his CD recordings have been awarded the Edison Prize. A special role is played by his recording of the complete works of Georg Böhm for organ and harpsichord. Tuinstra is a representative of the historically informed performance, in which the rhetoric and emotional content of the works determine the interpretation. On the basis of continuo playing with improvisatory elements, the aim is to achieve orchestral organ playing. [5]
Tuinstra lives in Bedum, not far from Groningen, and has two daughters. His daughter Gerdine Tuinstra studied singing at the Prins Claus Conservatory and occasionally performs as a soprano together with her father.
Dieterich Buxtehude was a Danish composer and organist of the Baroque period, whose works are typical of the North German organ school. As a composer who worked in various vocal and instrumental idioms, Buxtehude's style greatly influenced other composers, such as Johann Sebastian Bach and George Frideric Handel. Buxtehude is considered one of the most important composers of the 17th century.
Johann Adam Reincken was a Dutch/German organist and composer. He was one of the most important composers of the 17th century, a friend of Dieterich Buxtehude and a major influence on Johann Sebastian Bach; however, very few of his works survive to this day.
Arthur Emil Helmut Walcha was a German organist, harpsichordist, music teacher and composer who specialized in the works of the Dutch and German baroque masters.
Arp Schnitger was an influential Northern German organ builder. Considered the paramount manufacturer of his time, Schnitger built or rebuilt over 150 organs. He was primarily active in Northern Europe, especially the Netherlands and Germany, where a number of his instruments still survive.
Georg Böhm was a German Baroque organist and composer. He is notable for his development of the chorale partita and for his influence on the young J. S. Bach.
The Martinikerk is the oldest church in Groningen, Netherlands. The church and its associated tower are named after Saint Martin of Tours (316–397), the patron saint of the Bishopric of Utrecht to which Groningen belonged.
The organ of the St. Jacobi Church in Hamburg, was built from 1689 to 1693 by the most renowned organ builder of his time, Arp Schnitger. The organ boasts four manuals and pedal with 60 stops, 15 of which are reeds – and has approximately 4000 sounding pipes. All in all, from the organ's original installation and its condition today not much of its conception has changed. The old pipework and the prospect pipes have been preserved in almost original format. It is the largest organ in existence from before 1700 and is one of the most eminent Baroque instruments that have been preserved.
Wolfgang Friedrich Rübsam is a German-American organist, pianist, composer and pedagogue.
Harald Vogel is a German organist, organologist, and author. He is a leading expert on Renaissance and Baroque keyboard music. He has been professor of organ at the University of the Arts Bremen since 1994.
Jürgen Ahrend was a German organ builder famous for restoring instruments such as the Gothic Rysum organ and the Arp Schnitger organs of the Martinikerk in Groningen, Netherlands, and of St. Jacobi in Hamburg as well as building original instruments. He ran the workshop Jürgen Ahrend Orgelbau in Leer from 1972 to 2004, operating internationally.
Cornelius Herman "Cor" Edskes was a Dutch organbuilder and organologist who was one of the most important authorities on the history of organ building in Northern Europe. He acted as the consultant for the restoration of many of Europe's most important historical organs, including those in the Nieuwe Kerk (Amsterdam) and Roskilde Cathedral.
Matthias Dropa was a German organ builder. A pupil of Arp Schnitger, he built organs in Northern Germany, including St. Michaelis, Lüneburg.
Benjamin Alard is a French classical organist, harpsichordist and clavichordist.
The west gallery organ of the Martinikerk in Groningen dates from the 15th century; it took its present form in the 18th century when it was expanded by Arp Schnitger, his son Franz Caspar Schnitger and his successor Albertus Antonius Hinsz. It has 52 speaking stops on three manuals and pedal, and is one of the largest and most famous baroque organs in Northern Europe.
The west gallery organ in the Aa-kerk in Groningen was built by Arp Schnitger in 1699–1702. Originally built for the Academiekerk in Groningen it was moved to the Aa-kerk in 1815. Today it has 40 stops on three manuals and pedal, and is a monument of European significance.
Bernhardt Hilbrand Edskes was a Dutch-Swiss organist, organologist, and organ builder based in Wohlen.
Sietze K. de Vries is a Dutch organist, church musician and academic teacher. In the context of his international concert activities, he became known for his renowned organ improvisations on chorale, psalm, and hymn melodies in numerous styles and the Genevan Psalter in numerous styles, but most especially in that of the Renaissance and the Baroque.
Albertus Antonius Hinsz was an organ builder in the Netherlands, who followed in the tradition of Arp Schnitger.
Heinrich Hermann Freytag was a German/Dutch organ builder. A pupil of Albertus Antonius Hinsz, he became one of the most important organ builders in the Netherlands around 1800. His work, of a high standard, follows in the traditions established by Arp Schnitger.
Franz Caspar Schnitger was a German organ-builder active in the Netherlands.