The Silliman University National Writers Workshop (SUNWW) is an annual creative writing workshop that was established in 1962 by the late Edilberto K. Tiempo and National Artist for Literature Edith L. Tiempo of Silliman University.
The SUNWW is the longest-running creative writing workshop in Asia. [1] It is commonly regarded as the most prestigious one in the entire region, having been able to produce many of the most influential and renowned names in Philippine literature.
Practically all Filipino writers of any importance have joined the Silliman Writers Workshop at one time or another, either as fellows, lecturers, or panelists. Being a pioneer, the Silliman Writers Workshop occupies a premier position in the history of creative writing in the Philippines.
With the workshop's integrity and tradition over the years, it has become a rite of passage for the country's finest writers. [2]
The Silliman University National Writers Workshop in Dumaguete is the oldest creative writing program in Asia. In 2009, Dr. Edith Tiempo was named Director Emeritus of the National Writers Workshop. [3]
Apart from Silliman University, over the years the Workshop has received support from the Ford Foundation, the National Commission for Culture and the Arts (NCCA), the CAP Family of Companies, the Creative Writing Foundation, the Dumaguete Literary Arts (DuLA) Group, and various cultural institutes based in the United States and Europe.
Last 2010 marked a milestone in the development of Philippine literature and the writing craft, as the Silliman University National Writers Workshop, headed by its first director-in-residence, Dr. Rowena Tiempo-Torrevillas, and the visionary Dr. Ben S. Malayang III, University President, first invited a writer beyond the Philippines to sit in as a guest panelist for a week to enrich the workshop by infusing Asian consciousness. The first international guest writer was Hong Kong's Xu Xi. For 2011, it is Singapore's Kirpal Singh. For 2012, it is Nathan Aw Ming Kun [4] from the Singapore Management University (SMU). [5] [6] [7]
Also in 2010, Silliman University welcomed the panelists, writing fellows, workshop alumni, and guests to the Writers Village at Camp Lookout, Valencia. [8]
Due to decreases in budgetary allocations, the Silliman National Writers Workshop (for some time) disassociated itself from Silliman University, and started to get its funding from the National Commission of Culture and Arts (NCCA). Its name was changed to the Dumaguete National Writers Workshop. In 2008, however, the organization of the workshop returned to Silliman University's English Department, with additional support from the NCCA, as well as local businesses from Dumaguete and other literature and art enthusiasts. Eventually, the workshop was rechristened with the name Silliman University National Writers Workshop. [9] [10]
In 2012, the SUNWW was given the Tanging Parangal in the Gawad CCP Para sa Sining by the Cultural Center of the Philippines, the highest distinction given by CCP in recognition of an individual or an organization's contributions to Philippine arts and culture. [11]
National Artist for Literature Cirilo Bautista described the legacy of the SUNWW, "It is an understatement to say that it [SUNWW] has a significant influence on the growth of our literature. The number of applicants increases each year, and the works of writers who have passed through it continue to enrich our arts and letters.
The SUNWW has trained several generations of writers, many of whom are now influencing the shape, direction, and development of Philippine literature. Many of the SUNWW alumni have won prestigious literary prizes such as the Don Carlos Palanca Memorial Awards for Literature, the Nick Joaquin Literary Awards, and the Philippines Free Press Literary Contest, among others.
The SUNWW draws numerous applicants from the entire country to compete for the fellowship. Fellowships are offered to emerging Filipino writers in various genres namely fiction, poetry, creative nonfiction, and drama.
The first screening panel, composed of several members of the Creative Writing Foundation, selects the writing fellows for the summer based on the manuscripts submitted by the applicants. These selected manuscripts are forwarded to the director of the workshop, who does the final screening and facilitates the deliberation before approving the final lineup of writing fellows.
The writing fellowship covers board and lodging for the full 22 days of the duration of the entire workshop. The SUNWW is held for three weeks every summer in the Mary Rose Lamb Sobrepeña Writers Village, Dumaguete. [12]
The applicant must submit the following requirements: [13]
Original manuscripts consisting of at least 3-5 short stories, or, 3-5 essays, or 3-5 one-act plays, or 7-10 poems (stories, plays, and poems in English are preferred); a cover letter addressed to the director; a notarized certification of originality of works a recommendation letter from a renowned writer or literature professor; two 2x2 pictures; and a brief biodata or resume.
It is mandated that all submissions of manuscripts are done anonymously. Names of the author or aliases must not appear on any of the manuscripts to preserve the rigorous standards of the workshop's screening processes.
Silliman University is a private research university in Dumaguete, Philippines. Established in 1901 as Silliman Institute by the Presbyterian Board of Foreign Missions, it is the first American and Protestant founded institution of higher learning in the Philippines and in Asia.
Edilberto Kaindong Tiempo was a Filipino writer and professor. He and his wife, Edith L. Tiempo, are credited by Silliman University with establishing "a tradition in excellence in creative writing and the teaching of literacy craft which continues to this day" at that university.
J. Neil Carmelo Garcia earned his AB Journalism, magna cum laude, from the University of Santo Tomas in 1990; MA in Comparative Literature in 1995, and PhD in English Studies: Creative Writing in 2003 from the University of the Philippines Diliman. He is a Professor of English, creative writing and comparative literature at the College of Arts and Letters, University of the Philippines Diliman, where he also serves as an Associate for Poetry at the Likhaan: U.P. Institute of Creative Writing.
Ian Rosales Casocot is a Filipino journalist and writer of speculative fiction, literary fiction, poetry, drama, and creative nonfiction from Dumaguete, Philippines. He is known for his prizewinning short stories "Old Movies," "The Hero of the Snore Tango," "Rosario and the Stories," "A Strange Map of Time," "The Sugilanon of Epefania's Heartbreak," and "Things You Don't Know." He maintained A Critical Survey of Philippine Literature, a website on Filipino writings and literary criticism.
Marjorie Evasco is a Filipina poet. She writes in two languages: English and Cebuano-Visayan and is a supporter of women's rights, especially of women writers. Marjorie Evasco is one of the earliest Filipina feminist poets. She is a recipient of the S.E.A. Write Award.
César Ruiz Aquino is a Filipino poet and novelist. He was born and raised in Zamboanga, Philippines. He was educated at Silliman University, at UP Diliman, at the Ateneo de Manila on Padre Faura, and at AE. His writing career began when Philippine Graphic published his story 'Noon and Summer' written in 1961. At age 19, he received an invitation to - and a virtual writing fellowship at - the first, 1962, Silliman National Writers Summer Workshop in Dumaguete that included as fellows Wilfrido D. Nolledo, Jose Lansang Jr. and Wilfredo Pascua Sanchez - as well as mentors Nick Joaquin, Franz Arcellana and Edilberto Tiempo and Edith Tiempo.
Elsa Martinez De Coscolluela is a Filipina poet, short-story writer, and playwright from Bacolod. She is married to Jose Orlando H. Coscolluela and has three sons, Jose Orlando Jr, John Paul Rupert, and Jacques Oscar Celerino. She finished her AB and MA for Creative Writing at the Silliman University, a school noted for training writers in the Philippines, and also a doctorate in Language and Literature from the De La Salle University.
Ophelia Alcantara Dimalanta was a Filipina poet, editor, author, and teacher. One of the country's most respected writers, Dimalanta published several books of poetry, criticism, drama, and prose and edited various literary anthologies. In 1999, she received Southeast Asia's highest literary honor, the S.E.A. Write Award.
Edgar Calabia Samar is a poet and novelist from San Pablo City, Philippines. He has received the Philippine National Book Awards for his novels and book of criticism, and the Palanca Awards for his poetry collections and short fiction. His novels Sa Kasunod ng 909, Si Janus Silang at ang Tiyanak ng Tabon and Si Janus Silang at ang Labanang Manananggal-Mambabarang all won the Philippine National Book Awards for Best Novel in a Philippine Language in 2012, 2015, and 2016, respectively. He has also been awarded the PBBY-Salanga Writer's Prize, the NCCA Writer's Prize for the Novel, the Gantimpalang Collantes sa Sanaysay, and the Gawad Surian sa Tula. His poetry books, Pag-aabang sa Kundiman: Isang Tulambuhay and Samantalang Sakop at Iniibig: Panibagong Tulambuhay were both nominated for the National Book Award. His award-winning children story Uuwi na ang Nanay Kong si Adarnahas been adapted into play and was staged at the Cultural Center of the Philippines as part of The Virgin Labfest in July 2008. The same story was also adapted for television in a storytelling segment of GMA-7's Art Angel episode last May 29, 2008. His book, Walong Diwata ng Pagkahulog, was recipient of the 2005 NCCA Writer's Prize; its translation to English as Eight Muses of the Fall was longlisted in the 2009 Man Asian Literary Prize. Samar is also fellow to the 2010 International Writing Program of the University of Iowa.
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